身后事2009

简介：

杰克·雷布尼（Jack Rebney）是你从未听说过的最出名的人——雷布尼在一段温尼贝戈（Winnebago）的销售视频中一路咒骂，这些极其搞笑的片段在地下引起轰动，并让他一跃成为网络巨星。电影制片人本·斯坦鲍尔（Ben Steinbauer）踏上山顶，去寻找这位不知不觉中成为“温尼贝戈人”的隐士。

简介：

风骤雨的夜晚，一架民航班行在雷电交加的风暴云团中的颠簸前行，机长忽然失去了和地面控制台的联系，自动导航系统失灵，他们不知道已经进入了俄罗斯的领空……  在俄罗斯的地面控制中心，雷达发现了一架不明飞机正向国界飞来，但是警告信号却始终发送不出去，所有电波都受到了干扰。这时边界值勤巡逻的战斗机已经瞄准了误闯进来的飞机，导弹，无情的夺去了上几百条无辜的生命，无数的冤魂在黑海深处游荡…… 悲剧发生以后，美国五角大楼对此十分关注，派中情局特工前去调查此事，可是空难发生俄罗斯，怎样才能既不让俄国人发现，又能顺利完成任务呢？ 超级特工乔纳森，和他的老搭档，电脑高手阿尔费临危授命，来到了危机四伏的黑海小岛上，展开了……

简介：

　　在密西西比的一个小镇里，十五岁的加里·琼斯生活在一个支离破碎的家庭，他有一个毫无责任感的酒鬼父亲。有一天，男孩遇到了一个有犯罪前科的男人，两人的生活都开始向暖变化，前罪犯变成了精神楷模。

简介：

一艘宇宙飞船坠落地球，正在执行军事任务的狙击手奎因·麦肯纳（波伊德·霍布鲁克 饰演）恰好遭遇外星人并发生激战，侥幸逃脱的他捡到了外星人的装备并寄回了家想再做他用。传说这种被称为铁血战士的外星人曾数次光临地球，使用各种残忍的手段对人类进行猎杀游戏。而这一次，奎因的儿子罗里 收到包裹后意外触发机关，引来了更强大的终极铁血战士降临地球。而想要阻止其大开杀戒的却是一群问题士兵和一位生物科学家凯茜·布拉克（奥立薇娅·玛恩 饰演）。事情却远不像他们想象的那样简单，一场铁血、终极铁血与人类之间的三方猎杀大战正式拉响！

简介：

天下围棋高手汇聚扬州，争夺“天下第一大国手”之美誉。范西屏应邀参加。施襄夏前来助战。路上，施襄夏听说窦明政因揭发江苏粮库亏空案，遭人暗算，危在旦夕。他拜见窦明政，了解详情，亲眼见他被抓进大牢。乾隆也到扬州，暗查此案。被调查的官员层层庇护，极力隐瞒真相。为收集证据，施襄夏出美人计，收集官府的票据。被贪官们察觉，盗走了证据。 乾隆关注着这场棋赛，还要和胜者对局。范西屏和施襄夏决心打败所有对手，面见皇上。道出实情。在施襄夏的助战下，范西屏战胜各路高手，并再次收集到重要证据。范西屏赢得大国手称号，在同乾隆的对局中，俩人珠联璧合，利用棋子的布局，让乾隆看到事情真相。彻底揭开黑幕。使贪官受到惩罚，冤案得以昭雪。

简介：A couple's ailing marriage is put to the test when they are held hostage in an isolated vacation rental by an unseen Voice that commands their every move.

简介：

圣杯不是黄金，也不是古代智慧书籍，而是 3000 年前木乃伊的 DNA，它或许能治愈疟疾

简介：

一场加密货币骗局导致一群 Reddit 用户密谋绑架欺骗他们的“金融影响者”，结果他们失去了一切。

简介：盛唐年间，黄鼠狼妖与人类战祸不断，冥界孟婆为解除危机，选立男子为阳间孟婆，为转世妖族服用孟婆茶，彻底消除前世记忆，以保人间太平。然而，转世大妖王和孟婆的身亡，使得人妖两族再次剑拔弩张，一场江湖大风暴将来临。

简介：随着科技的不断发展，人类赖以生存的地球却受到越来越严重的污染和威胁。某天，一架巨大的飞碟出现在地球上空，引起各国民众一片恐慌，谁也不知道这个不速之客将对他们的命运带来怎样的影响。飞碟最终降落在美国华盛顿公园的中央，当地警察和军队倾巢出动。飞碟被全副武装的军人和好奇的民众团团围住，经过两个小时的对峙，悬梯从飞碟中缓缓探出。随着舱门的打开，一个身形与人类别无二致的外星人克拉图（Michael Rennie 饰）和全身金属的机器人出现在众人面前。这两个外星人似乎为了地球的命运而来，他们表示出友好，却未得到应有的回报……　　本片荣获1952年金球奖最佳促进国际了解电影奖。

简介：

贝冷是一名工人，酷爱足球，由于他当众侮辱了厂长兼足球俱乐部主任，被工厂开除了。失业后，他与流落街头的外籍工人一起，当清洁工。某晚，偶然中他与一个阔小姐相遇。在谁也没有确切证据的情况下，他被指控强奸妇女，拘留在看守所待审......

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor