当我跑步时我什么都不想

简介：一个人烟稀少的殴洲小镇，平日连窃盗案都没有，竟然出现恐怖的连续杀人案件，小镇居民在一个月内陆续死亡，女警塔玛拉（伊莉丝蕾薇斯克 饰）从前的刑警搭档也是死者之一，让小镇的耳语不断。 而塔玛拉在查案的同时，发现受害者都会失神的喃喃念着“阿尔发，阿尔发…”，让她不禁想起一直以来行为古怪的母亲莉亚（薇若妮卡费瑞儿 饰），因为莉亚在青少年时期曾与高中同学们一起玩游戏“解忧棋”，可以引发一股神秘的复仇力量，但一次玩游戏时发生了火灾，同学们全都死亡，她是唯一的幸存者，但精神出状况，游戏也消失无踪。 但现在似乎这股力量又在小镇漫延，塔玛拉面对母亲可能成为嫌犯，小镇镇民又接连死亡，要如何阻止这股取人性命的神秘力量？

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乔希和伊万被解雇保安后，他们成立了视频制作公司 Video Aces。他们利用乔希的才华和伊万的商业头脑，试图在做自己想做的项目的同时在业务上大展宏图。与他们有交集的人包括极右翼总统候选人诺曼·马特、诡计多端的音乐记者萨曼莎·格雷戈里，以及愿意给他们一两次机会的制片人莫·法兹，只要他们愿意按要求工作。

简介：一架载有最新生化武器样本的军用飞机坠毁宾西法尼亚州某小镇附近的山上，破碎的生物样本流入水源。凡饮用过感染水源的人或中毒而死，或狂性大发自残自杀。派科姆上校（Lloyd Hollar 饰）及怀茨医生（Richard France 饰）奉总统之命，分别率领军队和医疗组赶赴小镇，希图控制病毒蔓延。　　然而病毒扩散极为迅速，小镇已到不可救药的地步。华府作出决定，将用核武器彻底摧毁小镇以及被感染的人群，任何企图逃跑之人格杀勿论。为了生存而战战兢兢的人们，更要面对即将到来的毁灭厄运……

简介：In a violent world, a peace-loving man is forced on a desperate journey to find life-saving drugs for his wife but to get them he must first help an ornery old man defend his cabin against nefarious forces.

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本片讲述的是一个神话故事，有一位天生大力士曾参，上帝赐予他无穷的力量，并告之不能剃发，否则力量会丧失。但是曾参受美色所诱，骗剃光了头发，并挖了双眼，锁在一间不见天日的屋子。曾参终于忏悔，头发慢慢长出，力量也逐渐恢复，终于将那些罪恶的一切毁灭。

简介：上海电影制片厂1958年摄制，著名导演孙瑜执导，魏鹤龄主演；其主要剧情为：影片选择了造桥、建庙、角楼三个故事贯串而成，着重表现了春秋战国时代的巧匠鲁班是劳动人民勤劳智慧的化身，证明了不平凡的奇迹都是从平凡的劳动中创造出来的。　　春秋战国时代，有位巧匠叫鲁班，传说中人称“木匠之祖”。 一日，鲁班途经四川某地，看到一座建造中的大石桥。依造桥的赵掌墨师的设计，桥身不能合拢。　　鲁班凿了一块大石头，送给了快要出嫁但买不起嫁衣的穷姑娘翠儿。在石桥合拢的关口翠儿献出了石头，桥造成了，翠儿的嫁妆也不愁了。　　江南某地造宗庙，规定要用黄荆树做正梁，朱砂石做亭盖，造庙的张掌墨师很犯愁。鲁班想出了“鲁抬梁”、“土堆亭”的办法，使宗庙得以建成。　　皇帝要造四座宫城的角楼，规定每个角楼都必须有九根梁、十八根柱、七十二条脊。许多设计建筑的掌墨师都无力达到这个要求，一连七个名师被皇帝所杀。最后，这项工程落到李掌墨师身上，可他也无能为力。鲁班闻知此事，昼夜苦思，几日之后，他请一个叫巧儿的姑娘按自己设计的尺寸，编成一个麦秸秆蝈蝈笼，送给李掌墨师。李得以启发，终于将角楼建成。

简介：1949年，中华人民共和国成立。经过连年战乱，中华大地山河残破，百业待兴。然而正当全国人民齐心合力建设新家园之时，却有领导干部在权力的宝座上迅速腐化堕落。 　　1950年夏，天津爆发洪涝灾害。时任天津地委书记的刘青山（李国华 饰）和行署专员的张子善的干部到地方视察灾情，机关干部赵子平为了巴结领导，挪用公家资金为刘、张设立伙食补贴和特别经费。在此之后，赵又抓住各种机会向刘等人提供住房和商业实惠。以此为契机，刘、张伙同赵子平悍然盗窃国家救济粮、治河专款、干部家属救济粮、地方粮、克扣民工粮款，甚至挪用机场修建费，给国家造成巨大损失。 　　1951年，“三反”、“五反”运动兴起。在天津地委副书记林克俭的检举下，刘青山和张子善的遵行彻底暴露，他们也为自己的行为复出应有的代价……

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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在都市中生活的人猿泰山在参加一次聚会中，突然感觉到自己该“回家”了，并与好朋友一同回到了非洲；匪徒挟持老人去神秘的非洲探宝，并与女魔头一同勾结，但泰山最终战胜了恶势力。

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“在被学校里那些卑鄙的女孩羞辱后，女巫费伊召唤了邪恶的圣杯......

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该剧是一部以喜剧手法打造的中国传统文化“孝道”题材电影，讲述了在单亲家庭成长起来的冯冬子（李亚文饰）与意外发现患有脑瘤的妈妈李子月（张丽平饰）后，从一个叛逆青年蜕变为一个有担当和责任的成熟男人。同时也收获了美满的爱情潘天天（马诗涵饰），在故事纠葛中冯冬子发现自己的准岳父既然是妈妈的初恋。

简介：耿直又聽話的匏仔，專為大哥「處理」各種事情，扛下身為小弟的風險，再向老大拿安家費貼補家計。匏仔的仙姑媽媽總是念他：「早知道細漢就別讓王爺幫你算出兄弟命，現在整天在惹麻煩。」但在他心裡，還藏了一個祕密 ─ 他心心念念上次進去的時候，特別好好「照顧」他的學長咪幾。當咪幾出獄，期待重逢的匏仔卻發現自己被冷落，青春勃發而無處出口的蕩漾春心，變得比什麼黑道歹路、輩分道義，都更難按耐……。　　導演朱平挑戰以長片規格，細密地鋪陳在陽剛、壓抑的江湖人際中，伏流的同志情慾。全片鏡頭穩而慢，光線自然而情調滿滿，黃冠智、施名帥兩代本土男星貢獻洗鍊演技，在社會的暗角掩埋七情六慾。比起打打殺殺的生活，「你為什麼在躲我？」是一樁更難嚥下的心靈危機。