带奥马尔回家

简介：

西班牙家庭题材影片。Leo，Alicia与Dafne原本是一个普通幸福的家庭，直到妻子Alicia突然死于癫痫病发作，留下了Leo独自带着幼女生活，性格保守、惧怕同性恋的他对接下来发生的一切不知所措。 阿切罗·马尼亚斯是从演员转行的导演，2000年他的处女作《弹丸男孩》在西班牙国内引起巨大反响，获得了最佳影片在内的四项戈雅以及一项欧洲电影奖，2002年的第二部作品《十一月》是一部风格怪诞的政治讽刺喜剧，同样获得了成功，本片是他时隔8年的新作，讲述了一个“关于角色互换和挑战观众偏见”的温情故事。马尼亚斯本人15岁开始演戏，他的母亲、演员Paloma Lorena也参与了本片的演出。马尼亚斯的处女作曾经发掘了新生代中演技最为出色的童星胡安·何塞·巴勒斯塔，本片他则再度同扮演小女儿的四岁小演员卢希亚·费尔南德兹合作。

简介：导      演张跃斌　　编      剧尚永峰、杨鑫　　主      演赵婧佚、谢孟伟、何鹏达　　片      种故事片　　类      型剧情　　出品单位北京天舒容达文化传媒有限公司　　长      度90分钟　　出品年代2011　　剧情简介　　一天，乐乐从猫眼里看到快递员换了人，她非常生气，就没有开门接受自己的午餐；她在网上质问老板，并表示自己的强烈不满。原来是快递员突然病了，他害怕丢掉这份得之不易的工作，就请表哥小亮临时代替他。晚餐时间，乐乐看到的仍旧是那个貌似沉默寡言的小亮，迫于饥饿的催促，她只好开门接受。上午吃了闭门羹的小亮百思不得其解，送快递还要专人？为了这个居然连饭都不吃？心中顿时对这个人产生了兴趣，小亮再次义无反顾的前来一探究竟，出乎意料的是他依然没有见到这个“怪脾气”的人，竟然连对方拍下自己的照片都丝毫没有察觉……

简介：

故事开始于1940年的春天，德军的铁蹄踏破了法国境内的祥和与宁静，为了躲避战火，成千上万的法国人乘上了前往和平地带的火车，朱利安（让·路易·特兰蒂尼昂 Jean-Louis Trintignant 饰）就是人流中的一员，他不仅要照顾年幼的小女儿，还要担负起保护身怀六甲的妻子（安妮·维亚泽姆斯基 Anne Wiazemsky 饰）的安全的责任。一场意外让朱利安和妻女走散了，之后，他在火车上邂逅了名为安娜（罗密·施奈德 Romy Schneider 饰）的女子。安娜是一名德裔犹太人，在不被法国人接受的同时，她还遭到了纳粹的通缉。命运的红线将朱利安和安娜紧紧的拴在一起，动荡的大环境中，他们不得不依靠彼此。

简介：

自带男神体质的木有在一次意外之后，变成了倒霉的见鬼体质，从前吸引女生为之倾倒，这次却引来了女鬼，唯一能够让鬼在眼前消失的办法就是和实习校医郑莹肢体接触。可是，能够教好兄弟何弼撩妹技巧的恋爱达人木有也有搞不定的时候，冰山美人郑莹根本不吃木有无事献殷勤的那一套，更惨的是郑莹身边还有一只小狐仙保护。女鬼和小狐仙各自为了木有和郑莹而战，几番闯祸下却帮木有赢得了冰山美人心。

简介：

本片讲述了主人公马扁在北京的北漂故事。马扁在北京寻找音乐梦想的过程中，遇到了事业、爱情、友情......

简介：

Janus 是一名年轻的高中生，他梦想着离开被孤立和酗酒蹂躏的家乡。当他发现隐藏在祖父酒窖中的手工酿酒厂时，他的日常生活发生了变化。

简介：

简介：英国政府处心积虑想要侵入秘密的俄国间谍组织,麦肯塔故意指派约瑟夫里登假装一位珠宝大盗去偷取宝石.由于机密外泄,李登便被逮捕并被带往一个严禁森密的监狱,在狱中李登遇上了两位想要越狱的犯人,这次越狱的行动是某个秘密组织计划的,当李登越狱成功时....

简介：

一个堕落的赌徒（利维乌·平蒂莱萨饰）和他的两个白痴朋友（米哈伊·本迪亚克和弗拉德·德拉古林饰）制定了一个精心策划的计划，通过娶一个暴发户亿万富翁的残疾女儿来偿还巨额赌债。

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暂无简介

简介：影片讲述两个20岁刚出头，跟中国有些渊源的年轻人重走长征路的故事。男孩名叫Benedict Short，他是中英混血，母亲是中国人，父亲是英国作家Philip Short, 曾写过《毛泽东传》。女孩名叫Margaux De Wilde，她的母亲是加拿大人，父亲是法国人。她读小学时，身为外交官的父母被派往北京，她的童年时光是在中国度过的。　　两位主人公在北京同一所大学学习中文，他们在这里相识、相爱。在一堂“中国近代史”课上，两人第一次听到老师讲中国长征的历史；他们被那些当年参加红军长征的战士和历经磨难的红军故事所震撼。于是，他们决定骑着摩托车沿着当年红军长征的足迹，亲自去参观那些故事的发生地。然而，他们的决定在最开始，受到了男孩母亲的反对，但是最终还是被男孩说服了，于是在他们临行前，男孩母亲给两位主人公讲述了他们家庭和长征的故事，并给了一些当年的信物，于是两人出发了。　　两人从长征的起点江西省瑞金出发，沿途经过湖南、广西、贵州、云南、四川等省。他们专程拜访当年参加过长征的老红军和在长征中牺牲的红军战士的后代，听他们讲过去的故事，在当年红军长征经过的地方，他们遇到更多的是跟自己同龄的年轻人，有艺术家、舞蹈家、手工匠人、运动员等。除了遇到这些可爱的人，他们还走过城市、山间、雪山、草地，无数次被中国壮美的山河美景吸引。他们被红军精神和现在人的美好生活所感染，看到了新中国是如何诞生，感受到新中国是如何成为世界第二大经济体的。　　本片于第八届北京国际电影节纪录片单元获得“特别推荐奖”。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.