致命群蜂

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　　影片以长春市盲人按摩师、“吉林好人”“长春好人标兵”“感动朝阳人物”吴铁为原型，讲述了他助残、帮助自闭症儿童，奉献并克服重重困难追求自己的梦想——跳街舞的故事。                                                                    　　电影《盲舞》入围第七届温哥华华语电影节。

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军区保卫部的赵科长，给某工厂的青年团员们做防特保密的报告，讲述了六个小故事： 一、七十五号密件：王参谋是一个不重视保密的人，一次下班前，为赶着去看电影，匆忙之中忘了将七十五号密件交给保管员保管，随手塞进衣袋。保姆在其衣袋里发现了密件后，偷偷地把它交给一个伪装成收破烂的特务。第二天，正当王参谋焦急万分地寻找密件时，公安部门前来逮捕保姆——特务，王参谋如梦初醒。 二、小广播：我边防战士，在一个风雪交加的夜晚，逮捕了一个偷越国境的匪特，在其身上搜出一份我部队调动的情报。原来，那些小广播把部队调动的消息，东传西传，传到小张的耳朵里，他想提早取出像片，急忙赶到照相馆，麻痹大意地把部队调动的消息转播给照相馆的老板，而照相馆的老板正是暗藏的特务。 三、夸夸其谈的人：在火车上，军区保卫部的赵科长遇见一位自称刚从部队转业的女同志及两位部队报纸的记者。两位年轻的记者，一...

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人们总是惧怕未知，但是又对莫名的力量充满着敬畏和憧憬；人们总是排斥着异类，但是又总是希冀着与众不同。 舍弃了自己名字，而用能力命名的“代码”背负着神秘的箱子来到唐海市，在深林中遭遇了一场完美的伏击。环环紧扣的圈套像是为他量身打造的一般，将他的“爪牙”束缚而被迫束手就擒。当天使团四女赶至的时候，一颗子弹堪堪射入代码的额叶。代码眼中只是定格了沉默寡言的默默关切的脸。 代码的失忆，箱子的失踪，在唐海市注定引起一场腥风血雨。

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故事发生在唐朝贞元年间。老夫人（王馥荔 饰）携女儿崔莺莺（陈丽峰 饰）、丫环红娘（刘欣 饰）等人前去普救寺，为故去的崔相国做道场，不料途中马车受到惊扰，恰被洛阳书生张生（苏有朋 饰）策马相救，避免了一场悲剧的发生，莺莺则对气宇轩昂的张生一见钟情。聪慧的红娘看在眼中，有心做月老牵线，而张生也是春心萌动，差方丈前去提亲，但老夫人并未答应。驻扎本城的将军孙彪（李建义 饰）唾涎莺莺美色，带兵前去抢亲，红娘挺身而出，以凛厉言辞劝退孙彪，为张生搬救兵赢得了宝贵时间，不料此时老夫人反目，只允许张生与莺莺以兄妹相称。红娘看在眼里急在心中，她私自安排两人会面，却被老夫人发觉。进京赶考的日子到了，张生金榜题名而归，他能跟莺莺有情人终成眷属吗……

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该故事根据真实事件改编，讲述了一对父子（奥弗曼和特伦布莱饰）的故事，他们自称是“主权公民”组织，这是一群反政府极端分子，他们在全国各地冒险，与一名警察局长（丹尼斯·奎德饰）对峙，从而引发了一场激烈的追捕，并带来了悲惨的后果。

简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

简介：讲述她被美国联邦麻醉品管理局派卧底设局，黑人特工Jimmy Fletcher领导此行动，与荷莉戴展开了一场热烈的情事，展现她挣扎于药瘾、名声和让人心碎的爱情。

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简介：影片讲述了特种兵小队“长刀”在一次联合行动中失败后，老猫（刘畊宏饰）带着智力受损的兄弟罐头（朱富润饰）在清水镇开起一家火锅店。然而这平静的生活却突然被卷入了一场错综复杂的犯罪漩涡，罐头的朋友小茜（卢佳饰）深陷其中，一宗不为人知的秘密交易也逐渐浮出水面，实力悬殊的较量就此 拉开。

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简介：罗杰(克里斯托弗·沃肯饰)，查尔斯(摩根·弗里曼饰)和乔治(威廉姆·H·梅西饰)三人在镇博物馆供职，和馆里的文物一样，哥仨也是有着十年工龄的古董级员aaa。岂料，新馆长走马上任后立马遵照新官上任三把火的原则，玩起了改革。所谓改革，就是把馆里的文物一件不留的全部换掉，这项决议让对文物积攒下深厚感情的三位老顽童很受伤，于是哥仨暗中决定，铤而走险来一次监守自盗，把这些文物私下里全部偷走……

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1945年6月，苏军开始了远东战役的军事部署。为搞清日军的防御情况，远东情报部派特遣队深入石头庙要塞，摸清要塞的秘密地下军火库——传说中的“狼穴”。特遣队奉命出发，秘密潜入石头庙要塞附近，与当地情报员何尚取得了联系。何尚在这一带工作多年，对石头庙的情况非常熟悉。由于有岗峰煤矿矿长的身份作为掩护，何尚深得当地宪兵队分队长田上大藏的信任。据何尚报告，宪兵队与当地驻军136旅团关系紧张，摩擦不断。获此情报，特遣队兵分两路，一边寻找“狼穴”图纸，一边设法接近要塞，寻找敌人的防卫漏洞。然而，日军防范严密。特遣队队员木日图、杜刚随何尚第一次到货场侦察情况，因四周戒备森严，难以接近而告失败。第一次侦察失败后，日军对二龙山一个废弃多年的采石场还施以重兵把手这个情况引起了张飞虎和何尚的怀疑。何尚煞费苦心，利用采石场能挖掘出黄金为由，说通利欲熏心的分队长田上大藏插手采石场，进一步挑拨宪兵队与136旅团之间的矛盾，伺机接近采石场，实施侦察。但当安哲民率领特遣队员再次化装成日军，利用公路上运送日军物资的卡车进入了要塞的地下工事后，发现这个 巨大 山洞只是储存生活用品的仓库，真正储存军火的“狼穴”仍然没有找到。接连两次的失手让特遣队决定改从狼穴的施工人员打开突破口。可这一方案刚一开始，特遣队就中了日军的圈套。为此，张飞虎、安哲民和杜刚被捕。庆幸的是，张飞虎、安哲民、杜刚在牢房里面巧遇了外号“万能钥匙”的神偷黄风。在何尚的营救下，张飞虎等人被救出监狱后，就开始说服黄风，配合行动。黄风的积极配合和136旅团机枪连连长祁国峰提供的线索，帮特遣队找到了攻破“狼穴”秘密的 缺口 。很快，特遣队员就在日军土谷将军家里起获了“狼穴”的秘密图纸，有机枪连连长祁国峰的率部起义和黄风的积极配合，特遣队员进入地下工事，探得秘密军火库及其内部布防情况，一举端掉“狼穴”，为苏军展开远东战役打响了胜利的第一枪。