幻影光环

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影片讲述两个朋友的攀岩冒险变成了一场可怕的噩梦。凯莉用DV镜头捕捉到她最好的朋友被谋杀的过程后，她成为了这群朋友的下一个目标，他们为了不惜一切代价销毁证据决定追杀凯莉。凯莉为了活下去必须开始了一场危险的攀登，她的生存本能受到了考验......

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一名卧底警察与一名武术专家联手阻止一伙贩毒和偷车贼

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《夜校》故事講述一個無業遊民和雙失發明家（MC 張天賦 及 凌文龍飾）竟綁架了城中首富的遺體，勒索三億！更將遺體藏匿在⼀間廢校之中。這個荒唐的計劃原本進行得天衣無縫，但萬萬想不到，同⼀個晚上，同⼀間廢校，偷屍孖寶竟遇著為父報仇而綁架社團龍頭的黑幫⼆代言仔（吳肇軒飾）；五名遊走廢校做靈探直播的美女主播（黃曦誼、陳伊霖、李靜儀、郭奕芯、方泳琳飾）。各懷鬼胎的三幫人不約而同地聚集廢校，展開一場爆笑困獸鬥。究竟偷屍孖寶的計劃會否被揭破？最後又能否順利勒索三億贖金？

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米莉·查克拉瓦蒂，一位效力于印度板球超级联赛的运动理疗师，经朋友推荐在联赛结束之际前往桑巴莱加尔，为拉索尔皇室的国王进行康复治疗。而在皇室的生活并非想象得如此幸福，对家事不管不问且不愿进行治疗的国王，严肃的皇后操守着家里的一切事务，外表气质忧郁但本质工作狂的王子，恪守家规、从不敢表露真实想法的小公主。就是这样的一个沉闷皇室家庭，在米莉的来到后，一切天翻地覆… 渐渐地，米莉通过自己的不懈努力与开朗性格，不仅博得了国王的信任和配合，说服了小公主勇敢追逐自己的梦想，而且与此同时，却和已订婚的王子产生了暧昧之情；而自说自话、天马行空的米莉始终不被严格的皇后所喜爱。直到有一天，米莉发现了隐藏在这个家族背后一个巨大的秘密... 米莉能否和童话中的王子长厢厮守？能否赢得皇后的喜爱？这场皇室奇遇记究竟又有多跌宕起伏？

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弗兰克是一名投机取巧的保险律师，他认为自己将迎来人生中最美好的时光，他和同事杰夫一起出去庆祝即将升职。然而，当弗兰克被注射了一种致幻剂时，他们的夜晚发生了怪异的转折，这种致幻剂完全改变了他对世界的看法，使他经历了董事会会议、夜总会、枪战和平行空间的迷幻之旅。弗兰克在现实和幻想之间徘徊，他发现自己肩负着寻找失踪女孩、自己和钱包的任务。

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美国人工作越来越卖力，工资却越来越低。富人越来越富，而穷人则逐渐成为美国劳动力的标杆。《美国梦及其他童话》开启了一场对话，大多数美国人，无论贫富，都难以坦诚地谈论这个话题——阶级平等和我们价值观的转变。美国梦，曾经是我们国家的承诺，如今却在我们眼前化为泡影。这种情况正在变得愈发个人化。2018年，华特·迪士尼的后代阿比盖尔·迪士尼在Facebook上收到一位迪士尼乐园“演员”的求助信息，寻求提高薪酬。阿比盖尔前往加州阿纳海姆探望他的家人，亲眼目睹了他和许多在“地球上最快乐的地方”工作的人如何靠汽车生活，依靠食物银行来养家糊口，而与此同时，迪士尼首席执行官鲍勃·伊格尔正稳步迈向成为新晋亿万富翁。这一切是如何发生的？《美国梦及其他童话》是迪士尼大胆尝试公开审视其家族遗产的一次尝试。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

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简介：American psychologist John Holden arrives in London to participate in a symposium aiming to expose witchcraft and devil-worship as a fraud, with attention centered on a cult run by a Julian Karswell. Debarking his plane, Holden learns that the symposium leader, Henry Harrington, has suddenly died and he is now in charge. What only the audience knows is that Harrington was clearly killed by a demon, apparently summoned by Karswell to avenge his persecution. Despite both threatening and cajoling behavior by Karswell, Holden determines to proceed, though the only cult member willing to talk about his experiences is in a prison psychiatric ward, catatonic after allegedly killing yet another cult member. However, Harrington's niece, Joanna, believes, based on her uncle's notes, that Karswell may indeed have some satanic powers derived from an ancient tome in an obscure language which he has been able to translate, and attempts to warn the skeptic Holden. Karswell's mother also attempts to warn Holden off. However, the thing which begins to most get to Holden are the occasional, but mounting, sensory and mental disturbances he begins experiencing after an encounter with Karswell, and the discovery that, during this encounter, Karswell secretly slipped a slip of parchment with a curse in runic symbols on it into Holden's belongings, a parchment identical to one Harrington recorded having had passed to him in a similar manner shortly before his death... [N.B. Holden at no point stays at the Karswell estate].

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在妹妹离奇死亡后，一名男子决定发现隐藏的真相，这引发了混乱和恐怖的深渊。

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伊万·麦克格雷格、希罗·弗南德兹、方·基默将主演新片[生日蛋糕](The Birthday Cake，暂译)。故事讲述弗南德兹饰演的乔瓦尼在父亲去世10周年之际，不情愿地延续了给叔叔安吉洛(基默饰)送蛋糕的家庭传统。但乔瓦尼的生活在那天晚上发生了变化，他目睹了一场谋杀，了解了发生在父亲身上的真相。本片是Jim Giannopoulos的导演处女作，根据其的原创故事改编，将于今秋在纽约开拍。