猩球崛起3：终极之战

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影片围绕欧洲人弗兰克（拉姆齐·诺亚饰）展开，他与另外三人计划潜入一个小镇，窃取神圣的图腾“坎坎尼亚姆”。一行人前往偏远村庄途中，遇到了村里唯一会说英语的居民普洛夫（夸杜沃·恩坎萨饰）。他们自称是传教士，正在寻找可以提供帮助的社区，受到了村庄和村民的热情接待。他们秘密地在社区中搜寻图腾。由于图腾拥有神秘的力量，他们多次试图窃取图腾但失败了，之后决定向普洛夫坦白自己的意图。在丰厚的回报诱惑下，普洛夫寻求了祭司长的女儿阿德伍比（珍妮特·布雷福·扬克森饰）的帮助，而阿德伍比早已迷恋上了弗兰克。

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十九世纪末，儿童时代的亚森•罗平在盗贼父亲的训练中苦学技巧，同时将父亲劫富济贫的教导谨记于心，然而一次次从警察搜捕中逃脱的父亲最终却死在同伴的石头下。时光荏苒，罗平（罗曼•达瑞斯 Romain Dur...

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《古惑往事之龙虎斗》讲述了一名在六合会潜伏多年的卧底阿诺，在堂主大B哥入狱后想趁机深入六合会高层以获取更多犯罪证据，却被同门手下设计阻难，随后展开了一场激烈龙争虎斗。另外《古惑仔》当中的大B哥、丧尸、蕉皮、骆驼等人扎堆出现在《古惑往事之龙虎斗》，并扮演十分重要的角色。全新的故事勾起了那一代人永恒的回忆。

简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

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雕塑家袁适之应邀为祠堂塑泥像，抵达后却发现对方的真实目地是为抗日英烈做铜像。预算少、物料工匠奇缺、敌情不断，根本是个不可能完成的任务。但共同的苦难把众人团结在一起，在日寇的扫荡期间，树起了这座丰碑。

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　　夏安（西恩·潘 Sean Penn 饰）是一名退休的摇滚乐手，富足和闲适的生活让他逐渐失去了往日的精神和锐气。父亲的病危让夏安来到了纽约，虽然没有见到父亲最后一面，但夏安终于找到了未来的目标。原来，夏安的父亲曾经在奥斯维辛集中营中受过虐待，这一段历史一直折磨着劫后余生的老人，而当年的罪魁祸首阿洛伊斯（Heinz Lieven 饰），如今正在美国的某处过着无忧无虑的生活。                                                                

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一个匈牙利指挥到伦敦指挥瓦格纳新版歌剧《唐豪塞》的故事。

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银幕展览邀请观众在国立博物馆馆长和展览策展人的陪同下，以私人视角观看展览。这无疑是一次千载难逢的机会。除了汇集维米尔的作品外，国立博物馆和海牙莫瑞泰斯皇家美术馆还对维米尔的艺术造诣、他的艺术选择、创作动机以及他绘画背后的创作过程进行了研究。

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1960年代，浙江某地。自从在县民歌比赛中获了奖，陶小萍（尤嘉 饰）便不再安心养蚕务农，一心想当越剧演员。嫂子巧莲（朱曼芳 饰）是村里的养蚕能手，她告诫小姑子无论干什么工作首先要端正态度。此后，小萍虽说仍未断做演员的念想，却也在嫂子的影响下有很大转变。春蚕丰收后，她进城卖蚕，巧遇记者招呼巧手妈拍照，她误认为叫自己，结果弄得很尴尬。她去找在县剧团当演员的同学小梅（吴云芳 饰），无奈小梅也圆不了她当演员的梦想，只好悻悻回村。巧莲劝她回心转意安心农业生产，她都当成了耳旁风。为去镇上看戏，她央求水泉（牛犇 饰）替她在蚕房值班，结果蚕房遭风雨侵袭，损失严重，小萍深感愧疚......

简介：几个北漂女孩作为一个女子跳唱组合，共同追逐梦想，不断成长的故事。 她们因梦想相识，因努力相知，从最初的一盘散沙，到后来的同心协契，团结一致。

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《超市之女》描述一个傻头傻脑的老板五郎，不善经营旧式超级市场「正直屋」，在另一家擅於耍弄行销的「减价大王」超市的威胁下，生意一落千丈。「减价大王」更打算以高薪挖走「正直屋」多个部们主管，「正直屋」前景岌岌可危。五郎的国小同学花子，是名寡妇，她凭著家庭主妇的敏锐触角，锐意改革「正直屋」，改善寿司、肉类、鲜鱼等多包装流程。虽然最初部门主管各据山头，抗拒改革，但花子对「正直屋」不离不弃，最终扭转乾坤，说服部门主管与「正直屋」共存亡，令「正直屋」不但只卖新鲜食品，更体贴眾太太的需要，令她们安心购物。「正直屋」最终於元旦倾销中突围而出，顾客大排长龙，彻底击败「减价大王」。