天缘仙魔

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简介：聪明顽皮的小鬼头因淘气无意间识得金大发，金大发因发现当地恶霸曹天霸的恶行，欲上省城揭发，不料被曹发现，并派人追杀。小鬼头想保护他，最终只能是两人一起合力相斗，两人虽然逃脱追杀，但两股实力相差太甚，金与小鬼头能顺利达成铲除恶霸的心愿吗？

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一个著名但尚未被捕的罪犯名叫 The Hexer 的妹妹被谋杀。 苏格兰场督察希金斯认为，妖术师会浮出水面，向杀害他姐姐的凶手报仇，并计划设下陷阱最终将他抓获。 然而，很快尸体就开始堆积起来，看起来妖术师可能会再次逃脱

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腹语表演者和脱口秀喜剧演员 Jeff Dunham 表演了一场以情人节为主题的特别节目。~DISH Network 剧集描述

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宅男青年姜来租了一个房子，每天被门口的邻居桂香、老九甚至大狗汤姆克鲁斯欺负。到了公司，每次打卡也被清洁工王阿姨戏弄，前台小姐MIMI也看不起他，进了办公室，隔三差五还要被同事董田田泼咖啡，办公室里只有钱图和他是好兄弟。姜来喜欢公司女神林宝儿，每次看到林宝儿就心跳加速。这天他被新来的林总监大骂一顿，回到家又被房东上门追讨房租，无奈躲进了衣橱里，却意外发现衣橱有个神奇的功能……姜来靠着衣橱的预知功能混的风生水起，在公司升职加薪在外组织了偷窃活动，然而这一天，姜来梦到了大地震……

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一位年轻的女剑客有隐身能力，并喜欢对人恶作剧，后来她惹怒了恐怖分子和强盗，不得不去对付他们。战斗中女剑客中毒，一位英俊的医生救了她，康复后她把其余的坏人都赶走了，而医生则在寻找治疗隐身的方法。

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《舞台丽人》是由美英德三国共同制作的，由主演《罗密欧与朱丽叶》的克莱尔-丹妮丝担当女主角。十七世纪的英国剧场，所有女角皆由男性所扮演。埃德华（比利·克鲁德普 Billy Crudup 饰）是英国最有名的当家花旦，运用他的天生美丽及后天技巧模仿女性唯妙唯肖，得到贵族上流的欣赏。然而国王查理二世厌倦了这种一成不变的演出，剧院终于准许真正的女性参与表演。埃德华面临失业危机，世人的排挤和咒骂，仇家的陷害毒打，生活的窘迫，贵族的抛弃使他在最底层随波逐流，一度萌生自杀念头。取他而代之的女演员玛丽亚（克莱尔·丹妮丝 Claire Danes 饰）在舞台上绽放光彩，但她深爱埃德华，并希望他能够重返舞台，以一个男人的灵魂。马上国王就要来观赏新的剧目，埃德华能不能杀死了那个身体里的女人？

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坎（托尼·贾 Tony Jaa 饰）是一位武艺高强的拳师，精通碎象拳。他厌倦了尔虞我诈的江湖，和心爱的大象一起归隐田园，过着风平浪静的生活。然而，某日，黑社会出高价想要买走坎的大象，坎当然不会同意，谁知道第二天，大象便神秘失踪，这定和黑社会脱不了干系。

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因为一场车祸，从小在孤儿院长大的铭恩失去了记忆，跟她一起长大的天心冒充她成为了上流社会的千金小姐，而其后铭恩在阴差阳错之下成为了天心的佣人。天心担心真相暴露，对铭恩百般欺侮。其间，名流公子楚平爱上了铭恩，终于帮助她寻找回失去的记忆…

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西碧勒（维吉妮·艾菲拉 Virginie Efira 饰）曾经是一名心理医生，却因为实在是太过于热爱文学创作，而最终选择放弃做医生，一心扑到了写小说上。一次偶然中，西碧勒邂逅了名为玛格特（阿黛尔·艾克萨勒霍布洛斯 Adèle Exarchopoulos 饰）的女子，玛格特是一名女演员，正身处于情感纠纷之中无法自拔。 玛格特参演了一部电影，却怀上了男主演伊戈尔（加斯帕德·尤利尔 Gaspard Ulliel 饰）的孩子，而伊戈尔和这部戏的导演艾迪斯（劳尔·卡拉米 Laure Calamy 饰）是情侣关系。这段复杂的三角恋让玛格特痛苦无比，对西碧勒掏心掏肺，而西碧勒则偷偷录下了两人的谈话，作为创作小说的灵感。

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在人类出现以前，地球是巨兽的天下。这个让人大开眼界的特别节目，要为观众细数曾经出现在世上体型最大的动物，同时揭露这些超大物种不为人知的秘密生活。从翼展和飞机一样长的大鸟，到体型和一架波音737喷射客机不相上下的恐龙，这部大量使用电脑动画的特别节目，要寻找这些巨兽背后的真相，列举其中最大的十种和最惊人的发现。从带领观众见识最近才刚出土、体型大过先前所有恐龙的恐龙骨头，到分析七公尺巨鸟的飞行技术，揭开让这些动物在世上兴盛繁衍的特殊适应技能。本节目使用视觉特效和让人啧啧称奇的尺寸比较，鲜活、生动地呈现这些让人屏息的巨兽。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.