超级武器 第二季

简介：

一心靠养猪挣钱娶媳妇、养老娘的孟响，被日寇的飞机将辛辛苦苦养大的几头猪全部炸死，梦想破碎。在找当地警察无果之后，他进城去找同样是警察的表哥黄二。身为警察的黄二不愿做汉奸，在亲眼目睹了抗日义勇军为夺取珍贵药品牺牲后，将药品藏了起来。孟响进城后才知道黄二已被关进监狱，靠着一股痴劲和无畏，在一番勇斗误撞之后，成功将黄二解救出狱。随后兄弟二人遇到了义勇军的队伍。二人凭借机智、勇敢，在日军眼皮底下闯医院、取药品，闯警署、抓局长，在义勇军和惜日同僚的配合下终于将穷凶恶极的鬼子小队长杀死，也将药品顺利交给义勇军。

简介：咏春传人梁向东与洪拳传人刘朝西历来不和，缘由二人对彼此的功夫不屑一顾，两个顽固的老顽童经常你争我抢，闹出来了不少的笑话。梁的儿子咏春和刘的女儿洪拳亦受了父辈的影响，两家虽相邻而居但从不交往。洪拳咏春同在媒介公司供职，洪拳又是咏春的上司，咏春因此极为不满，自己虽为咏春传人，但对功夫只懂皮毛而已，为了能在对方面前抬起头，他不得不刻苦向父亲学习功夫。而刘也把毕生的功夫传给女儿，目的也就是希望女儿巾帼不让须眉。 经过一系列幽默小插曲之后，洪拳咏春亦从竞争对手变成幸福情侣，二人一起化解了两家的恩怨，两个武术世家亦终于和睦相处。

简介：沈丹妮和父亲在一场车祸失忆，身为集团老总的父亲成了植物人，而丹妮只能记得24小时内的事情，她在医院中遇到了新闻记者仲达峰，公司内部高管陷害了丹妮的哥哥，让警察以为车祸丹妮的哥哥策划的，妄想强娶妮夺取公司大权。爱情和亲情最终战胜了阴谋。

简介：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,

简介：查尔斯．拉蒙特执导的一部恐怖喜剧，由高脚七、矮冬瓜和鲍里斯．卡洛夫合演。剧情描述在维多利亚时代的伦敦，两名新手警察碰上了一个化身博士，展开了连串斗法。本片虽无特别精彩的笑料，但英国着名恐怖片明星鲍里斯．卡洛夫的演出及特技化装均有可观之处。当年在英国公映时，曾被电检列为X级，但后来却可以在儿童电视节目中放映。

简介：陨石撞击地球引发海底火山喷发，江边小镇随时有被海水倒灌的风险，人们纷纷逃离。念念在临行前一天，决定跟儿时好友告别，却意外跟小镇上的人们相遇，这座城市在记忆里的样子渐渐清晰起来。

简介：

入围第71届柏林电影节全景单元。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：美国南部的梅岗镇上住着父亲芬奇(格利高里·派克 Gregory Peck 饰)和他的一对儿女。尽管妻子已经亡故，一家人仍过得乐也融融，芬奇对儿女亦既严格又疼爱有加。父亲平时还对他们说过，不要杀死为人类唱歌的知更鸟，因为她们善良而从不伤害人。　　芬奇除了是一个慈父，还是当地一名勇于伸张正义的律师。这天他接到一宗强奸案，被告是黑人罗宾逊（布洛克·皮特Brock Peters 饰），而受害者是一名白人女子。这样一个案件，在那个种族歧视相当严重的年代，罗宾逊的境况堪忧。即使芬奇找到了他没有犯罪的证据，也不足以让人们抛开种族成见。芬奇在法庭上奋力维护事实和法律的公正，然而却没能阻止人们根深蒂固的偏见。更糟糕的是，怀有种族偏见的白人已经把芬奇当作公敌，而罗宾逊也无法洗清罪名，更可悲的命运在等待着他。

简介：

主人公刘阳为结婚欠下高利贷，被逼还债把房子抵押给银行，而被妻子离婚，换上抑郁症，失去爱人和房子的他在街头流浪时发生车祸，进入另一个世界，莫名其妙被一个黑衣人追杀...

简介：

“在被学校里那些卑鄙的女孩羞辱后，女巫费伊召唤了邪恶的圣杯......

简介：

暂无简介