骨妹 2016
7.0 |06月04日 |片长97分钟 |正片 |共1集
简介:

年近四十的詩詩在台灣和老公打理一間民宿,日子舒適自在,直到一天,一則尋人啟示揭開詩詩塵封多年的回憶⋯90年代澳門,剛滿18歲的詩詩初踏「骨場」,戰戰兢兢學習招呼客人,所幸遇上經驗豐富的靈靈,兩人年紀相若,靈靈性格豪邁,悉心照顧詩詩,兩人成了好姐妹。一天,靈靈發現自己意外懷孕,詩詩表示願意和靈靈一起養大孩子,漸漸跟兒子樂樂築起了一個溫暖的家。澳門回歸前夕,社會動盪導致骨場生意下跌,眾姐妹各謀出路。靈靈也開始對詩詩冷淡,一次大吵過後,詩詩決定跟一個台灣男人嫁到台灣,離開這個不再屬於她的家。多年來,詩詩在台灣穩定生活,但始終無法投入婚姻,她不禁想著,當日如果沒走,現在靈靈和她又會怎樣?如今靈靈離世,詩詩為送好姐妹最後一程,重踏久違的澳門,發現這城市已失去昔日的人情味。詩詩好奇,想知道靈靈這些年來是怎麼過的。她重訪和靈靈生活的舊地,並靠詢問樂樂,漸漸重組了靈靈最後的日子,她發現靈靈多年以來心中藏著一個秘密⋯原來,靈靈從未離棄她,忘卻她⋯

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简介:The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
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