我是女王

简介：

标志性的剧集《未解之谜》又回来啦！这部 12 集的新剧集融合了原剧集中的标志性元素与当代身临其境般、角色发展推动的故事情节，植根于遭遇了难以想象的创伤的普通人的经历（从爱人的不明不白的失踪或可怕的死亡到令人震惊的奇异的超自然遭遇）。跟随侦探和记者的脚步，探索家庭成员提供的线索，提出理论并最终确定嫌疑人，希望观众能够掌握解开谜团的钥匙。原创纪录片创作方 Cosgrove/Meurer Productions 和《怪奇物语》的制片方 21 Laps Entertainment 合力打造。前六集于 7 月 1 日首播。

简介：卖唱孤女月容受人欺侮﹐幸得马车夫二和相救﹐把她收留家中。邻居田二姑及皮鞋匠王傻子﹐见月容聪慧能唱﹐于是便介绍乐到杨五爷去学戏﹐后来登台卖唱大受欢迎﹐却引来宋信生垂涎她的美色﹐设法引诱她落入自己设置的圈套。二姑的母亲意欲撮合女儿与二和的婚事﹐可惜二和心属月容而婉拒﹐然而不久二姑在刘经理家中任家佣﹐被诱失身怀孕。月容被信生带到天津﹐才发现被骗﹐好不容易返来﹐欲寻二和﹐可惜二和因在刘经理公司工作﹐生活得以改善﹐便与母亲搬到他处居住﹐月容只得再度卖唱为生。而二姑之母迫刘经理作媒﹐好使还未见肚的女儿能跟二和成婚﹐隐暪她与刘经理之间的丑事。成婚之夜﹐二和隐约听到外头月容正唱着“夜深沉” ﹐可是走到屋外﹐又不见其影踪。后来二和发现被二姑骗婚﹐对她非常冷澹﹐刚巧在清风社找到月容﹐二姑知道后立时请刘经理制约他﹐而刘经理也欲佔有月容而收她为乾女儿。未几二姑知道刘经理转向月儿﹐醋意大生﹐在争执间被刘经理所踢﹐流产身亡。刘经理把月容诱至家中﹐二和紧随相救﹐溷乱中月容掩护二和﹐刘经理的手鎗失火自毙﹐月容也因羞惭而自杀身亡。

简介：

2002 年，帕特·蒂尔曼放弃了职业足球生涯，加入了陆军游骑兵队，并立即成为爱国热情和坚定责任感的象征。但帕特·蒂尔曼的真相远比媒体塑造的漫画形象复杂得多，也更具有英雄气概。当政府试图将他的死变成战争宣传时，他们找错了家庭。帕特的母亲丹妮·蒂尔曼在圣克鲁斯山区的家中，带领全家人展开了揭露儿子生死神话背后的真相的运动。阿米尔·巴列夫的这部感人而深刻的电影以对帕特的战友和家人的坦诚和揭露性采访为特色，不仅揭示了帕特死亡后的阴暗后果，并呼吁对整个指挥系统进行谴责，而且还探讨了与英雄主义概念本身一样永恒的主题。

简介：札幌で美容院を経営する百合子は、愛人の高校教師杉野と冬の旅に出た。彼女はこの旅を最後に杉野と別れるつもりだった。理由を問いつめる杉野に、彼女は妊娠していること、それが杉野への愛の終着点であることを述べたが、杉野は逆に百合子への愛をつのらせた。支笏湖畔で朝を迎えた百合子は、杉野の目覚める前に旅館を出て、室蘭に向った。そこにはかつての恋人、今井が待っていた。彼女は今井につき添ってもらい、病院を訪ねたが、結果は彼女の想像妊娠にすぎないことが分った。そこへ、百合子を追ってきた杉野が現われた。当然のように、百合子をはさんで、杉野と今井は対立した。杉野には、今井が百合子とどんな関係にあるのか分らなかった。一方、百合子はそんな二人の男を後に、ニセコ温泉に向った。杉野と今井も彼女の後を追いやがて雪の温泉町に着いた。百合子は、そこで初めて杉野に、今井をかつて愛したことがあるが、今井が不能だったため別れたこと、そして今井が三年後に男性を取戻したことを打明けた。だが、杉野と今井の間は、一層、険悪になっていった。翌朝、今井と言い争って杉野は雪山に飛び出して行った。夜、百合子と今井は不安に駆られて、杉野を探しに出かけ、山小屋で睡眠薬を飲んでふらついている杉野を発見した。杉野は異様な状態の中で、百合子を抱きすくめた。それを見た今井は、その場を去ったが、今度は杉野と百合子が今井の後を追った。追いついた杉野は、不能のために百合子と別れたという今井の秘密を、今井にぶちまけた。怒った今井は杉野に殴りかかり、杉野は自ら崖から身を躍らせた。百合子と今井は、崖下に駆けつけたが、杉野は教え子の女がいたことを告白しながら息を引き取った。百合子と今井は、冷たい雪の中で、暗然と杉野の死顔に見入っていた。

简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

简介：A gravedigger prowls the city in search of a female to bear him a son.　　　　José Mojica Marins是巴西最著名的CULT恐怖片电影大师，这是其第一部长片作品，也是其著名的Ze do Caixao系列的第一集，开创了巴西低成本独立电影的新局面。

简介：

乖乖女沉蔓蔓（詹宛如 饰）是一位就读社工系的大四女学生，在她还是个高中生时，遇到了一个比她大一届的学长李翔（黄礼丰 饰），两人陷入了一段毫无保留、全情投入的爱情之中。初恋的甜蜜和美好，每段爱情都是如此，然而，随着时间的推移，沉蔓蔓和李翔之间的感情渐渐产生了裂痕。这些年来，他们经历了无数的分分合合。然而，沉蔓蔓对爱情有着坚定的信念，她认为真正的爱情是值得付出一切、甚至用生命来等待的。无论经过多少岁月，她宁愿等待那个值得的人。就像那些美妙的歌曲，岁月无法冲淡它们的美好。沉蔓蔓坚信，最终她和李翔是否能够得到最美好的爱情将取决于命运的安排。她怀着坚定的信念，希望他们能够共同等待和抵达那片完美的爱情海洋。

简介：

　　爱丽丝(Maggie Q饰)是一名治疗睡眠的医生，她的新服务对象是一个饱受睡眠折磨的家庭。每当这家人入睡时，“夜魔”便会来袭，爱丽丝必须设法保护这家人。

简介：

Anamika 的母亲是印度人，父亲是英国人，她回到家乡照顾患有痴呆症的母亲。但母女关系并不轻松。母亲年轻时是一位前途光明的歌手，但一系列意想不到的情况，包括搬到英国、意外怀孕以及独自抚养女儿，使她变得情绪化和固执。皮肤白皙的 Anamika 曾经谎称自己是被收养的，十岁时父亲去世后，她从母亲那里得到的伤害成为了她的创伤。留给她们摆脱阴影、重新和解的时间太短了。随着母亲病情的恶化，Anamika 必须为医疗和法律问题以及她的职业生涯和未来做好准备。这部电影的剧本非常精良，通过对话展示了她们关系的变化。

简介：夏威夷冲浪女孩跟随下一代夏威夷本土女性冲浪者，因为他们在精英水平上竞争，以赢得世界职业冲浪巡回赛的梦寐以求的位置。这部四集的纪录片提供了五位最令人兴奋的年轻明星的幕后访问- Moana Jones Wong, Ewe Wong, Maluhia Kinimaka, Pua DeSoto和Brianna Cope -他们训练，处理家庭责任，并与世界上最高级的冲浪者竞争，以获得最高的领奖台。

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简介：晴雯病重，身体非常的孱弱。一天，贾宝玉不小心将贾母送给他的一件非常珍贵的孔雀裘斗篷给少了个洞，不顾病痛的身体，晴雯在深夜里就这微弱的烛火帮贾宝玉缝补斗篷，导致身体更加的虚弱。一天，邢夫人捡到了一个非常低级的香囊，她将香囊交给了王夫人，看到这淫秽不堪的东西，王夫人勃然大怒，她下令家丁们将园子翻了个底朝天，每一个丫鬟的住所都遭到了粗暴的彻查，晴雯的自然也不例外，晴雯受惊又受辱。　　王家人早就看晴雯不顺眼了，趁着这件事情，他们怂恿王夫人将晴雯从大观园里赶了出去，毫无还手之力的晴雯，等待着她的只有死亡这一悲惨的命运。