407航班

简介：影片主要讲述了一个身体素质原本并不是很好的学霸少女——邓嘉在学习网球的过程中，通过自己的汗水和韧劲一步步变强，并最终成为职业网球运动员的故事。

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解放前西部某地。虎兄（周里京 饰）豹弟（常戎 饰）两人夜盗金佛惊动军警，豹弟侥幸逃脱，虎兄受伤被抓进死牢。一晃十年过去，警察局长冯一夫（高长利 饰）放出虎兄，限令他找回金佛。虎兄在查访中偶遇妓女玉兰（刁海欣 饰），发现她身穿的衣服好似妻子菊花（王静 饰）针线，心生蹊跷，此时柳雁（张红晔 饰）赶到妓院搭救虎兄，两人一番畅谈方知各自经历与志向。杀手将至，俩人赶往黑风大宅，虎兄吃惊地发现妻子菊花竟与豹弟同衾一室，三人顿时陷入尴尬。原来豹弟误认虎兄已死，他携嫂子与侄女小翠逃往异地重整家业。一日，柳雁在妓院救下正挨打的小翠，小翠向她哭诉了自己的身世。小翠被抓回地牢吊起来，闻讯而至的虎兄与柳雁赶到牢房，小翠和盘脱出豹弟的丑行，虎兄方知十年前入狱竟是豹弟告密所致......

简介：

　在这部纪录片中, 切尔茜·汉德勒探究了白人特权如何影响美国文化，而她的生活和职业生涯又是如何因此而受益的。

简介：高中生沈亦航凭着英俊的外表，在学校学习成绩也是非常优异，是当之无愧的校草，捕获了学校无数的少女，一次偶遇他认识了相貌平平的女同学夏萱，被善良优秀的她深深吸引，为了接近夏萱，通过各种方式使自已出现在她面前，慢慢展开爱慕之心，在一次志愿服务外出活动时，沈亦航准备鼓起勇气表达自己的心意，夏萱却意外出了车祸，严重受伤住院，通过这次意外的改变，夏萱完完全全变了一个人，在出院当天刚好沈亦航的死党陈越泽转校过来，遇到了到学校报道的夏萱，陈越泽认定了夏萱为自己追求的女人，不断制造机会与夏萱接触并拉上沈亦航陪同，却因此让沈亦航也了解了陈越泽的内心，在不断的内心挣扎下沈亦航选择把他的感情隐藏了起来…

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阮力（周润发 饰）曾经参加过越南战争，战争结束后，空有一身功夫的阮力失去了目标，他来到了香港，成为了一名杀手。虽然杀人如麻，但阮力却保留了一颗善良的心，在香港，他邂逅了名为阿琳（关之琳 饰）的女孩，两人坠入了情网。可是，在一次任务中，阿琳的父亲成为了阮力的目标死于非命。

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故事描绘了中年公务员雨果的内心世界。他在里斯本的一座宫殿中以夜为生，由于着迷于自己最近在安东尼奥的遗物中发现的八毫米胶片，雨果回忆起安东尼奥对他说他要死了的那个时刻。后来，他又在不经意间回忆起自己曾经心爱的阿德里亚娜，而她现在却已经生活在远隔万里的另一个国家了。本片在2013年罗马国际电影节首映，预示着葡萄牙影人Vitor Gonçalves 30年之后重返影坛。知名影评人评价本片，认为电影对人类情感危机的探究极其深刻，是导演30年后“卷土重来”的最佳证明。影片鲜明的原创性和高度的实验风格使其成为欧洲先锋派电影史上的重要里程碑。

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一个匈牙利指挥到伦敦指挥瓦格纳新版歌剧《唐豪塞》的故事。

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民国年间，时值中元节，太平县昏暗的戏楼正上演着一场给“阴山鬼王的阴戏”。恰逢警察局局长方敬儒（张子健 饰）大寿，局长儿子派人搅乱了戏班子，强占戏院为其父贺寿，正当所有人沉浸在喜悦的气氛中时，一个熊熊燃烧的活人从戏台上空而降，像极了中元节鬼王被烧的场景，与此同时，台下的纸人和鬼王牌位竟也瞬间燃起，人们纷传是其惹怒了鬼王。方敬儒盛怒之下开始调查此事，奉天白事铺掌柜许四九（刘智扬 饰）也被迫卷入其中。随着案情深入，故事主人公许四九见证了一桩桩悲剧，也终于找到了背后的答案……

简介：像父亲。其子。独一无二。《老》是对特立一格的电影制作人老罗伯特·唐尼(Robert Downey老)的生活和职业的一幅充满爱和不敬的肖像，它很快就转变为对艺术、死亡和治愈代谢性功能障碍的思考。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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一个男人因为一场意外，一直被困在原地，不断跟时间打转······