男气管制

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改编自同名小说《灵魂草》，影片剧情建立在男主角斯和一生的情感历程和事业发展上，从童年到小学、中学、大学，斯和的心灵成长伴随着一件件具有影响力的事件展开，同时，秀秀也在斯和的生命中留下了无法抹去的烙印。

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军区保卫部的赵科长，给某工厂的青年团员们做防特保密的报告，讲述了六个小故事： 一、七十五号密件：王参谋是一个不重视保密的人，一次下班前，为赶着去看电影，匆忙之中忘了将七十五号密件交给保管员保管，随手塞进衣袋。保姆在其衣袋里发现了密件后，偷偷地把它交给一个伪装成收破烂的特务。第二天，正当王参谋焦急万分地寻找密件时，公安部门前来逮捕保姆——特务，王参谋如梦初醒。 二、小广播：我边防战士，在一个风雪交加的夜晚，逮捕了一个偷越国境的匪特，在其身上搜出一份我部队调动的情报。原来，那些小广播把部队调动的消息，东传西传，传到小张的耳朵里，他想提早取出像片，急忙赶到照相馆，麻痹大意地把部队调动的消息转播给照相馆的老板，而照相馆的老板正是暗藏的特务。 三、夸夸其谈的人：在火车上，军区保卫部的赵科长遇见一位自称刚从部队转业的女同志及两位部队报纸的记者。两位年轻的记者，一...

简介：泰满（金相庆 饰）和妻子智秀（文贞熙 饰）结婚多年，两人共同养育着可爱的女儿雅莹（崔达仁 饰），尽管个性懦弱的泰满是个成事不足败事有余的失败者，但这个家庭由强悍精明的智秀撑着，日子倒也算是能过得下去，泰满对现状也就持有着得过且过的态度。　　只是这样的爸爸在雅莹的心目中地位十分低下，父女两人之间的关系一直不尴不尬。某日，泰满忽然发现雅莹竟然将自己当成一件商品一样的“租赁”了出去，“客户”竟然还不少。了解了女儿对自己恨铁不成钢的感情，泰满决定振作起来，通过做别人的“临时爸爸”，来学习身为一个称职的父亲所必备的品质。

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Blanche Gardin 推出了她的新脱口秀喜剧《Je Parle Toute Seule》，这部喜剧将为她赢得“莫里哀最佳喜剧表演奖”。这是一场搞笑又无拘无束的表演。

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在一位绝望女性的邀请下，精神科医生兼前军人尼克·杰森试图帮助她那被恶魔附身的姐姐，却陷入了一场致命的地狱之旅，进入了一个平行世界。

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大治（乔任梁 饰）表面看来只是一个平凡无奇的少年，其实际身份却是潜伏在平民之中的特工刑警。孟晓玲（陈静 饰）自幼和大治一同生长在孤儿院中，成年之后，穷苦悲惨的过去令孟晓玲对金钱有着超越常人的渴望和执着，她勾引了土豪杜豪金（白凯南 饰），两人前往意大利大买特买，此举却吸引了一帮犯罪分子，他们企图以杜晓玲为缺口，夺走杜豪金的所有财产。

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在人类出现以前，地球是巨兽的天下。这个让人大开眼界的特别节目，要为观众细数曾经出现在世上体型最大的动物，同时揭露这些超大物种不为人知的秘密生活。从翼展和飞机一样长的大鸟，到体型和一架波音737喷射客机不相上下的恐龙，这部大量使用电脑动画的特别节目，要寻找这些巨兽背后的真相，列举其中最大的十种和最惊人的发现。从带领观众见识最近才刚出土、体型大过先前所有恐龙的恐龙骨头，到分析七公尺巨鸟的飞行技术，揭开让这些动物在世上兴盛繁衍的特殊适应技能。本节目使用视觉特效和让人啧啧称奇的尺寸比较，鲜活、生动地呈现这些让人屏息的巨兽。

简介：一群少年对街舞的逐梦之旅，期间有父子之间的亲情矛盾，有街舞和广场舞的激烈对决，最后还有城市少年和留守少年的那份纯洁友谊

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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鲁迪·雷·摩尔饰演皮特·惠特斯特劳，他的喜剧天赋与功夫天赋相得益彰。当他的宿敌勒罗伊和斯基莱特屠杀了他和他的朋友们后，皮特最终下地狱，并获得了一个难得的机会：作为他和朋友们重返人间的交换条件，他必须娶撒旦的女儿。唯一的问题是：她是他见过的最丑的女人！皮特能否用他的神奇皮条客手杖打败撒旦，还是被迫成为魔鬼的女婿？

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