左爱右爱

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迪斯科诞生于民权运动和石墙起义之后的地下，后来成为一种充满活力的音乐流派、激进的社会运动和充满活力的反主流文化——后来它被吸收、利用和暴力消灭。在我们的集体流行文化想象中，迪斯科已成为一种时尚，沦为《周末夜狂热》和 Studio 54 的柔焦回忆。但现在是时候澄清事实了：迪斯科从未消亡。《迪斯科的复仇》是一场激动人心的、体验式的深度探索，深入探究迪斯科音乐的灵魂及其对流派和历史的持久影响，由创造它、培育它并在舞池中发现自己的人讲述。它不仅讨论了为什么迪斯科如此重要，而且讨论了为什么在这个分裂的时代，迪斯科比以往任何时候都更重要。其中包括 Nile Rodgers 和 Chic、Billy Porter、Nona Hendryx 和 LaBelle、Grandmaster Flash、Fab Five Freddy、Nicky Siano、Earl Young 和 The Trammps、Jellybean Benitez、Kevin Saunderson、Sylvester 和 Martha Wash 等人的采访和表演。

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全美有 10 万名公民被单独监禁，这一惊人数字引发了奥巴马总统和教皇的关注。红洋葱州立监狱位于弗吉尼亚州的乡村，距离所有城市中心 300 英里，是全美 40 多所超级监狱之一，这些监狱将囚犯每天 23 小时关押在 8×10 英尺的牢房中。导演克里斯蒂·雅各布森前所未有的接触机会，为我们展现了一幅感人肺腑的单独监禁生活图景。这部令人大开眼界的影片历时一年拍摄，融合了严酷的监狱画面、狱警的故事以及被单独监禁者的内心反思。囚犯们讲述了他们入狱的历程以及他们每天为保持理智而进行的斗争。通过讲述身处监狱体系中的人们的感人故事，《SOLITARY》为我们提供了一个难得的窗口，让我们了解监狱两边的生活，并提出了一些关于当今美国刑罚制度的核心问题。

简介：當紅兒童節目《柴哥與喵弟》，一大一小扮演著一狗一貓的角色，風靡了整個兒童界。開心的舞台下，柴哥與喵弟卻各自面對著難解心事。喵弟心心念念著好久不見的媽媽，柴哥隱藏的地下情正蠢蠢欲動。一場旅行，帶領兩人面對了心中一直跨不過的點。

简介：卢克领导着一个诈骗集团在芝加哥附近的约里埃特行骗。这天，手下人向他交了一大笔刚刚骗了的钱。不久，卢克就遭到了谋杀。原来，这笔钱是芝加哥的黑社会头目朗尼根（罗伯特•肖 Robert Shaw 饰）刚刚收回的赌款，正是这笔钱令卢克引火烧身。　　胡克（罗伯特•雷德福 Robert Redford 饰）是卢克的一个手下，卢克平日待他如亲生儿子一般，生前就想把他介绍到芝加哥的好友骗术大师冈多夫（保罗•纽曼 Paul Newman 饰）处学艺。胡克发誓要给卢克报仇，于是前往芝加哥寻找冈多夫。胡克顺利找到了冈多夫，听闻这次的对头是朗尼根，冈多夫马上摩拳擦掌。于是，一个天衣无缝的行骗计划开始了！

简介：The best magicians of the 21st century set out on a journey to search for the lost author of the most legendary book about the art of sleight of hand. 　　《牌桌上的高手》一本被誉为纸牌魔术圣经，是全球魔术师必读的戏法宝典。而作者的 　　真实身份至今仍是一个未解之谜。他是臭名昭著的骗子？是魔术天才？无人知晓、无从考证，只留下无数关于他的神话和传说。由此，二十一世纪最优秀的魔术师们开始了一段寻找最传奇的魔术艺术书籍失传作者的旅程。

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一对陷入困境的夫妇与入侵者展开搏斗。随着夜幕降临，忠诚度发生转变，秘密被泄露，生活支离破碎。

简介：1987年，南非，一名十九岁的少年在雨夜追赶著一辆小货卡，先把整车人逼到死路，再一一开枪射杀，事后并把尸体排成一排，动机不明。那是个对绞刑习以为常的年代，尽管对犯罪过程毫无记忆，少年也只能用生命负责。史蒂夫库根所饰演的辩护律师，企图从执意沉默的少年身上寻找犯案动机，却挖掘出更惊人的真相⋯⋯　　影片根据震惊南非的真实事件改编而成。

简介：《寿司之神》是由大卫·贾柏拍摄的一部关于寿司的纪录片。他是一个道道地地的纽约客！从小热爱寿司的他被小野二郎的职人精神而感动，干脆扛着摄影机至日本拍摄。　　现年86岁的小野二郎是全球最年长的三星大厨，被称为“寿司之神”。在日本地位崇高，“寿司第一人”的美誉更远播全世界。终其一生，他都在握寿司，永远以最高标准要求自己跟学徒，观察客人的用餐状况微调寿司，确保客人享受到究极美味，甚至为了保护创造寿司的双手，不工作时永远带着手套，连睡觉也不懈怠。　　他的寿司店“数寄屋桥次郎”远近驰名，从食材、制作到入口瞬间，每个步骤都经过縝密计算。这间隐身东京办公大楼地下室的小店面，曾连续两年荣获美食圣经《米其林指南》三颗星最高评鉴。被誉为值得花一辈子排队等待的美味。

简介：1915年，第一次世界大战中，加利普里战役是盟军惨败的一场战役，却有无数澳洲人参予和牺牲。导演藉这场战役写一个少年梦，阿奇里是一个理想主义者，他本来是运动场的跑手，为了伸张正义参战，便把体育精神也带到战场上。他拒绝在战场上充当微不足道的跑腿，宁愿跳出战壕与敌军交锋，明知上级颁下荒谬的命令，仍然忠心耿耿地执行。他的好友法兰是一个浪子，喜欢在运动场上作弊，来到军营也是玩世不恭，等到他真正沾染战争的气氛，也逐渐收起轻佻态度。电影从澳洲西部的牧场开始，发展到开罗的训练军营，最后在土耳其的战场结束。战场上的军官求胜心切，明知下属被敌军的机关枪瞄准，仍然迫令他们冲锋陷阵，结果一败涂地。两个年青人一心为社会服务，结果一个要赔上性命换取经验，留下好友在旁边狂号，惊见理想幻灭。

简介：一部关于拯救极度濒危物种中华穿山甲的纪录片。中华穿山甲曾广泛分布于我国长江以南地区，后因过度猎捕和栖息地破坏，数量急剧下降。捕食蚂蚁和白蚁为生的穿山甲，被称为“森林卫士”，是自然生态平衡中的重要一环；同时，它的穿山打洞之才，也为森林中许多其它动植物创造了家园和活动场所。2020年，我国将穿山甲升级为一级保护野生动物，采取一系列措施加大保护力度。四年后，野生救援公益大使、青年演员王一博在中国野生动物保护协会和国际环保机构野生救援的邀请下，探访了穿山甲栖息地和国家林草局穿山甲保护研究中心，见证了科学家、巡护队、志愿者们在穿山甲保护工作中的不懈努力。极度濒危的中华穿山甲，在众人的努力下，正迎来种群复苏的希望。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.