我不是王毛

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科伦拜校园事件是1999年4月20日在美国科罗拉多州杰佛逊郡科伦拜中学(Columbine High School)发生的校园枪击事件。两名青少年学生—埃里克•哈里斯(Eric Harris)和迪伦•克莱伯德(Dylan Klebol...

简介：

　叶凡和叶平兄弟俩自幼父母双亡，二人相依为命。为了生计，兄弟二人背井离乡，来到杭州府开了一间烧饼铺。一次，叶凡路见不平，用独门绝技无影醉拳打跑了地痞，碰巧遇到了宋徽宗第六子景王赵杞，景王赏识他的功夫，便推荐他去州府听差。这时，身怀六甲的肃王妃曹珍从临安回到娘家杭州府，引起全城轰动。叶平奉命去曹府给肃王妃送烧饼，正碰上一伙蒙面黑衣人血洗曹府。叶平趁乱救下了肃王妃，并把她带回了自家的烧饼铺。肃王妃失踪，景王赵杞勃然大怒，命令手下立即在全城展开搜寻，不惜一切代价，也要找到肃王妃。叶凡救下王妃，发现幕后主使竟是自己的恩公——景王，他为了夺得太子之位，不惜对肃王妃痛下杀手。在恩情与道义之间，叶凡必须做出一个选择。

简介：

迪士尼公司旗下专门摄制自然纪录片的子公司 迪士尼自然(迪斯尼自然)推出的又一力作。影片追踪纪录了一个棕熊家庭在一年四季变换中的生活点滴。在冰雪初融的阿拉斯加，棕熊一家从冬眠中醒来，走出洞穴面对严寒，两头新出生不久的小熊在父母的带领下学会了不少生存的本领。春去夏至，棕熊们费力捕食鲑鱼，也必须对付来自敌对方公熊和捕食者的攻击，同时无所不在的狼群也预示着致命的威胁。《阿拉斯加的棕熊》捕捉到了在狂野的阿拉斯加生命的动感与生存的悬念，那股生命的尊严、残酷与壮美令人窒息。本片由好莱坞著名喜剧明星约翰·C·赖利担任配音旁白。

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灵璧奇石“五岳钟灵”，因为苏东坡品鉴而号称天下第一奇石。 在灵璧县衙前举办的赛石大会上，民女张钟灵突然现身，因为奇石“五岳钟灵”的归属，状告当乡富豪王百石。王百石极力争辩，似乎也能自圆其说。结果，知县认定张钟灵属于无赖讹诈，意欲责罚。这被乔装富商暗访的乾隆看在了眼里，乾隆指使美妃出面，保下民女张钟灵。 张钟灵非常机智，给冒充富商的乾隆提供了一些有力证据，证明父亲确属王百石害死，“五岳钟灵”确属他们张家所有。并对假扮富商的乾隆承诺，若能为父申冤而自己愿以身相许。乾隆通过明察暗访，认定张钟灵所言属实。在铁证如山的情况下，支持张钟灵二次上告。 知县沈布休二审奇石。张钟灵证据确凿，有理有据。不料，王百石准备更加充分，他当众陈述，振振有词，有理有据。理由更加充足，证据更加坚实。知县只好声明要惩罚张钟灵。知县已经掌握了所有证据，占有了所有优势，果然，致使在场所有倾向张钟灵的人都失望了。 因为知县步步为营，已把案子做成了铁案死案。乾隆万般无奈，乾隆为了解救张钟灵，同时平息民愤，只好派太监得儿带大内侍卫进一步探查证人、证据，乾隆自信他沈布休审案，不可能万无一失。 乾隆三审奇石。张钟灵得知富商就是当朝圣上，更是闯衙告御状。张钟灵进一步展示新的真凭实据，致使王百石无言以对。眼看着张钟灵稳操胜券。不料，知县挺身而出，当面坦然承认，此案与王百石等人无有干系，上下里外，都是自己一人策划并催促实施。愿意被杀头，但是，要说出真正的原因。乾隆答应。于是知县细说缘由：原来，他是为了乾隆大清江山的安危考虑，不得不尔。他申述的理由，居然说服了乾隆。 然而，张钟灵据理力争，并不认同这一“道理”。张钟灵突然亮出来自己的杀手锏，却发现乾隆上当，知县沈布休和王百石奉献给皇上的“五岳钟灵”奇石竟然是个赝品。那真正的“五岳钟灵”奇石又藏在哪里呢？ 聪明圣上的发现了深藏在已经死去的张老员外内心的一个秘密。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

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2017年，年轻旅人刘宸君、梁圣岳在尼泊尔健行，却因罕见风雪受困岩洞。当圣岳在第 47 天获救时，宸君已于 3 天前离世。这个曾轰动台湾的山难，对罗苡珊远不只是公共新闻。他原预计与两人会合，未料天人永隔。收到宸君遗书后，罗苡珊拿起相机走入山，面对宸君遗愿「活下来的人要说出这个故事」。但他透过观景窗直视的，却是另一座充斥歧路的内心之山。为了解决困惑，罗苡珊来到尼泊尔。渐渐地，他脚下道路与宸君当年旅途交叠，模糊了过去与现在、想象与现实，并通往同个目的地……本片主角刘宸君受困岩洞时，用尽末梢气力，以书写见证自己的存续。过世后，手稿由幸存的圣岳带回，并在宸君家人同意下，汇集成《我所告诉你关于那座山的一切》。本片与此书源于同一山难，替事件提供更多元的角度。影片历时7年制作，为罗苡珊首部长片。她讲述年轻人初次面对挚友离世的伤痛经验，探寻山林、性别等主题。影片入围瑞士真实影展、韩国全州影展、意大利特伦托山岳影展，也获台北电影奖赞誉：“触及生死议题，处理方式却冷静克制。摄影和音效技术也不容忽视，大量雪地的写实环境音，透过大自然美景，回映对于死亡伤痛的释怀与感伤。”

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结婚纪念日当天，CIA特工伊芙琳·绍特（安吉丽娜·朱莉 Angelina Jolie 饰）受命审讯一名投案自首的俄罗斯间谍。对方声称自80年代便潜入美国，并且透露有一名间谍大师曾训练数名儿童，将他们培养成间谍送入普通的美国家庭中，伺机刺杀美国总统。令在场所有特工震惊的是，这个俄国人竟指认绍特是这群孩子中的一员。

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暂无简介

简介：丹泽尔·华盛顿、克里夫·欧文、朱迪·福斯特主演，斯派克·李执导的2006年罪案惊悚片《局内人》将拍续集，最新定下由Aml Ameen(《超感猎杀》)主演。　　《局内人2》的剧情简介更像是第一部的翻拍：讲述美国联储局被一帮厉害又聪明的贼给抢了，并挟持多人作为人质，一名纽约警方的谈判专家(Ameen饰演)和一个联邦特工联手去破解劫案、拯救人质。而《局内人》重点是展现警和匪的智力抗衡、劫匪的盗亦有道等。　　续集由MJ Bassett(《权欲》、《铁拳》、剧版《鬼玩人》)执导，环球家庭娱乐旗下的Universal 1440制作，将在Netflix和别的多家数字平台上线。

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30 年前，海伦 (Hélène) 一直在青春期。她是幽默腐蚀的文本作者。 Elle fait party, comme elle le dit elle-même, d’un «lot mal calibré, nerentrant nulle part»。 Visionnaire，sa poésie télépathe nous parle de son monde et du nôtre。她与戏剧中的场景相适应，她与数学家进行了对话... Pourtant Hélène ne peut pas parler ni tenir un stylo, elle n’a jamais appris à lire ni à écrire.今年 20 月，纸质塑料信件代理机构发表了一份公报。 Un des nombreux mystères de celle qui se surnomme Babouillec…

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【天使之音】故事的主角是一位名叫Toni Fiala 的男孩，他天生有一付好歌喉，从他懂事以来，他就一心希望能加入享誉世界的维也纳儿童合唱团，然而他那位担任铁路工程师的父亲原本希望他去学如何做生意，还好他的母亲十分了解儿子的兴趣和梦想，在她的坚持之下，终于促成让Toni 顺利加入了维也纳儿童合唱团。在Toni 加入合唱团之后，他还必须经过一连串的训练，期间他也认识了一位早他一期加入的Peter ，起初Toni 和Peter 处的并不好， Peter 认为Toni 的加入取代了自己原本的重要地位，后来她们经过一连串的事件之后，终于化解了彼此的恩怨，成为患难见真情的好朋友。

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一名律师转行做私家侦探，接手了一宗失踪人口案件，这促使他进行了一场意想不到的、改变人生的探索。