暴走英雄

简介：

　　安志意外骨折在医院等候治疗，他恍惚间总是看到去世的前女友彩儿在医院尽头闪现。                                                                    　　另一边，小雅因车祸出现在急诊室，她醒来后也总能在医院里看到已经车祸丧生的前男友阿健。                                                                    　　小雅因车祸选择性失忆，她回忆起车祸导致阿健死亡，因而内疚自责。因此小雅屡次选择自杀，但冥冥中似乎有人在阻止着她。                                                                    　　安志反复自残、住院，引起了护士蔡菲的注意，蔡菲在和安志的交往中慢慢对安志日久生情，并从安志同事口中得知安志自以为害死女友彩儿的心结，导致心理疾病PTSD。                                                                    　　小雅的哥哥大风以及蔡菲同时想要为各自爱的人解决问题，于是找到了Dr. K，Dr. K告诉了大风和蔡菲解决办法，安志、小雅终于重获新生。

简介：

一位年轻的哥伦比亚女子在西班牙的一座避暑别墅里做女佣。当这个富裕的家庭享受奢华的假期时，她却整天为他们服务。直到有一天，她意识到，或许自己也能找到享受夏日的方式。

简介：

一段不堪回首的中国近代历史，由大导演张彻娓娓道来。清朝末年政局腐败，社会民不聊生，慈禧太后与一群愚昧无知的权贵大臣不但毫无抵御外国列强侵占，以及保护人民的能力，反而迷信以吞符念咒，自称无坚不摧的「义和团」可以抵御洋人，决意向列强宣战。结果导致八国联军攻陷北京，慈禧太后仓 惶逃难；人民这才醒悟到，只有孙中山先生领导的革命运动，才是挽救中国的唯一希望。本片于台湾实景拍摄，战争场面浩大，并由钻石级演员压阵，包括「影坛长青树」李丽华饰演慈禧太后、「功夫小子」傅声饰演刀枪不入的「义和团」铁汉曾献汉、性感尤物胡锦饰演一代名妓赛金花、红歌星甄妮饰演赛金花义妹小菊，编写出一阙英雄儿女的壮志悲歌。

简介：多斯·琼泽曾是海豹突击队员，并荣获享有盛誉的“荣誉勋章”。杀害他母亲的凶手提前出狱，而他的侄女却被打得奄奄一息，这让他陷入了绝境。为了给无辜者报仇，多斯决定亲手执法，逐一清理街头的恶棍。—罗布·戴蒙德

简介：

《一切都会好起来》是一首既幽默又伤感的情人节歌曲，献给那些梦想成真却未必成功的大梦想家。它探讨了个性与循规蹈矩，幻想与现实。但更重要的是，它讲述了一个家庭一年来在成功、鬼魂、身份认同和地域戏剧之间挣扎的故事。莱斯特·斯马特一直觉得自己的人生只有一个方向……那就是戏剧。为了成为舞台的中心，他会尽情歌舞，无论需要什么。

简介：一座被外国军队占领的城市，由于粮食短缺，人民生活艰难困苦，一位年轻妇女只好带着双胞胎儿子们投靠住在乡间的母亲。这位“外婆”不仅不识字、骯脏、吝啬、凶恶，甚至是一名凶手。两兄弟在艰困的环境中成长，为了让自己变得坚强，两人每日以互相打骂对方、绝食等各种方式锻炼生存本领。他们将每天发生的事情仔细记载在一本大笔记本中。随着日记一页页被翻开，一场冷酷的梦魇式寓言也逐步呈现。

简介：

摩羯座的程诺（高翊宸饰）和处女座的韩佳妮（马卷卷饰）是一对已经同居两年的拉拉恋人。程诺的前女友艾拉突然回国，两人原本甜蜜平静的生活被打破，彼此的信任产生了裂痕。韩佳妮被富二 代薛凯穷追不舍，又被男上司示好。两人之间的误会越来越深……本片于2016年6月在拉拉社交 APP LESDO上映。

简介：

库马尔（库梅尔·南贾尼 Kumail Nanjiani 饰）出生在一个非常传统的巴基斯坦家庭之中，成年后，他选择成为了一名喜剧演员。在一场单口表演中，库马尔邂逅了名为艾米丽（佐伊·卡赞 Zoe Kazan 饰）的女孩，本以为的一夜激情竟然从暗夜蔓延到了白天，最终，他们发现彼此就是一直在寻找的另一半，两人走到了一起。 然而，库马尔的家人要求他遵循巴基斯坦包办婚姻的传统，为他相中了一个穆斯林女孩，催他回老家结婚。与此同时，一场诡异的怪病袭击了艾米丽，令她陷入了昏迷之中。库马尔选择和艾米丽的家人们站在一起，共同度过这难关，与此同时，他还要抵御来自自己父母的步步紧逼。

简介：Following the journey of Ricky, a 25 year-old musician from Toronto, while he navigates the volatile terrain, and overcomes personal adversity.

简介：影片讲述了千禧年发生在南方小镇上的一段曾经无限接近，却又渐行渐远的少年情谊。“好学生”黎菲（张子枫 饰）与“坏孩子”张辰浩（张宥浩 饰），各自经历了时代大潮下家庭的变迁，一起奋力而坚韧地成长。然而高考前的一场剧变，让青春笼上阴影，最终裹挟住了二人的命运。

简介：

简介：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,