491
10.0

现金对决

导演:
Stephen,Milburn,Anderson
主演:
肖恩·宾,克里斯·海姆斯沃斯,Victoria,Profeta
别名:
未知
10.0
491人评分
英语
语言
2010-03-08
上映时间
108分钟
片长
简介:

故事发生在繁华都市芝加哥,在一片灯红酒绿之间,山姆(克里斯·海姆斯沃斯 Chris Hemsworth 饰)和妻子莱斯利(维多利亚·普罗费塔 Victoria Profeta 饰)背负着还房贷的巨大压力过着入不敷出的生活。一次偶然中,山姆驾车从立交桥下驶过,一笔巨款竟然从天而降,囊中羞涩的山姆无法对这笔不义之财视而不见,拿着这笔钱,他和妻子不仅还清了房贷,还买了一辆拉风的越野车。还沉浸在一夜暴富的喜悦之中的山姆没有发现,他早已大难临头。
这笔巨款来自一个名叫派克(肖恩·宾 Sean Bean 饰)的罪犯,他将赃款扔下桥企图销毁罪证,并且眼睁睁的看着山姆带走了钱。派克找到了山姆,向他发出了警告,如果山姆无法在5天内将他花掉的钱重新补齐,那么他的后果将不堪设想

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更新时间:2025年04月17日
主演:Paul Naschy,Julia Saly,Lola Gaos
简介:PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.  We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.  PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,
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