安东尼·波登：未知之旅 第八季

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李是一名音乐家，和他的高中朋友一起在乐队里演奏。他想建立自己的音乐事业，但意识到那些才华横溢的朋友不会带他去任何地方。幸运的是，他得到了叔叔 Dolf 的支持。Dolf 是一个二流小丑和酒鬼。Cindy C 是一位想要重振事业的佛兰芒歌手。然而，她与自己的良心作斗争，不再希望在演艺圈的陷阱中撒谎和欺骗。当李和 Cindy C 相遇时，两个不同的世界发生了碰撞，他们将不得不为他们的爱情而战。

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一位美丽的记者追踪儿童性交易案件，却遭到刺客的追捕。她唯一的希望？一个爱说俏皮话、行为暴力的流氓侦探。

简介：金盏花大酒店客满为患，穆瑞尔（玛吉·史密斯 Maggie Smith 饰）和桑尼（戴夫·帕特尔 Dev Patel 饰）开始寻找起了下一个“据点”——玛丽戈德大饭店，在那里，美好的图景展开，两人的事业将走上另一个高峰。　　玛琪（西莉亚·伊姆瑞 Celia Imrie 饰）终于邂逅了她的真命天子，只是天子的数量竟然有两位，一时之间，玛琪不知道改选哪个才好。桑尼即将和女友奈娜（蒂娜·德赛 Tina Desai 饰）携手步入婚姻的殿堂，但前提是，忙于工作的他得能抽得出时间参加他自己的婚礼。与此同时，诺曼（罗纳德·皮卡普 Ronald Pickup 饰）和卡罗（黛安娜·哈卡索 Diana Hardcastle 饰）亦从两人纠缠不休的感情漩涡里找到了未来的新的方向。

简介：

一位收藏家的大型别墅即将被修复成博物馆，却将正在进行勘察的项目工作人员困在了其中。一道诅咒被释放，将别墅内的人类一个接一个地杀死。

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大电影制片厂即将步入黄昏时代之际，在某电影厂担任副导演的青年健司（坂口健太郎 饰）经历了人生刻骨铭心的邂逅。此前他在某座电影院内发现一卷被废弃的胶片，胶片中的电影女主角男人头公主（绫濑遥 饰）令他神魂颠倒，痴迷非常。当得知这卷胶片即将卖给他人时，健司无比怅然。最后一次的放映过程中，令人意想不到的事情发生了，那位公主竟然从大银幕中走了出来。在此之后，刁蛮公主将健司视为仆人，暂时徘徊人间，体会这个多彩的世界。

简介：

1988 年聖誕節前夕，蘇格蘭上空發生了史上最嚴重的空難之一。泛美航空 103 號航班在 31,000 英尺高空爆炸，大規模解體的殘骸墜毀，悲劇性地改變了山坡上的洛克比鎮。

简介：

拜金主义者万金成在“赌城”拉斯维加斯经营一家神秘的万事屋。传说他藏有印第安一族自远古传承的通灵权杖，具有控制人心的能力。金融巨子上官静找到万金成，委托他救出被暴发户董歌球软禁的千金小姐沈小妍。万金成救出沈小妍后，却发现这个富家小姐其实是个奇葩少女，还患有严重的选择困难症。二人在纠缠的过程中意外触发灵魂权杖导致灵魂互换。                                    
                               身份，经历的不同导致万金成和沈小妍互相看不顺眼。不过两人在互相适应对方身体的过程中，却慢慢卸下伪装，触碰到了对方的心底。期间虽笑料百出，但两人却暗生情愫。就在沈小妍意识到自己开始喜欢上万金成之时，万金成却被神秘女子Lucy绑架。小妍决定孤身犯险，从董歌球手中解救被绑的万金成和上官静。关键时刻上官静携Lucy出现，原来这一切都是上官静的圈套，他一直计划着迎娶小妍，吞并小妍家产；以及夺取灵魂权杖，将控制人心的能力占为己有。上官静以万金成威胁小妍就范，无奈小妍只得装作被上官静控制，强忍悲伤放弃万金成。万金成在经历内心的煎熬后，终於意识到真爱远比金钱重要，遂决定于二人婚礼之时，抢回小妍。经过一番斗智斗勇，就在上官静丧心病狂的想要对万金成开枪之时，金成小妍再次合力触发灵魂权杖，将上官静的黑暗面人格成功净化。有情人终成眷属，两人重新共同经营万事屋。

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故事发生在北宋末年，潮阳城被蚝江一分为二，本应一衣带水、亲如兄弟的当地百姓，却因种种矛盾和误会积怨颇深，更逐步演变到武斗的激烈地步。一代高僧大峰和尚（许还山 饰）不忍见众生自相残杀，纠缠不休，殊不知因果轮回分毫不爽，他为了救拔众生，发愿筹款在蚝江修建一座十八孔石桥，化解两岸的矛盾。谁知不久便有流言传出，说大峰和尚中饱私囊，贪污善款。为了调查真相，官府派出正义热血的小捕快小栗（俞灏明 饰）前去调查真相。小栗没有费什么力气就勘破了谣言，而且他还深深为大和尚的善行所感染。谁知不久之后，神秘字符、高丽人诡异行径、古镜案交替出现，似乎有什么阴谋正在暗中实行…… 本片根据同名传记文学改编。

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出生于80后的童涛、李文昊、金梦瑶是从小一起长大的发小，李文昊从小立志成就一翻大事业，而童涛则许下最初的梦想，立志成为著名的建筑设计师，梦想着要让心爱的初恋女朋友金梦瑶住进自己亲手设计建造的拥有大花园的大房子。 可人生不一定给你一个完美的过程，童涛经历了青春的迷茫、爱情的挫折、友情的破裂、社会的磨砺，始终坚持最初的梦想，没有迷失最初的自己，对友情，重情、重义，对爱情，矢志不渝，在最初的爱情梦想和事业梦想的路上不断追逐着。我们，还是最初的我们……

简介：前东德最好的一部超现实主义幻想剧！　　this is one of the most amazing looking,surreal films of all time and i only recently acquired it on video.it was just as good after fond childhood memories of it.highly recommended,with great special effects,and stunning set design,and vivid colour and cinematography.buy with confidence!　　This is as you remember watching it as a child. Lifelike, overtly coloured and full of magical splendor, terrifying nasties and surreal characters. In short, do not shy away from this opportunity to show a Christmas Special to your children in favour of the usual fare from Disney and co. Rather, pop a fresh batch of pop corn, get first dibs on the comfy chair and opt for what was arguably one of the highlights of East German children's programming.

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor