复仇：消不去的伤痕

简介：

马文·盖博（关继威 饰）是一名在密尔沃基州郊区工作的房地产经纪人，这里到处都有“房屋出售”的招牌。有一天马文·盖博突然收到一封来自萝丝（阿丽亚娜·德博斯 饰）的绯红色信封，萝丝曾经是被他抛弃等死的搭档，所以她对他超级不爽。现在，马文被迫重新回到一个无情杀手的世界，充满了双重背叛，就连开放看屋活动都变成致命战场。当他脾气火爆的犯罪集团老大兄弟“指节哥”（吴彦祖 饰）派出手下追捕他，马文就必须面对一直纠缠着他的选择，以及他从未真正逃离的过去。

简介：李修缘幼年目睹妖怪为祸人间，深深体会到妖魔给人们带来的痛苦。长大后成亲之日，遇到神秘高僧点化，说他是降龙罗汉降世，能够拯救世间苦难。于是修缘背弃婚约，入佛门之后谨遵戒律，刻苦修行，却始终无法融合金身、觉醒成为降龙罗汉。在寻找机缘的途中，修缘与未婚妻镜心相遇，镜心要把修缘绑回去成亲，修缘坚定拒绝，屡屡逃走，两人追追逃逃来到灵仙镇。灵仙镇常年有妖怪出没，需要不断献祭少女才能保得平安。修缘与镜心联手除妖，不料这竟是一场巨大的阴谋。面对重重困境，修缘能否成功破局，又能否冲破内心桎梏，成长为真正的降龙罗汉？

简介：

这是一部有关美国文豪、《麦田守望者》作者塞林格的纪录片。这部纪录片通过采访塞林格的同事和朋友等圈子成员，试图去展现塞林格的童年、工作方法、婚姻等私人世界的秘密。

简介：

本季节目将通过不同身份、不同职业的当代贵州人视角，带领观众走进8场风格迥异的新老节庆活动。全方位记录节庆活动的盛大和精彩，不仅能看到从传统农耕文明延续而来的节日庆典，还能看到融合现代元素的创新节日活动。在呈现贵州独具特色的文旅资源的同时，也展现贵州人民日新月异的幸福生活。旨在以多元视角，饱览百态节庆，用创新叙事，彰显文化活力。

简介：

在一座废弃的旧厂房里，成哥带着两个手下，和一个瘦小的老人交易。成哥的手下将一箱钱交给了老人，老人则把一包白色的粉末交给了成哥。顺利交易后，成哥心情大好，带着手下来到酒吧消遣，这时彩玉（卢沁希 饰）主动靠近成哥。成哥心花怒放，正好试试粉末的功效。原来成哥虽然手下拥有上千号兄弟，但是有一个难言之隐。这才花重金在一个中医的手中买来了中药治疗。彩玉的出现究竟是偶然还是另有原因？在这次相遇的背后又隐藏着什么样的故事呢？

简介：

方力（楼云飞 饰）和其父方子良（万梓良 饰）因为觊觎毕哥（文熙 饰）家祖屋，和其提出一场爱情对赌。内容为：限定三个月内，毕哥成功帮助当地一富家千金萌萌（范薇 饰）走出感情隐瞒并且收获一段新的恋情为输赢。究竟谁赢谁输还未曾得知，文熙饰演的毕哥能够赢得方力， 这一切都吊足了影迷们的胃口。而女主角贝贝（沈璐 饰）至始至终从出谋划策到忍痛割爱也为她与男主角毕哥的爱情做了赌注。

简介：一把大刀沾尽血腥无数 刀客沦为钦犯 问世间谁是英雄.无限电视电影“大刀王五”，剧情紧凑，武打动作出色。　　清末年间，有一捕快王五（郑浩南），专替朝廷缉拿钦犯归案，由于擅用一把大刀，人称”大刀王五“。当时，御史安晓仁直言上疏，弹劝太监李连英干预朝政，触怒慈禧，命王五剿杀安史全家，王五为免杀错忠良，竟公然抗命，并且招致灭门之祸。王五之妻（蓝洁英）亦修遭杀害，从此王五携同幼子流浪天涯，闯荡江湖，朝廷派出大内都统萨多（尹杨明）追杀父子，斩草除根。在流浪途中，王五遇到留洋回来的女医师程心兰（翁杏兰），两人曾共患难，兰更因而倾慕五，及后兰得知五竟是自己的杀父仇人，陷于情义两难的局面。另一方面，王五与萨多交手数次，两人虽惺惺相惜，然而命运作弄，最终仍不能避免一场生死决战……

简介：

宅男游戏设计师杭远（杜江 饰），从小就暗恋同校才女李若欣（薛凯琪 饰），可每次要表白的时候她都已进入了新恋情。李若欣最后一段感情被未婚夫背叛，不再相信男人，转而与闺蜜Sammi（李媛 饰）越走越近。杭远顿时万念俱灰，于是富二代“好基友”林森森（陈学冬 饰）提议他做最后一搏，想方设法接近若欣，大胆追求所爱。阴差阳错下，杭远竟成为了网络红人，一时间风光无限。 但是好景不长，若欣很快识破了他们的“计谋”。他该如何挽回和女神的破裂的关系，并成功和她在一起呢？©豆瓣

简介：

出品、报制单位:北京星河映 像文化发展有限公司证号电审数字【2侧刀] 第106号声音制式5.1幅别 片长 l:1 .78 94分钟编剧徐然导演吴涛 摄形王力东 制片刘明轶吕欣翰主要演员李海涛张少南凯 宋佳仪主要内容 小春和儿子陈晨是无话不谈的朋 友。他发现陈晨现在是一个rr团队领 袖，开办了网络公司。小容应儿子要 求帮助他们谈判，并告诉儿子，只性 技术只能受制于人，于是陈晨决定好 好参加高考。

简介：

安第斯山脉绵延6400多公里，百余座山峰傲然耸立于阿根廷的西部边境，能产生时速超过110公里的大风，也能带来好几百公里宽的雨影。为了生存，这里所有的动植物都必须适应或是忍耐这样的环境，这一地区没有动物能不受到安第斯山脉的影响！

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：

罗素（让-保罗·卢弗 Jean-Paul Rouve 饰）是一名犯罪小说家，他的作品曾经红极一时，很受读者的喜爱和追捧。然而，近日里，罗素的写作遭遇了瓶颈，他发现自己竟然无法再写出有趣而又吸引人的作品了。罗素的一位远房亲戚去世了，留给了罗素一些遗物，因此，罗素来到了位于法国和瑞士交界处的小小村庄里。