张震讲故事之合租屋

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风骤雨的夜晚，一架民航班行在雷电交加的风暴云团中的颠簸前行，机长忽然失去了和地面控制台的联系，自动导航系统失灵，他们不知道已经进入了俄罗斯的领空……  在俄罗斯的地面控制中心，雷达发现了一架不明飞机正向国界飞来，但是警告信号却始终发送不出去，所有电波都受到了干扰。这时边界值勤巡逻的战斗机已经瞄准了误闯进来的飞机，导弹，无情的夺去了上几百条无辜的生命，无数的冤魂在黑海深处游荡…… 悲剧发生以后，美国五角大楼对此十分关注，派中情局特工前去调查此事，可是空难发生俄罗斯，怎样才能既不让俄国人发现，又能顺利完成任务呢？ 超级特工乔纳森，和他的老搭档，电脑高手阿尔费临危授命，来到了危机四伏的黑海小岛上，展开了……

简介：

警察费舍尔（Michael Elphick 饰）避居开罗多年，最近被召回欧洲，参与一起连锁彩票杀人案的侦破。费舍尔拜会了恩师奥斯本，老人被警队开除后状况不佳，心血之作《犯罪元素》未受重视，而当年的同事克拉玛摇身一变成为警察局长。卖彩票姑娘的尸体在矿井中被发现，是连锁杀人案的最新受害者，费舍尔从奥斯本处得到嫌疑人格雷的零碎信息，按照《犯罪元素》提出的理论，费舍尔将自己想象成格雷，按照对方三年前的路线前进以求获得线索。费舍尔在路线上的妓院结识了一位东方女子金，自此被对方跟随。费舍尔逐渐迷失在混乱的欧洲，而金和格雷的关系也出乎他的意料。本片是导演Lars von Trier的长片处女作，获1984年戛纳电影节技术奖等多项褒奖。

简介：

汤姆（大卫·休默 David Schwimmer 饰）的生活一团糟，失业半年还找不到工作，每天赖在家里混吃等死，是大家眼中的失败者。有一天，他突然接到一通陌生女子的电话，要求他为她已故的儿子抬棺。尽管汤姆对这个人一无所知，但他还是出席了葬礼。在葬礼上，汤姆才发现原来大家将他误认为另一位同名同姓的同学，包括一位他仰慕已久的美丽女孩茱莉（格温妮丝·帕特洛 Gwyneth Paltrow 饰）都对他另眼相看。汤姆开始利用这个误认的身份为所欲为，一切看来都很顺利。然而，他的人生是否真正改变了，以及这一切误会会导致什么后果呢？

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暂无简介

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摩羯座的程诺（高翊宸饰）和处女座的韩佳妮（马卷卷饰）是一对已经同居两年的拉拉恋人。程诺的前女友艾拉突然回国，两人原本甜蜜平静的生活被打破，彼此的信任产生了裂痕。韩佳妮被富二 代薛凯穷追不舍，又被男上司示好。两人之间的误会越来越深……本片于2016年6月在拉拉社交 APP LESDO上映。

简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

简介：

2020年初，新冠疫情在全球范围爆发。本地酒店小老板达志诚（喻恩泰 饰）正想尽一切办法出手亏本了大半年的酒店；研究生江小天（陈昊 饰）怀揣着自己多年研究心血智能机器人冒险来汉参加面试；有着赛车梦想的东北小伙儿刘火火（衣云鹤 饰）在武汉干着一份岌岌可危的闪送员工作。疫情爆发，武汉封城，三个人分别陷入了人生最大的困境。濒临破产、工作泡汤、不幸入院……道路虽难，人生倒也处处充满了温暖和希望，惊喜和力量。三个人的受难记逐渐升级为一场顽强抵抗、乐观逗趣的全民抗疫大联盟战斗。故事以独特视角切入疫情选题，采用幽默诙谐的笔法，三线并进相互勾连的形式，谱写了一幅特殊时期的小人物群像，展现抗疫洪流中既平凡又温暖的人性之光。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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弗朗索瓦（格利高里·派克 Gregory Peck 饰）是一名虔诚的基督教徒，同时也是一名年轻的传教士。在责任感和使命感的驱使之下，他千里迢迢只身一人来到了中国，决定在这片陌生的国土上播撒基督教的种子。然而，这过程比他想象的要艰难的多，面对一群语言不通，完全没有接受过基督教文化洗礼的中国人，弗朗索瓦感到力不从心。然而，他并没有就此放弃，在贫穷，疾病和敌意之中，他一次又一次的跌倒，一次又一次的重新爬起来，终于，在数年之后，弗朗索瓦身后有了一群追随他的信徒，他凭借着自己的坚持和努力，终于在中国的大地上为基督教开拓出了一片处女地。

简介：聪慧而又时尚的师范毕业生曾子颖，阴差阳错的来到了北部湾海港漂浮小学当了名小学老师，想要尽快调回大城市的她，无奈之下只得答应镇长，到大海中一座几乎没有人烟的孤岛去教学一段。岛上只有一个叫游游的学生，他和为了保护这里的候鸟和自然环境而绝不搬迁的爷爷生活。因为游游常年不与外界交流，大家都以为游游是一个哑巴。一心要让经济腾飞的镇长要铲掉候鸟的家园红树林建虾塘，而阿公坚持认为红树林就是白鹭的家园，要是毁了红树林，也就彻底地毁了候鸟白鹭的家，阿公一家几代人都在维护着这个小岛，不能让这些（鹤）无家可归。曾子颖的到来，并没引起游游的热情，相反师生二人却天天为了上课面红耳赤。但慢慢的曾老师发现了游游的很多优点，特别是对白鹭鸟和大自然的感情。曾老师也逐渐地被感染了，两人建立起了很深的感情。在曾老师离开时候，游游大声而又很艰难地背诵出了“两个黄鹂鸣翠柳，一行白鹭上青天……”。此时的曾老师再也割舍不下了“哑吧”学生游游和岛上的一切……

简介：该影片以辽宁省营口市老边区刑释解教人员焦基发的事迹为原型，反映了刑释解教人员出　　狱后不被社会理解，处处受到歧视，最终在政法委书记和社区主任等社会各界的关怀下，自强不息、重塑人生、艰苦创业的真实感人故事。

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身负神力的少年周处（何与 饰）顽劣叛逆，总是好心办坏事，被吴郡百姓视为异类。某夜，周处为救城外孩童，杀死白额虎妖，不料却引得虎王（陈国坤 饰）降祸吴郡。在与虎王一战中，周处身受重伤。而后虎王施展妖法，吴郡生灵涂炭。失去超能力的周处，变为一个普通人，受到了百姓的恩惠和照顾，也意识到了自己之前的错误，明白了英雄的精神和责任所在。周处浪子回头，身披父亲留下的天星铠甲，与虎王展开了终极一战。