执笔为刀

简介：

　這個感恩節，著名魔術師將打破魔術第一法則：用魔術幫助平凡人實現生命中最重大的時刻。不管是幫助美國士兵「神奇地」重現在家人面前，還是教緊張的小伙子「水上行走」來求婚，這位魔術師都令大家驚嘆連連、美夢成真。

简介：

一个著名但尚未被捕的罪犯名叫 The Hexer 的妹妹被谋杀。 苏格兰场督察希金斯认为，妖术师会浮出水面，向杀害他姐姐的凶手报仇，并计划设下陷阱最终将他抓获。 然而，很快尸体就开始堆积起来，看起来妖术师可能会再次逃脱

简介：While on a road trip, a photographer befriends a young couple whose reckless ways turn his world upside down and into a nightmare in this unpredictable and horror-tinged neo-noir knockout.

简介：锦恒（吴镇宇 饰）和Henry（陈锦鸿 饰）是一对好同事兼好友，同在一家杂志社担任负责人。虽然两人是好友，但两人的性格却相差甚远。锦恒为人老实，甚至有些古板，而Henry则大方开朗、生性风流。两人都已经成了家，锦恒和妻子Ivy（李婉华 饰）婚后一直过着平淡的生活，虽然感情稳定，却毫无生气；而Henry的妻子Linda（彭杏英 饰）和他性格相当，两人虽然经常打打闹闹，但比起锦恒他们却也热闹许多。　　一日，Henry想向锦恒借他家进行偷情，锦恒虽然十二万分不愿意，但经不住他的死缠烂打，终于答应；碰巧同时Linda也向Ivy借她家进行偷情！当Henry、Linda带着各自的情人前往锦恒家时，一连串爆笑的场面发生了。

简介：多斯·琼泽曾是海豹突击队员，并荣获享有盛誉的“荣誉勋章”。杀害他母亲的凶手提前出狱，而他的侄女却被打得奄奄一息，这让他陷入了绝境。为了给无辜者报仇，多斯决定亲手执法，逐一清理街头的恶棍。—罗布·戴蒙德

简介：

《因果关系》讲述了克劳迪娅的故事，她来到一家酒吧与路易斯见面，路易斯是一名医生，通过约会联系了她。克劳迪娅没有预料到命运会给她带来什么。一次绑架以不可避免且不可预测的死亡结束。这是一个充满悬念的故事，最后一秒都有令人惊讶的转折，故事以一个没有剪辑的连续镜头叙述。

简介：

影片讲述一对居住在伦敦的非裔姐妹的故事，展现人性、情感的弱点和“残酷真相”。

简介：一场大雨过后，平静的城市里，植物上的水滴中正萌发出奇怪的生物……　　供职于卫生署的伊丽莎白（Brooke Adams 饰）在郊外采集到一株小型植物，她向丈夫杰弗里解释这很可能是新发现的物种。与此同时，伊丽莎白的同事马修（唐纳德•萨瑟兰 Donald Sutherland 饰）正因为一丝不苟的执法而遭到报复。第二天，伊丽莎白惊奇的发现杰弗里行为反常，举止木讷，伊丽莎白请求马修的帮助，随后他们发现有更多人状态发生了变化，伊丽莎白更目击杰弗里与一群陌生人接头，不久，有多人死于身体变异，他们周身萌发出白色的须状物，形同植物。马修向政府反映当地的生物危机，然而只得到冷漠的回应，人群的异化正在扩散，伊丽莎白和马修处境孤立，但仍然试图拯救城市……

简介：

西碧勒（维吉妮·艾菲拉 Virginie Efira 饰）曾经是一名心理医生，却因为实在是太过于热爱文学创作，而最终选择放弃做医生，一心扑到了写小说上。一次偶然中，西碧勒邂逅了名为玛格特（阿黛尔·艾克萨勒霍布洛斯 Adèle Exarchopoulos 饰）的女子，玛格特是一名女演员，正身处于情感纠纷之中无法自拔。 玛格特参演了一部电影，却怀上了男主演伊戈尔（加斯帕德·尤利尔 Gaspard Ulliel 饰）的孩子，而伊戈尔和这部戏的导演艾迪斯（劳尔·卡拉米 Laure Calamy 饰）是情侣关系。这段复杂的三角恋让玛格特痛苦无比，对西碧勒掏心掏肺，而西碧勒则偷偷录下了两人的谈话，作为创作小说的灵感。

简介：一个家庭三代人的故事，从二战的超现实记忆到现代的柏林，他们处于一个仍在应对历史创伤的社会中，无法处理自己过往的经历。

简介：龙格尔主演的第二部影片，龙格尔在影片中又演了一回苏联人，一名苏联军官，奉命刺杀黑人独立运动领袖，假装保护被抓的黑人逃跑，然后混进黑人组织中，但是黑人领袖对他有防范，刺杀未成功，逃走，回去被苏联高官迫害，拷打，最后逃跑，被一个少数民族的黑人救了，他很受黑人们的感动，最后身上文上了黑人部落身上的一个蝎子图按，保卫黑人，与苏联军队对抗

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.