反贪风暴之加密危机 普通话版

简介：

诠释江南山水风光、历史人文、建筑、古村古镇、民俗工艺等为主旨，全方位、多视点解读灵秀江南

简介：

比《丛林法则》更精彩更远的姐弟冒险。

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隋末唐初的一段传奇爱情故事。主要讲红拂与李靖，李世民、杨素，独孤城，虬髯客之间在乱世中的爱恨情仇。红拂原是隋朝大司空杨素的家伎，她不但貌美聪慧，更有一身过人武艺，红拂本姓张，名初尘。父亲原是隋朝一名六品官吏，由于弹劾朝政被罢冕。父母亲被杀后，独孤城将幼小的红拂带回地下城，养育她成人，并且教她武艺。某种意义上，独孤城是红拂的第一个男人。他救了她的性命，并且为她创造了新的生命，使她成为暗人。杨素为巩固势力，在自己的司空府地下，建造了一座地下城……

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暂无简介

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一伙恐怖分子袭击体育场，而拯救的任务却落到一个在现场的退役军人身上。

简介：实验三中学校是一所私立学校，来自全国各个地方的学生在此求学，暑假里一批学渣被安排补课，代课老师却没人愿意担任，在“山寨”训导主任的带领下，各怀秘密的社会各界人士被招聘，做起了他们的代课老师，于是奇葩横行闹剧不断，同学们也在欢声笑语的暑假里明白了许多做人做事的道理。

简介：

When six-year-old Sophie is tragically orphaned guardianship is assigned to her estranged aunt Annabelle. The two move into a large, eerie, Victorian house where Sophie unearths a locked wooden box with a strange symbol drawn on it. Desperate to connect with her niece Annabelle pries the lock open revealing a beautiful music box. Each time the music box is wound and replayed it's surprisingly chilling melody plays slightly longer, captivating Sophie even more. When the music box begins affecting Sophie's behavior and health Annabelle seeks the aid of a child psychologist and clairvoyant who soon discover the music box is possessed by an evil spirit who seeks to haunt Sophie and destroy Annabelle. As the haunting intensifies time begins to run out and Annabelle finds herself racing against the music box's melody to defeat the spirit before the last note plays.

简介：

一名男子因刺死妻子而入狱 15 年后出狱，他的社工确信他是无辜的。当她调查他的案件并采访其他涉案人员时，她开始爱上他，因为她的朋友警告她他很危险。

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汤姆（巴瑞·萨里万 Barry Sullivan 饰）和黛西（贝蒂·菲尔德 Betty Field 饰）的婚姻并不幸福，因为汤姆是一个花花公子，经常出去鬼混。汤姆还经常和与他们相邻的黛西的舅舅尼克一起出席舞会，寻欢作乐。尼克的邻居盖茨比是个神秘的有钱人，他经常邀请尼克参加宴会，两人很快相熟。相熟后，盖茨比（艾伦·拉德 Alan Ladd 饰）邀请尼克带着他的侄女黛西来他家作客。此时，黛西认出了盖茨比。原来盖茨比是黛西5年前的恋人，只因当年盖茨比只是一个穷小子，为了改变命运而出国拼搏，黛西正是在这个时候与汤姆结了婚。两人很快旧情复燃。
一次宴会，黛西又和汤姆吵翻了，借酒消愁的她酒后和盖茨比一起开车回家时不幸撞死了汤姆的情妇。为了昔日的情人，盖茨比决定挺身而出。

简介：音乐才子西蒙为寻找母亲年轻时的恋人，随中国朋友建文一同来到中国。认为西蒙是自己的真命天子的多拉，在讨好未来的姐姐、婆婆接连失败后，决定远赴中国寻找西蒙。傲娇的多拉不通中文，来到人生地不熟的地方接连遭遇困境，多亏有中国功夫极好的楚俊峰的帮助，两人在朝夕相处中渐生情愫。此时西蒙也在中国遇到了自己的真爱沈思丹，两人正共同创作《秋语》这首歌曲。两对年轻人的爱情故事在中国上演……

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阿勇（万梓良饰）、阿国（刘德华饰）兄弟俩浪迹香港街头，投靠了黑社会邦主剂哥（周润发饰）。由于阿国得到剂哥赏识，引起阿勇妒嫉，兄弟间产生隔阂。阿勇倒向朱老大，阿国却远去新加坡另谋生计。若干年后，阿勇羽翼丰满，逐杀朱老大自立邦主，又设计将剂哥帮派斩尽杀绝，剂哥遇难，孤身亡命新加坡寻找阿国，阿勇步步追杀，将剂哥妻子（刘嘉玲饰）、儿女惨杀，此刻悲痛、愤恨促使阿国重新出山，随剂哥返回香港以死相拼，报仇雪恨......

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor