亡命驾驶
944
8.0
正片
亡命驾驶
8.0
更新时间:05月20日 10:25
主演:瑞恩·高斯林,凯瑞·穆里根,布莱恩·科兰斯顿,艾伯特·布鲁克斯,奥斯卡·伊萨克,克里斯蒂娜·亨德里克斯,朗·普尔曼,卡登·莱奥斯,杰夫·沃尔夫,詹姆斯·比贝里,拉斯·坦布林,乔·布卡罗三世,Tim Trella,吉米·哈特,安迪·圣迪玛丝,约翰·派珀-弗格森,乔·平格,克里斯·穆托,Mara LaFontaine,劳伦妮·兰登,Tiara Parker
简介:黑夜里,他(瑞恩·高斯林 Ryan Gosling 饰)协助黑帮分子抢劫,是运送车手。白天,他在好友香农(布莱恩·科兰斯顿 Bryan Cranston 饰)的车行从事电影飞车特技工作。在一次逛超市时,他邂逅了艾琳(凯瑞·穆丽根 Carey Mulligan 饰)母子, 双方互有好感,并度过愉快的周末。不过,艾琳的老公斯坦德出狱了,这让他们的感情被拦腰斩断,尽管双方心有灵犀,却只剩无奈。香农把他推荐给黑帮大佬伯尼和尼诺。与此同时,他无意中发现斯坦德被人痛扁,原来后者在狱中欠了保护费。为了偿还高利贷并保证母子平安,斯坦德决定再次铤而走险。他为了艾琳决定帮斯坦德完成这一票。然而,在打劫银行的过程中,斯坦德被店主意外击毙,而他和女同伙布兰奇陷入了黑吃黑的迷局……  丹麦导演尼古拉斯`温丁`雷弗恩凭此片获64届戛纳电影节最佳导演奖。
2184
2011
亡命驾驶
主演:瑞恩·高斯林,凯瑞·穆里根,布莱恩·科兰斯顿,艾伯特·布鲁克斯,奥斯卡·伊萨克,克里斯蒂娜·亨德里克斯,朗·普尔曼,卡登·莱奥斯,杰夫·沃尔夫,詹姆斯·比贝里,拉斯·坦布林,乔·布卡罗三世,Tim Trella,吉米·哈特,安迪·圣迪玛丝,约翰·派珀-弗格森,乔·平格,克里斯·穆托,Mara LaFontaine,劳伦妮·兰登,Tiara Parker
摇摆画廊
944
2.0
正片
摇摆画廊
2.0
更新时间:05月20日 11:11
主演:吉莲·安德森,艾伦·卡明,海瑟·格拉汉姆,丹尼·赫斯顿,杰克·休斯顿,克里斯托弗·李,乔安娜·拉姆利,西蒙·迈克伯尼,麦乐迪斯·奥斯特姆,夏洛特·兰普林,阿曼达·塞弗里德,斯特兰·斯卡斯加德,杰美·温斯顿,阿尔菲·艾伦,吉玛·阿金森
简介:

斯宾德尔是一名艺术品商人,经营着一间画廊,贝斯(海瑟·格拉汉姆 Heather Graham 饰)和佩吉(阿曼达·塞弗里德 Amanda Seyfried 饰)是他手下的两名员工。斯宾德尔看中了一副名为《摇摆舞》的画,希望能够将它买下,然而收藏家的妻子阿尔弗雷达(乔安娜·林莉 Joanna Lumley 饰)却希望能够举办一场拍卖会,将画作的价格炒高。
  阿尔弗雷达找来了鲍勃(斯特兰·斯卡斯加德 Stellan Skarsgård 饰)协助自己完成计划,而鲍勃恰好和贝斯之间有着一段背德的感情。贝斯一直希望能够拥有属于自己的画廊,她十分欣赏特立独行的女艺术家爱莲娜(杰美·温斯顿 Jaime Winstone 饰)的先锋作品。最终贝斯的梦想终于成真,但爱莲娜却在关键时刻掉了链子。

1768
2009
摇摆画廊
主演:吉莲·安德森,艾伦·卡明,海瑟·格拉汉姆,丹尼·赫斯顿,杰克·休斯顿,克里斯托弗·李,乔安娜·拉姆利,西蒙·迈克伯尼,麦乐迪斯·奥斯特姆,夏洛特·兰普林,阿曼达·塞弗里德,斯特兰·斯卡斯加德,杰美·温斯顿,阿尔菲·艾伦,吉玛·阿金森
盲目的丈夫们
943
3.0
已完结
盲目的丈夫们
3.0
更新时间:04月17日
主演:萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming
简介:Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
1239
1919
盲目的丈夫们
主演:萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming
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