我们这样的人

简介：China O’brien; big city police woman; martial arts trainer, is forced to hand in her badge and head home to her father and the small town where she grew up. The peaceful town she knew is now struggling against the clutches of organized crime. When her father, the town sheriff, is killed China decides to run for his position and clean up the town. The poll results spark a series...

简介：1931年，日本再次发动了侵华战争，而且很快便占领了中国东北辽宁、吉林、黑龙江三省。此时在华的日本武士开始在中华的土地上横行霸道，肆无忌惮的挑衅，人们每天的生活都处在水深火热之中。这一天，一名革命战士因为日本武士的追杀逃到了镇上。此时情况危机，就在革命战士做好了随时牺牲的时候，警察队长钟莫却冒着得罪日本人的风险帮住他逃脱。钟莫擅长推理，他明白自己已经彻底得罪了日本人。但是为了心中的民族大义，钟莫毅然决然的开始对抗日本武士。

简介：简介：　　民国时期,有日本武士向中国武术界挑衅,打败了不少武术人士,气焰日益嚣涨,同时欺压贫民,经营不法行当,时有霍家拳掌门率子弟抗争;更有第三子元甲因身体虚弱,被父勒令弃武学文,在老夫子的帮助启发下,竟无师自通,自创迷踪拳法.最后父子二人联手击毙了众多日本武士......　　導演：羅馬 羅嘉甫　　動作設計：權永文 王將 黃樹棠　　副導演：王英杰　　出品人：羅嘉甫　　監製：羅馬 李旭馨 羅嘉甫　　出品：嘉氏影業(香港)公司　　演員：　　黃正利　　權永文　　王將　　陳樓　　蔣金　　李春華　　元武　　王沙　　金軍　　王憾塵　　元菊　　陳嶺威　　和尚　　歐陽耀蔭　　梁兆華

简介：江湖上突然流传出三箱黄金将路过平安城大三元客栈的消息，各路江湖势力纷纷齐聚大三元，客栈老板娘夏央梨（苑乔饰）斡旋其中，却慢慢发现面对这逐渐失控的局面时，八面玲珑的自己却越来越力不从心，覆巢之下安有完卵，大时代下的个体终究难敌战争锯bbb。各路“鬼神”之间的较量也成就了《烽火逐金》影片一个接一个的剧情高潮，看似歌舞升平的大三元客栈背后巨大的秘密也渐渐浮出水面……

简介：1930年代，第二次国内革命战争时期。绿林首领白莲花（吴海燕 饰）杀死世仇冤家高敬轩，时逢红军团长肖烈（宫喜斌 饰）前来邀她参加红军队伍，联手抵御白军师长高占魁（胡浩 饰）。白莲花仰慕肖烈艺高人胆大，杀掉新婚夫婿——奸细柳飞，毅然率部参加红军。收编白部后，肖烈帮助他们克服了与生俱来的绿林恶习，并在战斗中与白莲花结为伴侣。高占魁趁红军内部分歧，设计离间政委彭炳青（徐阜 饰）与白莲花的关系，分裂红军内部组织。彭中计后，关押了白莲花。期间，肖烈与她永诀。当彭炳青发现自己中敌离间计，后悔不迭，此时白莲花万念惧灰......

简介：科技创业公司老总李大葱巧舌如簧，依靠自己的能言善辩做成了很多原本没什么搞头的生意，而且还机智地劝退了想要找麻烦的客人们。也依靠自己的口才，李大葱羞辱了想要追求自己前女友小依的阿东。在人生冉冉上升的时候大葱却突然收到了一个古怪的钟，这个钟在他说话的时候就会倒着走。　　起初大葱以为这钟只是坏了，但他在路上遇到了一个神人，神人告诉他这个钟倒着走到十二点就会死，之后大葱发现在钟上发生的事情也会在自己的身上同样发生，于是大葱知道自己不能再随意说话了，可是生活逼迫、客户到来、前女友离开，一件件事都在逼迫着大葱开口说话，大葱无可奈何，却又只能承受这一切，在这些过程中，他也慢慢看清了自己的人生……

简介：主人公黎明和雅楠就像我们身边的大部分年轻人一样，在走进社会，面对工作抉择和生活情感的压力，渐渐丢掉了自己梦想，迷失了生活的方向，缺少了爱的勇气。黎明有对漫画的热爱，但却迫于现实的压力不得不做着自己反感的工作。雅楠乐观正义，却受到父母婚姻的影响，在感情中缺乏安全感的她却不断给生活失意的黎明勇气，让他坚持梦想。二人在相处的过程中彼此建立了信任，情感也随之逐渐发生了变化，彼此从中也都获得了成长。

简介：职场OL铃木静香（三吉彩花 饰）在日本一流公司任职。某一天，她意外地被一位催眠师催眠，得了一个连医生都检查不出来的“怪病”：无论何时何地，每当听到音乐响起，就会不由自主地唱歌跳舞。这个“怪病”给静香的工作和生活都带来了极大困扰，她找到了催眠师前助理斋藤千绘（八城优 饰），一起踏上“治病”之旅。随之，一系列荒诞搞笑的故事就此展开。

简介：（转自IMDB）Pierre is a shy man whose sole focus in life is studying astrology in solitude, which is often difficult since he still lives at and studies in his parent's house. His parent's would rather he date and get married. He takes on this task with verve. Not knowing how to approach women in a romantic way, he watches how other men operate and tries to emulate them, most often without success. He ends up attracting the one woman he doesn't really want, a fun loving woman named Laurence who lives next door, but he becomes obsessed with Stella, a singer he sees on television. He believes her love song is being sung directly to him. As Pierre tries to get away from Laurence while pursuing Stella, he may miss the perfect match who may be right under his nose. Written by Huggo

简介：世界摔角选手知勋正当名气蒸蒸日上时,东进却放弃了选手梦而成为暴力组织的老大,多年后,两人相遇的一天,东进被对手丁会长袭击,打斗中东进失守杀了人,而知勋却自愿代替东进坐牢.关在济州岛牢里的知勋,每天做做杂事,有空时画一些画,过着与世隔绝的日子,同时也拒绝了东进邀他加入组织的请求.不久后,东进与丁会长的权利之争愈演愈烈,东进决定亲自来邀请之勋,却在途中被丁会长杀害……

简介：艾琳（奥黛丽·塔图 Audrey Tautou 饰）的梦想是结交很多的富家子弟，让他们成为裙下之臣。五星级酒店就是她的活动场所。这天她来到高级饭店，投入有钱佬雅克的怀抱，却误打误撞认识了酒店服务生让（加德·艾尔马莱 Gad Elmaleh 饰）。艾琳以为让是一个富家子弟，纵情诱惑，二人一夜浪漫后，艾琳才发现让根本不是有钱人，于是愤然离去。　　然而让已经深深迷恋上了艾琳，他明白自己没有艾琳要求的身家条件。于是，他重新找了一份工作，并无意中成为了富贵寡妇的玩伴。这时，让重遇了艾琳，艾琳对改变后的让有了改观，二人渐渐成为密友，感情也渐渐升温……

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor