都是戴茜惹的祸

简介：

观看对演员、原版导演、音乐表演的特别采访以及关于该剧的重要性和影响力的幕后评论。

简介：As she nears the end of her pregnancy, Itto and her in-laws find their lives turned upside down by a supernatural event.

简介：

一名高中教练的十几岁的女儿被杀害了，他决定亲自出面追捕绑架他学生并进行人口贩卖的罪犯。

简介：

　　民国元年，军阀割据，局势动荡，各方势力蠢蠢欲动，南国通城大恶霸——金三生，勾结官商，大肆敛财欺压百姓。与此同时，一帮神秘的正义之士悄悄潜入通城，为了寻得改变国家命运的“藏宝图”。他们几经周折，劫富济贫，与金三生展开激烈斗争，国宝大金鸡的意外出现，整个复仇计划浮出水面，宝图的秘密层出不穷。这一场关乎私人恩怨与所有百姓命运的厮杀，最终走向了无法挽回的结局……

简介：

13 岁的汤米在一次缉毒行动中失去了父母，在一名电话性爱接线员（他的仙女教母）的引导下，以及在他的两个最好的朋友史蒂夫和奥尼尔的帮助下，他开始了一段城市冒险之旅。

简介：

　　电影讲述了贫穷小子徐青从小父母双亡，与哥哥相依为命，内心有些自卑的他十分渴望亲情的温暖。哥哥身患绝症，为拯救哥哥性命，徐青不惜南下冒险筹款，一路上他披荆斩棘，坚定信念，最终让徐青如愿以偿，守护住了珍贵的亲情。

简介：故事灵感来自台湾知名的猛鬼大厦之一的凶宅，这栋位在台北市中心的大厦，曾在30多年内发生超过20多件命案，让房价比周围其他建案都便宜许多。其中最著名的事件便是在80年代的一场火灾，造成300多人受困，最后夺走19条人命。而已成为都市传说的「烧肉粽事件」，一名女子因感情问题跳楼自杀，却意外压死楼下卖烧肉粽的小贩的悲剧，也是发生在此大楼，让恐怖名声不胫而走，成为台湾最猛的凶宅之一。

简介：焦雷（杨志卿 饰）江湖人称“飞刀追魂”，功夫了得，而他的宿敌于远（井淼 饰）是乾坤剑名手，武功更是高强。两人的恩怨由来已久无法化解，心胸狭窄的焦雷甚至将矛头指向了于远的无辜家人，誓要将其灭门。　　在生死存亡的关键时刻，飞刀手杨青（罗烈 饰）出现并救下了于远的女儿于英（郑佩佩 饰），然而，当于英请求杨青助其为父报仇之时，杨青竟然提出了要同于英共度一休春宵的荒诞要求。尽管于英痛恨杨青的风流桀骜，但他是她唯一的希望和依靠，于英也只能忍气吞声，然而，随着时间的推移，于英渐渐发现了杨青正直可靠的一面，亦发现了杨青对自己的真挚感情。

简介：

平克（珍妮·克雷恩 Jeanne Crain 饰）是一个皮肤黝黑的女性，她毕业于护理学校后回到了南方的祖母家。在那里，她爱上了一个白人医生托马斯（威廉·卢迪根 William Lundigan 饰），而托马斯对她的黑人血统一无所知。平克原本计划回北方，但她的祖母说服她留下，照顾一位生病的白人妇女爱姆。与此同时，一位黑人外科医生请求她去训练美国的非洲学生，但她拒绝了。平克在照料爱姆小姐（埃塞尔·巴里摩尔 Ethel Barrymore 饰）时感到怨恨，但两者之间慢慢建立了深厚的情感联系。爱姆小姐去世后，她将财产留给了平克。

简介：

简介：

　　电影改编自直木奖获奖作家重松清的同名小说，由《玻璃芦苇》的导演三岛有纪子执导。故事讲述了带着孩子的离婚男人信（浅野忠信饰）和第二任妻子奈苗（田中丽奈饰）及她此前所生的两个女儿过着平凡而幸福的生活。当奈苗怀孕后，奈苗的大女儿透露想见自己亲生父亲沢田（宫藤官九郎饰），可正是这位亲生父亲曾对奈苗家暴导致他们离婚，奈苗和信都极度反对，大女儿竭力反抗，这让信感到沮丧，甚至对奈苗的腹中胎儿也产生否定感。

简介：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,