无线电时代

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被指控纵火的阿莫多出狱了，却没有人等着他。他回到家乡，一个位于加利西亚深山、全欧洲森林大火发生最为频繁的村庄，与八十三岁的老母亲和三头乳牛一起生活。跨过湿冷阴郁的冬季，阿莫多循着自然的节奏缓慢生活，曾经干枯的生命在春日微风和盛夏阳光里逐渐舒展，直到森林的滥垦越来越近，漫山的烈火再度袭卷而来……。导演奥利佛勒赛回到儿时游玩的西班牙山村，完成这部横跨四季的宿命之诗。以熟识的当地素人为主角，在充满仪式感的摄影机运动与超十六毫米胶卷质地的影像中，凝视这片被他誉为「拥有极端美感、高反差又难以预测」的山林景貌，静谧中汇聚出慑人的能量；而人类的纯真与猜忌、自然的更迭与灭绝、生命的渺小和无常，更随着铺天盖地的熊熊烈火，迸发出灼人的滚烫。影像力道直追贝拉塔尔、塔可夫斯基。

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当一位不道德的玩具巨头在他们镇上开了一家仓储式商店时，两家竞争对手的玩具店老板不情愿地联手。

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简介：木匠麦坎脾气古怪又命蹇时乖，被一个混混偷走了毕生积蓄，孤苦一人住在一个小镇上。一天一位吸毒妇女死在他的家门口，真够霉的！还好老天可怜，在阴差阳错之下他收养了一个非常可爱的小女孩。做一个好爸爸可是很辛苦的事，这位超级父亲运用各手段，养大了古灵精怪的女儿。 谁知好事多磨，又有人要来抢回他的心肝宝贝！只是这回，虎父无犬女……

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讲述一位冉冉升起但却问题重重的音乐家的最后时光。

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《小孔》由亚当·卡森和马克·卡森兄弟执导。迈克·魏斯（克里斯·埃文斯饰）是一个年轻的有才华的休斯顿律师，同时他也是一个吸毒者。保罗·丹齐格是迈克·魏斯的老朋友兼合作伙伴。他们有一家自己的律师事务所，一次偶然的机会他们认识了薇吉（凡妮莎·肖 饰），一个当地的急诊室护士，在工作中使用污染的针头。迈克和保罗深入了解展开调查，意外揭发了一个惊天大阴谋……影片《刺穿》讲述的是，埃文斯饰演的律师迈克，背地里却是一个瘾君子，和搭档保罗在接到一个护士的案子后，一切都改变了。护士薇基因为涉嫌在治疗中使用被污染的针管。随着迈克和保罗的调查，一个涉及到医疗和**的阴谋浮出水面，重量级人物先后登场，而迈克和保罗的事业也迎来了爆发点。真人真事改编，一出以弱胜强的法律剧。一名滥用药物成瘾的律师(克里斯伊文 饰演)却接到当地医疗院所的控诉案件，一名急诊室护士(凡妮莎萧 饰演)因为不小心扎到针头而不幸感染艾滋病...当他极欲打赢这场官司时同时必须面对自己的心魔。

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昔日豪门少爷邓凯眼见父亲被合伙人坑害，多年来一直苦心研究股票，想要有朝一日用自己的方法为父报仇。当自己在股市有所小成时，半路杀出了毛手毛脚的女记者乔晓打乱了他的计划。在两人的相互利用下，深入东日集团内部，利用几方大佬的贪婪，几方阴谋争夺，钳制阴谋的最高手段就是以毒攻毒。终于将昔日的仇人送入狱中，同时也发现对彼此已是情根深种…

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恶战结束，两名铁血战士带着死去同伴的尸体向家乡返航。令他们想不到的是，死去同伴的身体竟成为异形幼卵的栖息地，成熟的异形破胸而出，并且兼具异形和铁血战士的强大威力，成为了连铁血战士也难以撼动的终极异形。一场残酷的杀戮随即在飞船上进行，最终导致飞船坠毁在科罗拉多州的群山之中。

简介：宋朝仁宗年间，西夏王举兵侵犯宋朝边境，宋朝元帅杨宗保率兵戍边抗敌，但不幸中暗箭阵亡。杨家年满百岁的佘太君正为孙儿宗保50寿辰设宴庆贺，惊闻噩耗，举家悲痛。朝廷欲割地求和，佘太君压住悲痛，凛然驳斥主和谬论，并亲自挂帅，率领杨门女将奔赴边关抗敌。重孙杨文广也要随军出征，但其祖母柴郡主担心杨家断后，不准他去。佘太君要穆桂英母子比武以定去留。杨文广在母亲暗让和七夫人的帮助下以梅花枪得胜，随军来到边关。西夏王阵前大败，设计欲将杨文广诱进绝谷生擒，但被佘太君等人识破。一番分析后，穆桂英母子、七夫人等人将计就计闯进绝谷，几经波折，得采药老人相助，攀上栈道，然后与佘太君里外夹攻，一举歼灭了西夏兵将

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《监狱风云》的续作，资深囚犯阿正（周润发 饰）因为与前任科长（张耀扬 饰）的过节而延长刑期，服刑期间母亲病逝，儿子良仔被送到孤儿院甚至对父亲产生怨恨。阿正一心想申请外出看望儿子却遭到预警头子“鬼见愁”（徐锦江 饰）的诸多刁难。“鬼见愁”因收买狱中大陆帮首领大圈龙（陈松勇 饰）不果 ，把其视为眼中钉，并且从中唆使挑拨使得大陆帮与阿正之间产生隔阂。一次陷害使得大圈龙不得不出逃，被误会陷害大圈龙的阿正也被迫逃走，逃跑途中两人相遇并产生了一段“难兄难弟”般的友情。最后阿正被再次抓回狱中，在暴乱中阿正终于得到机会和”鬼见愁“短兵相接。©豆瓣

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：故事发生在十七世纪的波兰。书亚（Mieczyslaw Voit 饰）是一名德高望重的神父，坚定的坚持着自己对主的信仰和理想。某一日，他被派往了一间修道院中工作，有传闻魔鬼偷偷潜入了这间修道院，在其中作祟。　　修道院的院长是一个名为乔安（卢茜娜·温尼斯卡 Lucyna Winnicka 饰）的女人，这个女人的身上散发出一股强大而又神秘的美丽，让众多的修女们为之疯狂。随着时间的推移，神父书亚发现魔鬼的力量实在是过去强大，仅凭他一人之力无法驾驭，于是向一个老法师寻求帮助。然而，最终，书亚亦没有能够拒绝魔鬼的诱惑，为了帮助乔安，他甚至犯下了杀人的罪孽。