太空救援

简介：

《黑人母亲》导演 Khalik Allah 带领我们探索牙买加的精神世界，这部影片既是电影，也是洗礼。影片融入了牙买加繁华的大都市和宁静的乡村，向我们展示了一群生动描绘的灵魂，他们称这座岛屿为家。他们坦诚的证言创造了一曲复调交响乐，与不可磨灭的肖像画形成鲜明对比。《黑人母亲》沉浸在神圣、世俗和介于两者之间的一切事物中，将反叛和敬畏融入一首深刻的个人颂歌，以牙买加动荡的历史为背景，但存在于紧迫的当下。

简介：

《Los tallos amargos》是美国黑色电影的典范之作。它延续了经典好莱坞（电影史上最辉煌的时代）的传统，讲述了一位穷记者为了赚快钱，开始与一位匈牙利移民合作的故事。他们开办了一所虚假的新闻学校，很快口袋里就装满了脏钱。当记者开始怀疑你的搭档时，剧情便变得引人入胜。一部完美的电影，一个精彩的故事。这部电影看起来就像当时任何一部美国电影一样。

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暂无简介

简介：

在佛罗里达州中部，一支由1000多名备受尊敬的动物保护专家、兽医和生物学家组成的团队在迪斯尼的动物王国主题公园和爱普科特的海洋水族馆进行开创性的工作。现在，“国家地理”将首次为观众提供一张全天候24/7世界动物看护的通行证，这些动物看护人员运行着世界上最先进的兽医设施之一。

简介：

福和三合会成员丁 (由谢天华饰演) 和总区反黑组高级督察段 (由周柏豪饰演) 都是敌对党派安插的卧底。十年之内，丁在组织内步步高升，但他内心深处厌倦了卧底警察这份没有前途的工作。而段 — — 即将成为史上最年轻的总督察，希望从头开始，摆脱不光彩的过去，开启人生新篇章。他计划扳倒他的暗中老板 — — 非法东方贸易公司的宋 (由陈启贤饰演) — — 当福和和东方贸易联手进行毒品交易时，两人并不知道这实际上是主谋们为揭露卧底身份而设的陷阱。两人早就该得到和平与正义，但迈向和平与正义的一步可能会带来致命的后果。

简介：

吕柔（容祖儿 饰）在度假村开设了一间宠物店，继而认识了经营烧烤场的黄兴贵（刘青云 饰）。阿贵脸上有一道奇怪的胎记，口上说不介意，但其实一直耿耿于怀因为这块胎记令自己失去了很多恋爱的机会，更令别人觉得他是坏人。小柔一直寻觅初恋情人阿Tim，阿贵积极相助。几经辛苦小柔找到了阿Tim，可是此时阿Tim已经有了女朋友，伤心不已的小柔一蹶不振，无心工作。幸好阿贵不断鼓励小柔，让她寄情于工作，期间二人情愫渐生。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：《老广的味道》第三季，将带大家寻找被遗忘的味道，这些被遗忘的味道将会重新出现在我们面前。新一季的美味之旅跨越“山海、东西、主辅、生熟、古今、雅俗”，从两极差异到彼此融合共处，诉说老广美食的无限可能，道尽广东食者对家乡美味的坚守与传承。

简介：

玩特技摩托的男主角科朗奇·卡尔霍恩（库尔特·拉塞尔 Kurt Russell 饰）曾经是个艺术品窃贼，如今也算金盆洗手改过自新。然而在不靠谱老弟尼基·卡尔霍恩（马特·狄龙 Matt Dillon 饰）的怂恿和丰厚利益的诱惑下，打算再干一单大的艺术品盗窃案。科朗奇找回以前的队伍，去偷取一本价值连城的古书。正当一切部署妥当，要开始实施计划的时候，尼基提出了一个更冒险大胆的计划方案。然而两兄弟的如意算盘却并非一帆风顺，他们并不知道，这个团队的每一个人也都为自己盘算着，两人先前的谋划日程也都泡汤了。科朗奇的“收官之作”，又能否顺利进行，盗窃成功呢？

简介：

一个沙漠小镇上有一个银行，银行里三个职员，三个职员都想监守自盗撬保险箱。不幸的是，他们三个并不知道别人的计划，而且，他们都选择了在同一个周末下手……

简介：

莊園名字叫安寧，但不安的陰影揮之不去。擁有莊園的老父面臨訴訟，突然中風昏迷。大女兒長居國外，匆匆回到老家，以懷孕的心情，跟母親和妹妹重聚。三母女看似和睦，姊妹更長得像餅印，甚至同床自慰，卻原來暗湧處處。經常停電的大宅，埋着屈辱與妒忌，以及不可告人的家族秘密。《綁票家族》（40 屆）導演查比羅借家庭恩怨，重提阿根廷軍政府時期的骯髒歷史，更有貝妮絲碧祖與導演妻子馬蒂娜古斯曼互拼演技，火花四濺。

简介：

艾伦（范妮莎•L•威廉姆斯 Vanessa Williams 饰）是美国最大武器武器制造公司西历公司的高级职员，她慢慢发现了这加公司的一些黑幕――该公司生产了一种明令禁止的武器并在黑市交易。FBI利用艾伦获得了一些证据，艾伦成了本案的关键证人。鉴于这间公司的势力，证人保护中心派出了法警约翰（阿诺•施瓦辛格 Arnold Schwarzenegger 饰）前往保护艾伦。 当约翰赶到艾伦家时，杀手正在谋杀艾伦。约翰救出了惊魂未定的艾伦，并告诉了她现在情况。安顿好艾伦后，约翰前往酒吧和同伴罗伯特（詹姆斯•凯恩 James Caan 饰）见面，罗伯特告诉约翰因为保护证人的计划泄漏，要重新安排，并要求约翰一起行动。向来都是独立完成任务的约翰起了疑心，他慢慢开始觉得这件事背后的势力并不简单。