简介：十四岁的约翰从小就生长在修道院中，没有亲人，亦没有过去。一天，一位神秘的妇人安吉拉（玛利亚·若奥·巴斯托斯 Maria João Bastos 饰）找到了约翰，声称自己是他的亲生母亲，并且向约翰讲述了她曾经的故事。　　安吉拉是侯爵的女儿，她和伯爵之子席尔瓦（何塞·阿方索·皮蒙特尔 José Afonso Pimentel 饰）相爱，遭到了父亲的强烈反对。然而，叛逆的安吉拉并没有屈服，她腹中怀着席尔瓦的孩子，决定与其私奔。暴怒的侯爵派出杀手刺杀席尔瓦，甚至连安吉拉腹中的胎儿也不放过，幸运的是，安吉拉得到了一位神父和令一位神秘人的帮助，约翰才得以长大。成年之后，约翰来到巴黎，遇见了一位贵妇，他答应帮助贵妇找到杀死她哥哥的凶手，让约翰没有想到的是，这名凶手竟然正是当初帮助过他和他母亲的神秘人。

简介：Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

简介：奥兰多和萨乌，两名个性迥异的男孩，偶然产生交集。奥兰多充满自信，完全不因身为HIV阳性而自暴自弃；萨乌毫无自信，而且对性一知半解。他们的相遇影响彼此看待人生的方式，性也能是无拘无束的美好接触，而非掠夺侵占的予取予求。

简介：在一场热闹的派对上，帅气的男孩尤瑟夫（加内姆·泽雷利 Ghanem Zrelli 饰）邂逅了美丽的女孩玛利亚姆（玛丽亚姆·艾尔·费尔詹尼 Mariam Al Ferjani 饰），两人之间起了奇妙的化学反应。本以为这是一次浪漫的邂逅的尤瑟夫，却震惊的从玛利亚姆口中得知，就在不久之前，她被几个警察强暴了。　　在正义感的驱使之下，尤瑟夫带玛利亚姆前往私人诊所检查身体，然而却因为玛利亚姆没有能够证明自己身份的文件而遭到了诊所的拒绝接待，一连串的遭遇让尤瑟夫和玛利亚姆感受到了走投无路的滋味，但他们明白，他们必须将命运牢牢掌握在自己的手中，唯一能够拯救玛利亚姆的只有他们自己。

简介：德里监狱一条街 打听打听谁是爹

简介：As a young Indian girl born outside caste, Thulasi is trying to box her way out of poverty, but the struggle for an independent life is hardest outside the ring.

简介：根据爱沙尼亚女人厄娜的记忆改编，讲述了大批民众被放逐到西伯利亚的故事和这批民众如何在饥饿、寒冷、冷漠、失去友情和自由中生存，当所有的希望消失殆尽，他们又如何继续活下去的故事。

简介：Jaya and Yogi set out on a short journey to retrace past relationships and end up in the most eventful, strange, crazy trip of their lives. This short journey through Rishikesh, Bikaner and Gangtok with the ups and downs, the missed trains and taxi rides, the heartbreak and the mending of old friendships, the quarrels and self-discovery, sweeps Jaya and Yogi away, and indeed us as well, into a very special and unforgettable experience. And do they fall in love We really hope so.

简介：七个年轻人去一个荒凉的森林寻找熊，他们不知道的是，一个疯狂的越南老兵住在那里，他正在等待新鲜的血液……

简介：A massive earthquake strikes the United States, which destroys the West Coast and unleashes a massive flood that threatens to destroy the East Coast as well.　　If you're wondering about this film and why it's dubbed in Italian, then read the following comment from IMDb　　I have always wondered about the disappearance of Deluge. Why for so many years, seemingly since it's release in 1933, this film vanished from the face of the earth. After seeing it, courtesy of the efforts of Mr. Wade Williams Co., I'm still puzzled, but I have a theory. In 1933, the code was enacted that pretty much took care of sex and violence in Hollywood. While not an explicit film by any means, Deluge does deal fairly frankly with sexuality, lust and rape. I wonder if RKO discovered they had a film that they could not re-release, much like the fabled lost Warner Bros. comedy Convention City. It's a shame for, while it is a dated film, I find it quite unique and surprising for it's era and a fairly successful attempt to create something different in an era when films were already becoming cookie cutter by-products of the studio machine (not that many of those cookies aren't tasty, mind you). And even though the only available copy at this writing is dubbed into Italian, I don't find that a hinderance. An excellent job was done in subtitling the film, and much of the film is visual anyway.

简介：南非的一个农场社区连续发生多起命案，当地居民每天都生活在恐惧中。这些惨案不仅影响到与被害者相关的人，也引发了一连串的事件。随着命案不断增多，人们愈发感到压力和焦虑。Lukas Van Staden要如何保护他的家人、朋友和土地？

简介：A main character of the incest movie Gli sfiorati, in english is also known as Drifters, is Mète. He is 30 yeras old graphologist, enchanted by the secrets that can reveal the human hand. A week before father's  wedding, his 17 years old stepsister moves to his Roman apartment.  She is very hot and sexy teenager and the new neighborhood is now the beginning of their friendly (well, not exactly friendly) relations.

简介：2021威尼斯电影节地平线拓展单元。

简介：本片讲述了林区青年“杨天放”，年轻时为给女朋友谭青母亲筹集治病的钱而走上了偷盗林木之路，被罚款后，受到了教育，外出打工拼博，数年后回到家乡，历经种种困难建立起了喇嘛山饮料厂的创业经历及他与谭青之间的一段爱情故事，以展现林区人艰苦创业、拼博进取、不甘落后精神。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：蔡家庄“鬼才”蔡有才（李易祥 饰）异想天开，竟拿起DV自拍电影，而所拍《鬼子进村》还在乡里拿了奖，受到领导表彰，这下可不得了了，家里门庭若市，乡亲们个个成了编剧，毎天拿着剧本找他。有才刚开始还乐此不疲，但很快避之不及，只好装病躲了起来。闻言从小玩大的伙伴宝强（岳云鹏 饰）“疯魔”了，有才急忙前去问询，原来在大城市打工返乡的宝强做梦都希望一夜成名，竟在村里办起了“春晚”。为解宝强心结，有才带众乡亲热火朝天、有模有样地办起了“村晚”，他们找绝活、搞策划、拉赞助，并进行电视直播，虽说有点不伦不类，但村民们仍乐翻了天......

简介：A City based thriller that travels on the Hyperlink plot connecting the four youngsters from the different walks of lives. Maanagaram will focalize upon Chennai city as one of the major characters in this film, where the backdrops would indeed become a prominent ingredient of this tale.

简介：一艘名为“格罗莫夫号”的极地破冰船突然遭遇一座移动的冰山。剧烈的碰撞导致一位极地探险家跌入海中。为了对落水者施救，船体受到重创。得知这一情况的船舶总部立刻向“格罗莫夫号”派去一位叫舍普琴科的新船长。舍普琴科比起前船长彼得罗夫更有船长的威严，但他的高压政策也引起了船员们的不满。令船员们更加感到绝望的是，“格罗莫夫号”被困在坚冰中不能动弹，只能等待总部的救援。在燃料即将耗尽之时，他们终于见到了曙光，摆脱困境。

简介：挪威是个拥有大量公路隧道的国家，但是由于隧道建设时缺少应急规划和救灾避难设施，隧道内的火灾往往是致命的。　　斯坦好不容易在圣诞节前一天请了假，打算与女儿和女伴一起渡个假，但伊莉斯却因为满心都是去世的母亲，跟斯坦大吵一架，坐上了去奥斯陆的长途大巴。可就在伊莉斯坐的大巴驶入隧道后不久，大巴前面行驶的油罐车出事故导致隧道里的交通都堵塞住了，恶劣的天气让所有救援都不能及时赶到。而后油罐车还短路爆炸了，滚烫的浓烟瞬间填满了隧道。伊莉斯带着大家自救，到隧道里的检修小屋里避难。斯坦开车冲进了浓烟去寻找自己的女儿。隧道里遍布大量窒息的死者，伊莉斯他们避难的小屋里也逐渐被烟雾填满，终于，斯坦出现并救了伊莉斯和几位幸存者。返程路上，救援中心通知斯坦有两位小女孩就困在他们附近，斯坦让女儿和幸存者先走，自己独自去寻找两个姑娘。小姑娘找到了，但把所有呼吸装备都给了别人的斯坦却撑不住失去了意识，恍惚中他发现女儿伊莉斯回来了，她帮斯坦通知了队友和女伴，所有人一起从浓烟和塌方中救出了快要窒息的斯坦。　　最终，虽然这场事故造成了极大的伤亡，但在救援队员拼死的行动下，还是挽救了一些宝贵的生命，而斯坦新组建的家庭也因这次生死经历而凝聚在了一起。

简介：自与约翰分手已有30年后，玛丽安隐约感到约翰还需要她，于是她决定到约翰乡下的家里去看望这个别了30年的老男人。他过着富足但与世隔绝的生活，在两个人之间，尽管很多年过去，当初的情感依然非常真实。在那里，玛丽安认识了约翰与前妻的儿子恩里克，以及恩里克21 岁的女儿卡琳娜，他们住在离约翰家不远的地方，但这老少三代人似乎并不和谐，玛丽安感到了卡琳娜对父亲恩里克的爱和约翰对儿子的不满，三个心灵都非常孤独的人之间有着似乎无法消除的隔膜和爱恨交织的复杂情感。

简介：A gravedigger prowls the city in search of a female to bear him a son.　　　　José Mojica Marins是巴西最著名的CULT恐怖片电影大师，这是其第一部长片作品，也是其著名的Ze do Caixao系列的第一集，开创了巴西低成本独立电影的新局面。

简介：After his ad agency goes bankrupt, an indebted Firat falls for a singer at a yoga retreat and joins her on a journey of self-realization.

简介：1984年的东德，整个社会笼罩在国家安全局的高压统治之下，特工魏斯曼（乌尔里希·穆埃 Ulrich Mühe 饰）奉命监听剧作家德莱曼（塞巴斯蒂安·科赫 Sebastian Koch 饰）及其女友演员克里斯蒂娜（马蒂娜·格德克 Martina Gedeck 饰）的生活，监听过程中，魏斯曼渐渐对这家人的生活产生了兴趣，开始暗中帮助他们。一篇刊登在西德《明镜》报上的文章引起了特工头目的注意，他们认为这篇文章是德莱曼写的，并逮捕了克里斯蒂娜，希望能够从她口中得出她丈夫的秘密？而审问克里斯蒂娜的正是魏斯曼……

简介：城市中的爱情面貌，特别是以女性为主体所讲述和展示的都市百态。片中的演员都是普通的城市居民，讲述的也都是真实的故事，说它是一部电影，更象是一个调查，一种视角，一种事实的呈现。　　Tentato Suicidio 自杀：遭受情变，恋人或未婚夫的遗弃。有部分假自杀的行为，只是希望以此使身边人回心转意，在遭受冷落后，转为真自杀。方式各异，服药，撞车，割腕，溺水……　　Paradiso Per tre ore 天堂三小时：舞场三小时，天堂三小时。各种舞步，各种人物形态的交织。巧妙之处恐怕文字难以表述。　　Agenzia matrimoniale 婚介：敬业婚介工作者为各色的男人物色合适的老婆。即使是残疾者或者——一个狼人。而贫困的女子为了摆脱困境愿意接受甚至嫁给一个狼人的婚姻。因为，至少她可以衣食有着落。　　Storia di Caterina 卡特琳娜式的故事：贫困并且受到驱逐令的女子。带着其私生子到处流浪，走投无路之下，她遗弃儿子。却又因为实在不忍心，而去认领。悲惨却视角冰冷的社会故事。　　Gli italiani si voltano 意大利人的回首：街道，各色女子，腰臀轻摆。也许，某个擦肩而过，甚至只是一瞥之下的女子会惹的你不自禁的回眸。或者是因为脸庞清秀，或者因为体态丰韵，或者因为着装出众——这副生动的风情画卷正是基与此。