寂静之栅

简介：

异星契约简介：亚诺斯星球世代的守护者，专职守护女王穆雅，在亚诺斯星球与柯泽西星球大战之中，女王穆雅受伤而亡，元神散落在地球，守卫者秦童带着“轮回”圣器来到地球收集穆雅的元神，他在每次收集元神后都会把自己的能量分给生物，让其恢复原貌、不受损害。作为守护者，秦童发誓要把穆雅的元神凑齐，让穆雅重生从而光复亚诺斯

简介：

尤斯汀（亚历克斯·博格丹饰）是一名律师，他雄心勃勃的职业抱负让他做出了几乎所有必要的妥协。然而，当他 8 岁的教女玛雅（伊娃·马鲁塔饰）意外地进入他的生活并需要他照顾时，他的职业梦想突然面临风险，尽管他缺乏带孩子的经验。尤斯汀井然有序的生活被彻底颠覆，但玛雅也对她的新“兼职爸爸”并不感到兴奋。尤斯汀会管理这种他一无所知的新型温柔养育方式吗？”

简介：

埃尔维斯和史蒂夫 - 真实的好友故事凸显了宾德与埃尔维斯的联系，以实现改变游戏规则的结果。真实、真实地讲述了与帕克上校的冲突，创造了流行音乐史上最具影响力的时刻之一。

简介：

乔纳森（约瑟夫·伯特姆斯 Joseph Bottoms 饰）是一个风流倜傥的年轻人，以审视美丽女性为生活的一部分。他在某一天遇到了雷切尔，她的美丽和魅力让他深深迷恋。乔纳森开始神秘地跟踪雷切尔，试图了解她的一切。不幸的是，由于他的跟踪行为，他在意外中失去了视力，使他的生活陷入黑暗。乔纳森寻求医生史德格的帮助，在大脑中植入电脑芯片，使他能够重新看到生活的大致轮廓。然而，他的第一次重见光明的经历却是看到一系列年轻女性被谋杀和残忍活体肢解的画面。乔纳森虽然能够看见这些恐怖事件，但由于失去了正常的视力，他无法辨别凶手的真实面目。这一系列恐怖事件让他感到疯狂，他决心揭开杀人犯的真实身份，并保护雷切尔，他所爱慕的女人。

简介：

一个低种姓的年轻人为了学业来到大城市......故事围绕着他以及他和他低种姓成员的身份认同斗争展开。

简介：

诺亚最近当了爸爸，但他还不太适应这个新角色。女友玛丽出城过夜，他终于可以向她证明，和宝宝单独待一晚对他来说完全没问题。但他没想到，还有他那不守规矩的伙伴鲍米。这能出什么问题呢？——摘自亚马逊（佳能与音乐）

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：

某泰国小青年乘车夜归，结果坐错公车，在一个陌生的地方下车。将错就错，他逛进一家书店，发现一本名为《见鬼10法》的书，书中罗列了换死人角膜、怀孕自杀、杯仙、十字路鬼、捉鬼迷藏、涂尸泥、屋内打伞、午夜对镜梳头、倒栽头和去死等十种见鬼方法，恐怖惊险却又引人入胜。在好奇心的驱使下，青年将书买回家中。不久，他和另外四个朋友聚在一起，这几个年轻气盛且胆大妄为的年轻人按照书中的指示玩起了见鬼游戏。然而，见鬼10法的恐怖之处在于，一旦开始便要进行到底，即使因此失去了性命。

简介：

网络大电影《风流刺客》是一部由陈泳旭编剧、焦洋导演的电影作品，影片主要讲述了职业杀手林虎追杀周二，在云岭遇到被王府追杀的沈蓉，二人误认周二为恩人，林虎还立下杀契，结果反复遭到暗算。好在追杀势力到来时，几人协力战胜对方，并结下深情厚谊。最终林虎和沈蓉走到一起，周二也找到了活路。

简介：

暂无简介

简介：

艾米丽（凯瑟琳·德纳芙 Catherine Deneuve 饰）是一名公证员，而她的弟弟安托万（丹尼尔·奥特伊 Daniel Auteuil 饰）则是一名医生，在两人很小的时候，他们之间的感情特别的要好，几乎是形影不离。但一些事件的发生让这段亲情逐渐产生了变化，如今，艾米丽和安托万已经很多年没有过联系了。某日，母亲告诉两个孩子，她患上了心脏病，恐怕时日无多，于是，艾米丽和安托万返回了阔别已久的家乡，再次重新面对彼此。此时的他们早已经不是孩童了，步入中年之后，他们要面对的是各自生活中数不尽的龃龉，在这样的情况下，这场重逢催生出了他们各自内心里新的悸动，也让他们对他们的人生有了新的见解。

简介：

杰德（加布里埃尔·巴索 Gabriel Basso 饰）是在耶律大学法学院攻读法律的天之骄子，在深造之前，他还是一名杰出的海军陆战队队员，如此出色的履历表令无比璀璨的未来在前方等待着他。可就在这个节骨眼上，杰德收到了来自故乡南俄亥俄州的消息，他不得不返回家乡处理复杂的家庭事务，要知道，当初杰德可是费了好大的劲才从那个一团乱麻的家庭之中挣脱出来。回到家乡后，杰德再度见到了自己喜怒无常、毒瘾缠身的母亲贝芙（艾米·亚当斯 Amy Adams 饰），这唤醒了他关于过去的糟糕的回忆，与此同时，杰德家族中另一位坚强的女性——他的姥姥（格伦·克洛斯 Glenn Close 饰）的形象也鲜活起来。