生日快乐

简介：

2157年，人类文明得到全面跃升，战争、饥饿、贫穷早已不复存在，自然界再次复兴，人类的潜能得到极大开发，并且开始向天外星系延伸。22岁的青年马克西姆·卡梅尔（瓦西里·史特帕诺夫 Vasiliy Stepanov 饰）正独自驾驶飞船进行宇宙旅行，却突然遭到陨石碰撞，继而坠落在一个偏远的殖民星球萨拉什上。由于飞船迫降后完全坠毁，马克西姆只得独自踏上旅程，寻求帮助。萨拉什荒凉破败，杳无人烟，其文明与地球相比似乎也落后了好几个世纪，专政是这颗星球的主导。对从小养尊处优的马克西姆来说，这里的一切都如此新奇，而他也不知不觉扮演了革命者的角色……本片根据Arkadi Strugatsky和Boris Strugatsky的科幻小说改编。

简介：

讲述了缺乏安全感的格雷戈里·斯普林的故事，他首先必须飞往梵蒂冈城，以克服恐惧，报道教皇的选举并坠入爱河。

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八岁的布兰登发现了一本神奇的故事书，这本书将他引向阁楼上通往魔法故事乐园的一扇门。在那里，他遇见了樵夫伍迪、拳击袋鼠波奇和聪明的猫头鹰呼特。他们出发去夺回亚瑟王子的王国，这个王国被邪恶的女王埃维利亚和她的宠物蛇希斯夺走。

简介：

法蒂玛-扎赫拉和她青春期的儿子塞利姆四处奔波，永远试图摆脱她最近卷入的丑闻。当塞利姆发现他过去的真相时，法蒂玛-扎赫拉发誓要重新开始。到达丹吉尔后，他们各自找到了新的机会，这些机会保证了他们渴望的合法性——但这也威胁到了他们彼此脆弱的爱。

简介：

爱情喜剧《一片丹心要劈腿》根据赵素妍的同名网络小说改编，讲述劈腿公主和劈腿王子左冲右突的求爱故事，在种种看似花心的行为中，深藏着追求真爱的决心。

简介：

慕容潇潇为了保全族人,被迫与首领家的继承人缔结契约婚姻。婚后不久,慕容家惨遭灭门。为了找出凶手,慕容潇潇化名慕潇潇,进入雇佣中心成为一名顶级杀手。六年后,慕潇潇意外卷入一场刺杀阴谋,儿子慕猫猫阴差阳错被黑夜集团的人绑走。无奈之下,慕潇潇只有女扮男装扮成司机混入黑夜集团,潜伏在总裁轩辕烈身边做卧底。轩辕烈接二连三遭遇神秘刺杀,凶手身份却始终成谜,而慕潇潇也恰巧在此时无意中暴露了自己的真实性别,引起轩辕烈的怀疑。几番试探,慕潇潇的秘密被揭穿,轩辕烈身后隐藏的往事也逐渐浮出水面。

简介：科林（科林·费斯 Colin Firth 饰）是一名诗人，他深爱着名为薇拉（明妮·德里弗 Minnie Driver 饰）的女子，然而不久之后，薇拉即将成为别人的新娘。深受打击的科林一时之间无法从情绪之中抽离，于是决定前往一座宁静的小镇度假换换心情。　　在当地的旅馆内，科林结识了曼蒂（海瑟·格拉汉姆 Heather Graham 饰），曼蒂是一名护士，个性温柔而又开朗的她渐渐治愈了科林内心的创伤，科林发现自己不再去想薇拉了。随着时间的推移，两颗心越靠越近。可就在这个节骨眼上，薇拉忽然放弃了婚礼，跑来找科林，旧爱新欢都在眼前，科林一时陷入了犹豫之中，不知该做出怎样的选择。

简介：

因打伤姐夫而服刑的青年陈文雄（钟镇涛 饰）在狱中结识了雕刻手艺人赖金水，赖师傅喜欢他的老实忠厚，便教他木雕手艺。继赖师傅出狱后，陈文雄不久也获得假释回家。他决意重新生活，不再依赖姐姐，也切断了与富家女友的关系，他来到了赖师傅处拜师学艺。赖师傅手艺极佳，却不善做生意赚钱，钱都被镇上的周家木雕商店赚走。周家的儿子看中赖师傅的女儿阿秀（林凤娇 饰），她虽是个哑女，然而年轻貌美，心地善良。文雄与她朝夕相处，暗生情愫。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：

卢浮宫博物馆馆长被人杀害在卢浮宫内，临死前他费力的留下骇人的符号，从而惊动了符号专家罗伯特·兰登（汤姆·汉克斯）。在破案过程中，兰登结识了死者的孙女，索菲（奥黛丽·塔图），俩人几次遇险，九死一生，逐渐产生爱慕之情。 　　随着案情的深入，他们渐渐发现这起谋杀案后隐藏着天大的秘密，甚至牵连到隐匿多年的神秘组织——峋山隐修会。兰登按图索骥，发现所有的解密的密码都藏在达芬奇的作品中，而最让人震惊的是，索菲的身世一时间随之复杂起来，她究竟是谁？峋山隐修会再现江湖想要达到什么目的？

简介：aaa

简介：

故事關於四種不同形式的愛情關係：不敢愛的網紅情侶黃鍾（Anson Kong 飾）與蘇情（吳千語 飾），害怕愛的千金Silver（蘇皓兒 飾）與出租男友Jerome（栢天男 飾），嘗試愛的志豪（馬志威 飾）與護士甜甜（湯洛雯 飾），期待愛的宅男龐江（白只 飾）與留學生心怡（陳欣妍飾）。四對男女主角同時在情人節前夕遇到感情中的各種難題，過程笑料百出，最終各人找到屬於自己的真愛，並於情人節的一場煙花下過了浪漫的一晚，從而帶出愛情總會以不同模式出現在身旁。