婴灵恶泣

简介：

为了泡到一个男朋友，结婚狂（阿雅 饰）碰见魔术师高明（锦荣 饰）后，便告诉对方自己怀了他的孩子。高明落跑，结婚狂在好友男人婆（张馨予 饰）、万人迷（刘凡菲 饰）、哈妹（黄一琳 饰）的帮助下从成都飞到台湾，上演“千里寻夫”的戏码。在台湾，结婚狂历经艰险找到高明，但害怕承担责任的高明利用表演魔术的机会再度逃跑。这其中，色房东（范逸臣 饰）因为喝醉而与四位女生“同睡”一张床，为逃避责任，色房东也开始帮结婚狂寻找孩子的爸爸高明。事情发展到最后，好姐妹们发现原来这是一出闹剧，因为结婚狂根本没有怀孕，只是她的臆想。但此时，高明对结婚狂的态度已经好转，色房东也开始与结婚狂眉来眼去……©豆瓣

简介：

萨曼莎和约翰·格雷的婚姻走到了十字路口。萨曼莎被认为是现代脱口秀电台的“亲爱的艾比”，也是一名心理学博士；萨曼莎对细节一丝不苟，主张沟通是所有成功婚姻的关键。她感觉到自己的生物钟在滴答作响，准备开始一个家庭——只要她能说服丈夫约翰就行了。

简介：

一位年轻的穆斯林女子的纽约假期变成了一场噩梦。

简介：

见证Slash，Alice Cooper等摇滚明星担任导师，教导启发学员并传承音乐的炙热感动

简介：故事背景围绕沈威扮演的二五仔为坐上社团龙头的位置出卖社团主脑石坚，并伙同争夺新地盘的新社团主脑吞并地盘而展开的，为了给石坚一家报仇清理门户和救出被掳去的梁家仁之爱女，梁家仁、徐少强、王龙威三兄弟跟新社团展开一场情与义的血战 .....

简介：自从五年前妻子（坂井真纪 饰）死于交通肇事逃逸事故后，某小型铁厂厂长中村健一（堺雅人 饰）一直沉浸在丧妻之痛中无法自拔。在过去的岁月里，妻子最后的电话留言和生前的遗物引起他无限的追思，也阻断这名颓败悲伤的男人向新生活迈进。与之相对，当年的肇事者木岛宏（山田孝之 饰）完成两年刑期后出狱，却似乎没有任何反省的意识。他粗暴殴打疑似宣传其过去的同僚星叔（田口智朗 饰），强迫好友小林（绫野刚 饰）和他干着各种恶德之事。直到某天，中岛开始一封封收到刺杀他的通告，对方宣称将与之同归于尽。狂风暴雨之夜，两个男人的决断在所难免……　　本片由著名剧作家赤堀雅秋根据自己的同名戏剧改编。

简介：

The sordid lives of an addict, an ex-con, and a luchador collide when an organ harvesting caper goes very, very wrong.

简介：

本片讲述了主人公马扁在北京的北漂故事。马扁在北京寻找音乐梦想的过程中，遇到了事业、爱情、友情......

简介：

《揭秘：追捕本·拉登》记录了十年来寻找奥萨马·本·拉登的行动，他是 9/11 袭击事件的罪魁祸首，也是恐怖组织基地组织的头目。这部电影以 9/11 纪念馆和博物馆前所未有的美国情报和军事人员接触为基础，讲述了美国总统巴拉克·奥巴马如何命令一小队海豹突击队员突袭巴基斯坦的一座神秘建筑，而他却不确定本·拉登是否在那里。这部电影采访了奥巴马总统、中央情报局局长莱昂·帕内塔、任务指挥官威廉·麦克雷文上将、国务卿希拉里·克林顿，并首次采访了秘密军事策划者、情报分析员、突击部队成员等，揭示了这项任务的风险和紧张局势，其目的明确，但结果却不确定。

简介：

《星光》包含“扶老”“助残”“救孤”“济困”4个篇章，以福彩公益受助者的真实故事为基础，以艺术的方式加深受众对福彩公益的认知。

简介：

剧讲述了曹操，为平息黄巾之乱，在仙人左慈的指引下，与左慈的徒弟郭伽，以及卖草鞋的刘备，关羽，未婚妻香香等人一道，历经艰险，最终挫败张角的阴谋，夺得风遁天书，拯救世间危难的故事。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.