简介：A movie tells the one sided love story of young man - Ngan for his girlfriend from childhood - Halan

简介：故事发生在1939年，弗朗塔（奥德捷·维奇 Ondrej Vetchý 饰）是一名捷克飞行员，动乱与战争之中，他和名为卡瑞尔（克里斯托弗·哈德克 Krystof Hádek 饰）的年轻人之间结下了深厚的友谊。一次意外中，卡瑞尔所驾驶的飞机失事了，卡瑞尔并无大碍，幸运的他甚至因祸得福，结识了漂亮温柔的苏珊（塔拉·菲茨杰拉德 Tara Fitzgerald 饰）。　　孤男寡女相识于战火纷飞之中，苏珊和卡瑞尔之间的关系很快便逾越了单纯的友情。回到部队后的卡瑞尔将自己的传奇经历告诉了弗朗塔，并将弗朗塔介绍给了苏珊。令卡瑞尔没有想到的是，苏珊深深的爱上了稳重帅气的弗朗塔，卡瑞尔和弗朗塔之间的友谊因此而产生了裂痕。

简介：The life of the writers of a television program in Uruguay is affected by the pressures of the military in the year that preceded the military coup of 1973.

简介：帕姆（李海娜 饰）是一个年轻美丽的姑娘，早年间在外国留学，现下刚刚回到国内。帕姆生性热爱自由，向往无拘无束的生活，就在她以为这样的日子将要继续之时，一个从天而降的小侄女UK（Natthay Ongsritragul 饰）忽然来到了帕姆的身边，帕姆不得不承担起照顾UK的职责。　　刚开始，帕姆对着UK这个古灵精怪的小家伙感到手足无措，闹出了不少的笑话，然而随着时间的渐渐推移，两人之间竟然产生了坚实的默契和亲情。与此同时，帕姆家隔壁的一位名叫百斯特（Anavil Charttong 饰）的英俊男孩，因为UK的存在而和帕姆渐渐产生了交集。然而，UK和帕姆之间的关系却并不如想象之中那样简单。

简介：男友微劈腿、女兒微叛逆，工作面臨道德困境，身兼土地測量員與單親媽媽的露西亞生活充滿壓力。一天眼前出現一位神秘藍袍外國女子，她如影相隨，全世界卻好像只有露西亞看得見她。原本以為卡到陰，沒想到女子自稱是聖母瑪利亞，現身只為有事相求。請神容易送神難，何況這神還是自己跑來糾纏！露西亞萬般閃躲，甚至開始懷疑人生，當一切抵抗宣示無效，她不禁開始好奇，眼前女子究竟是她在危機中看見的幻影，或是前來解放她疲憊心靈的奇蹟？　　義大利喜劇名導吉亞尼札納西，巧妙將聖母與環保結合，荒唐笑鬧之中捕捉人生裡的魔幻時刻，《蜂蜜之夏》義大利影后艾芭羅爾瓦雀再現變色龍演技，精準切換神經質、脆弱與堅強等多重面向，〈好萊塢報導〉盛讚本片宛如一顆隱藏的鑽石，兼具戲劇、娛樂又扣人心弦，勇奪坎城導演雙週最佳歐洲電影獎。

简介：浙江人才臣（赵军文 饰）与陕西人燕赤霞（赵丹红 饰）邂后金华一古庙就伴。夜深，邻人女子携金元宝忽至才臣床边要与其同床共枕，才臣驱走女子并扔出所留金元宝。次日后东厢兰陵书生主仆二人莫名暴毙。原来此女叫聂小倩（惠娟艳 饰），是一位早年夭亡的少女，尸骨埋于庙旁，夜间以夜叉面目出现，并以色相和金钱引诱生人而食。小倩不忍加害才臣，嘱咐才臣与燕生同眠避祸，日后将其尸骨挖出归葬。燕赤霞乃一炼剑侠士，在夜里他施术击伤一破窗而入的鬼物。才臣不负小倩之托将其尸骨带回重葬，前脚到家，小倩不期而至，母亲对这个来路不明的少女心生疑惑......　　本片根据《聊斋志异》故事改编。

简介：印度人民将猴子当成神灵，终成祸患。青年安贾尼在姐夫的帮助 下，找到了一份公务员的工作，工作内容是模仿“咿嘞呜”的叫 声来吓跑猴子。这份工作打击了他的尊严和勇气，令他非常不满， 却因自身能力欠缺而无可奈何。他决定装扮成叶猴──猴子的天 敌──来对付猴子，令猴子们纷纷逃窜。可是经历连串事件之后， 他却发现自己像猴子一样被驱逐。这是一部讽刺意味十足的影片， 将猴子的威胁、承包商的腐败，与安贾尼的工作经历融为一体， 折射出对当局者及其所颁布的政策的讽刺。

简介：伊尼奥和罗莎是一对新婚夫妇，没想到他们结婚才几个月，西班牙内战爆发。伊尼奥作为亲共分子被弗朗哥独裁政府抓捕，在被押解的路上，伊尼奥想办法逃回了家中。为躲避再一次被捕，伊尼奥在罗莎的帮助下，藏身于自家的地洞里长达30年。

简介：马格兰有着令人羡慕的生活，在她第二次怀孕，快当母亲的时间里，一切都在悄悄发生着变化。生完孩子后，马格兰的情绪日益失去控制，甚至出现了自杀倾向，大夫告诉马格兰的丈夫，她可能患了精神分裂症。为了减轻痛苦，马格兰开始转向镇定药和酒精……

简介：恐怖分子劫持了一架民航客机，逼迫机长将目的地设往一座坐满了观众的运动场。在紧要关头，一名德国战斗机飞行员不顾上级指令，在民航机撞向体育场前先行将其击落。他拯救了数万名无辜的观众，却牺牲了飞机上所有的乘客，因此出庭受审。《审判》是一部新颖的互动式电影，邀请观众参与剧情走向的抉择。在听完飞行员为自己的辩解后，观众们要以即席投票的方式，亲自做出决定，选择观看飞行员是有罪还是无罪的影片结局。

简介：在一个禁止约会的国度，三名追寻幸福的少女决定加入一个由魅力领袖领导的隐居社区。

简介：1945年，在二次世界大战的战火肆虐中，安娜和罗勃在德勒斯登相遇。一个是德国医院院长的掌上明珠，在家人以及未婚夫的呵护下成长，有着救助身旁所有人的一颗善良的心。另一个是英国皇家空军的轰炸机机师，在一次任务失败中坠毁德勒斯登。安娜救了他的性命，安娜善良温暖的心也打动了他。就这样慢慢地，两颗心越来越靠近…　　在此时，发现了罗勃真实身分的安娜，是要选择罗勃，还是要接受未婚夫的求婚？

简介：拉夫利（萨尔曼·汗 Salman Khan 饰）的父亲是一名保镖，在一场意外中不幸身亡。萨勒塔吉救下了拉夫利的母亲，因此才有了拉夫利。长大之后，拉夫利继承了父亲的职业亦成为了保镖，一次任务中，拉夫利要保护的是萨勒塔吉的女儿迪维亚（卡琳娜·卡普 Kareena Kapoor 饰）。　　因为迪维亚父亲的关系，拉夫利对这次任务十分的上心，鞍前马后对迪维亚寸步不离，这让迪维亚感到十分烦恼，因此心生一计。迪维亚假冒“查雅”给拉夫利打去了匿名电话，一来二去之中，拉夫利深深的爱上了这个其实并不存在的女人，但与此同时，迪维亚亦被拉夫利的正直所吸引，坠入了爱河。这段建立在谎言之上的感情能否开花结果呢？

简介：A story about four children living in a Mumbai slum in India. An eight-year old Kanhu writes a letter to the Prime Minister after a dramatic incident with his mother. A small boy has to achieve the impossible.

简介：Communist East Berlin, early 1980s LUDGER is hired by the Stasi to infiltrate a subversive countercultural movement in the district of Prenzlauer Berg. After falling in love with the mysterious NATHALIE and sleeping with his first target, CORINNA, Ludger ends up living two lives – one as an underground poet and one as a Stasi agent – both of which eventually come back to haunt him 30 years later.

简介：1985年高雄的夏天，充满着玉兰花的香味，也洋溢着青春的躁动。尚未开放的台湾校园，教官一人独大。没有民主与自由可言的学校，压制不住王心仁（凤小岳 饰）逆反的心，写藏头诗，策划集体抗议舞会。和他一起无法无天的还有陈忠良（张孝全 饰）和林美宝（桂纶镁 饰）。经常腻在一起的三人，爱情也在悄无声息地滋长。木讷的忠良读不懂美宝的暗示；心仁则积极地追求美宝；而最早交女友的忠良却困惑了。　　1990年的台北。风起云涌的学潮运动，少不了阿仁的身影，而阿良则做着阿仁最好的观众。和阿仁成为男女朋友的美宝则时不时从家乡来台北，三人依旧亲密无间。一场盛大的学生集会引起了警方的注意，也冲垮了三人的维系。阿良选择跨出了城墙；阿仁抵不住外在诱惑；将这一切看在眼里的美宝，已无法选择无视。踏入社会，多年不联系的他们再次有了交集。曾经的好友恋人，现在各自有了新的身份加诸身上。为爱自讨苦吃的他们最终能否重拾勇气，回到1985年那个如梦如幻的家乡。

简介：A shy and feeble architect is victim of a violent and abusing surrounding. The pressure builds up until he is pushed to the limit of his own humanity

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：自从因为太胖抓不到抢匪而登上头条，“阿康”和他三个朋友就成了泰国警界的耻辱。这四个胖警察必须在三个月内甩掉肥肉，否则就会被惩处！当美丽的尊巴舞教练“小敏”加入之后，训练变得令人兴奋。然而，抢案持续发生，一台银行运钞车被抢后损失惨重，歹徒却没有留下任何线索。四位警探必须在塑身的同时侦查犯罪，减肥期限将近，但犯案之谜却仍未解开。这几个超大条的家伙，要如何保住他们的饭碗呢？

简介：影片鲜明而真实地表现了1942年夏季苏军在顿河草原上的保卫战：一支团队在撤退途中，奉命占领一个小村后面的十字路口的高地。主人公在战前从事着不同的职业，战争使他们聚集到了一起。经过艰苦卓绝的战斗，这支团队完成了占领高地的任务，保住了团队的旗帜，但付出了惨痛的代价，伤亡十分严重。

简介：哥慈向儿子讲罗宾汉古仔讲上脑，当邻居说废祖屋有曾祖埋下的宝藏，他看到了曙光。穷邻居望有最后一线生机，哥慈望证明存在有价值。聘来个抵得谂的金属探测员，一行三人周末去寻宝。掘宝近实时处理，悬念和笑话推至巅峰，罗马尼亚新浪潮王牌波兰布尔继《字典与警枪》、《布加勒斯特夜未央》（34 及38 届）后又一个政治神话，本意是纪录片，论论尽尽的金属探测员是真的（看他跟探测器融洽的身段就知），邻居是真的，他密告祖居埋宝也真有其事。不就是现实更离奇么？

简介：Soorma is the story of the triumph of the human spirit, about a player, who made headlines for his miraculous comeback after facing a near death experience through sheer determination, hard work and unrelenting passion for the sport.

简介：由荷兰同名小说《托尼欧安魂曲》改编，讲述了荷兰著名作家范德海伊顿的独生子托尼欧，在圣灵降临节的周日，骑着自行车在阿姆斯特丹大街上被撞倒，年仅21岁的他因伤过重不幸早逝。他的双亲伤心欲绝，深受打击。作家以安魂曲的形式，追溯了托尼欧生前种种偶然事件如何使他走向致死的车祸。

简介：林奕新（朱海彬 饰）一家在汕头经营一家小杂货店，他和妹妹都在读中学。他在汕头金山中学就读，和同学梁梦洁（卢倩 饰）青梅竹马，互有好感。本来梦洁准备大学考中山大学的，奕新也跟着报了中大。谁料后来梦洁反而去了杭州一所大学，只有奕新上了中大。在大学里，两人仍有书信往来，虽然梦洁也有了男朋友。奕新（吴启垒 饰）被选去演话剧《暗恋桃花源》，和他搭档的是可爱的女生，来自苏州的苏心蕊（杨婕 饰）。日复一日的排练中，心蕊对奕新情愫暗生。然而奕新却对梦洁念念不忘，他无法接受心蕊的爱也有因为心蕊是外省女生的缘故。于是心蕊狠下心来到了汕头，准备了解奕新的成长环境，更好的接近他。奕新和心蕊偶然在汕头重逢，两人回到了广州，正式成了恋人。然而有一天梦洁的突然出现，又扰乱了奕新的世界......