铠甲勇士捕王
9.0 |05月20日 |正片
简介:
2072年,超级电脑僵王化身为人形阎神,计划利用时空通道回到古代,抢走能更改人类历史的天龙珠。铠甲勇士信一、志凯、筱筱从铠甲军指挥官徐战参处得知消息后,为拯救人类文明不被改写,决定穿越时空去与阎神展开对天龙珠争夺。  众人来到清代的紫禁城,信一召唤捕王铠甲,打败阎神部下鼠将僵傀,并夺得第一课天龙珠。  当来到第三颗天龙珠的地点——秦皇陵,众人受到层层阻挠,被阎神夺取了清代的天龙珠,同时信一得知了自己未来命运的秘密。铠甲勇士们迎来了一场空前的危机……
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高雄发的尾班车
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5.0
正片
高雄发的尾班车
5.0
更新时间:05月30日
主演:白兰,陈扬,王哥,李冠章,何玉华,矮仔财
简介:

 吴村长之子呆铜(王哥)单恋村女翠翠(白兰),某日呆铜追逐翠翠意图非礼时,正值返乡探亲的大学生陈忠义(陈扬)路过,适时解救翠翠,从此两人结下不解之缘,待忠义假期已满,乘夜班车回台北,翠翠却为父所禁,不能依时送行,翠父以女所为而忧,遂允吴家婚事,却於迎娶日发现人去楼空。陈父任公司总经理,全仗林董事长提携,而林女美琪对忠义也情有独锺,两老遂为儿女订下婚约,忠义告知翠翠事,却遭父亲反对,遂愤而离家,抵达台北的翠翠访忠义不遇,听到忠义与美琪订亲一事而悲愤交加昏倒途中,适为林董所救,翠翠为感恩而离开,以玉成忠义与美琪。当忠义失意街头时却巧遇翠翠,两人互诉离情决定廝守一起,忠义在报馆任职,翠翠成为电视台歌星,过著神仙眷属的生活,不料陈母突然来访,苦劝翠翠与忠义分手,翠翠为顾及陈家幸福遂忍痛刺激忠义,岂料忠义却因神志混乱而发生车祸。呆铜与恶棍前来台北寻找翠翠,却在追逐翠翠的过程中误杀翠翠。翠父遭受重重刺激而病倒,美琪知忠义无法移情乃自动退出,陈父亦允娶翠翠为媳,时翠翠抱病歌唱,一曲未终已不省人事,待忠义赶到翠翠已然辞世,忠义从此不娶以表真情。

1450
1963
高雄发的尾班车
主演:白兰,陈扬,王哥,李冠章,何玉华,矮仔财
雾凇轻摇
668
8.0
已完结
雾凇轻摇
8.0
更新时间:04月17日
主演:岡田茉莉子,木村功,蜷川幸雄
简介:札幌で美容院を経営する百合子は、愛人の高校教師杉野と冬の旅に出た。彼女はこの旅を最後に杉野と別れるつもりだった。理由を問いつめる杉野に、彼女は妊娠していること、それが杉野への愛の終着点であることを述べたが、杉野は逆に百合子への愛をつのらせた。支笏湖畔で朝を迎えた百合子は、杉野の目覚める前に旅館を出て、室蘭に向った。そこにはかつての恋人、今井が待っていた。彼女は今井につき添ってもらい、病院を訪ねたが、結果は彼女の想像妊娠にすぎないことが分った。そこへ、百合子を追ってきた杉野が現われた。当然のように、百合子をはさんで、杉野と今井は対立した。杉野には、今井が百合子とどんな関係にあるのか分らなかった。一方、百合子はそんな二人の男を後に、ニセコ温泉に向った。杉野と今井も彼女の後を追いやがて雪の温泉町に着いた。百合子は、そこで初めて杉野に、今井をかつて愛したことがあるが、今井が不能だったため別れたこと、そして今井が三年後に男性を取戻したことを打明けた。だが、杉野と今井の間は、一層、険悪になっていった。翌朝、今井と言い争って杉野は雪山に飛び出して行った。夜、百合子と今井は不安に駆られて、杉野を探しに出かけ、山小屋で睡眠薬を飲んでふらついている杉野を発見した。杉野は異様な状態の中で、百合子を抱きすくめた。それを見た今井は、その場を去ったが、今度は杉野と百合子が今井の後を追った。追いついた杉野は、不能のために百合子と別れたという今井の秘密を、今井にぶちまけた。怒った今井は杉野に殴りかかり、杉野は自ら崖から身を躍らせた。百合子と今井は、崖下に駆けつけたが、杉野は教え子の女がいたことを告白しながら息を引き取った。百合子と今井は、冷たい雪の中で、暗然と杉野の死顔に見入っていた。
1864
1968
雾凇轻摇
主演:岡田茉莉子,木村功,蜷川幸雄
外星恶客
635
8.0
已完结
外星恶客
8.0
更新时间:04月17日
主演:Marshall Thompson,Shirley Patterson,Kim Spalding
简介:Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.  The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).  Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).  As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.  The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.  For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.  The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)  Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.  This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.  As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
5400
1958
外星恶客
主演:Marshall Thompson,Shirley Patterson,Kim Spalding
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