偷情别墅

简介：

《爱是一切》是罗密欧与朱丽叶故事的现代版。故事发生在 20 世纪 90 年代的布朗克斯。卡帕梅扎一家（莱妮·卡赞和约瑟夫·博洛尼亚饰）是出生在布朗克斯的西西里人，拥有一家当地的餐饮企业。他们与自命不凡的马拉西奇一家（保罗·索维诺和芭芭拉·卡雷拉饰）产生了激烈的竞争，后者是佛罗伦萨的新移民，拥有一家精致的意大利餐厅。卡帕梅扎一家的儿子罗萨里奥（纳撒尼尔·马斯顿饰）爱上了马拉西奇一家的女儿吉娜（安吉丽娜·朱莉饰），因为她取代了社区教堂上演的《罗密欧与朱丽叶》中的肥胖明星。罗萨里奥与吉娜的父母吵架后夺走了她的贞操，两人之间的竞争愈演愈烈。

简介：

巴西农民网络占领了亚马逊雨林的保护区，一位年轻的土著领袖和他的导师必须反击，以保卫这片土地和生活在森林深处的原始部落。

简介：

8 岁的男孩雷科和他 14 岁的妹妹保拉一边尽情打发时间，一边焦急地等待迈克尔·杰克逊抵达特内里费岛。但他们的母亲怀上了外国人的孩子，在杰克逊抵达特内里费岛之前，他们的生活可能会发生改变。这部电影讲述了初入成年的突然到来、寻找父亲形象、对外界一切事物的矛盾排斥、年轻人的同谋、非法移民和对旅游业的恐惧。

简介：

一位倒霉的派对主持人急需现金，他被他无耻的叔叔收买，窃取了祖母的绝密泡菜配方。

简介：不幸的童年经历让盲女阿玲（岩下志麻 饰）早早就失去了父亲，六岁那年，迫于生活的贫困，母亲抛弃了阿玲另寻出路，留下孤苦伶仃的阿玲一人，在黑暗里看不到任何的光明与希望。　　幸运的是，阿玲遇见了善良的齐藤先生，后者帮助阿玲进入了盲女学校学习唱歌。专心刻苦的阿玲进步很快，终于，她 如愿以偿的成为了一名歌女，得以依靠自己的力量在这个冰冷的世界上存活下来。尽管辗转在各种各样的男人之间，但阿玲的内心里充满了寂寞，她希望能够拥有一个专属于她的温暖怀抱，带着这样的渴望，阿玲和鹤川相遇了。让阿玲没有想到的是，本以为今后可以同鹤川一起开始安定的生活她，却还要面对更多的悲伤与挫折。

简介：马耳他渔业日渐萧条，出身渔民世家的杰斯马克为了养活妻儿，不得不铤而走险尝试黑市捕鱼交易。影片极具现实主义风格，从马耳他本地渔民的视角出发，将对多种社会议题的探讨，巧妙地穿插在一个感人至深的家庭故事之中，呈现了地中海美丽风光背后的悲情真相。片中包括男主角在内的多个角色，均是由当地渔民出演，他们朴实无华的本色出演真实而自然。本片是第一部亮相圣丹斯电影节的马耳他电影，并最终荣获2021年圣丹斯电影节世界电影单元评审团特别奖。

简介：《成为：米歇尔·奥巴马自传》带领观众近距离观察前第一夫人米歇尔·奥巴马在巨大变动期间的生活。该纪录片不仅记录了米歇尔的个人生活，也记录了这个她与丈夫在白宫期间为其付出了八年多心血的国家。这部电影带领观众走进幕后，对她的生活进行了罕见而近距离的观察：米歇尔开始了一场途经 34 个城市的旅程，这场旅行凸显了社区在弥合分歧方面的力量，以及在我们开诚布公地分享自己的故事时人与人心相连的精神。

简介：

2020年初，新冠疫情在全球范围爆发。本地酒店小老板达志诚（喻恩泰 饰）正想尽一切办法出手亏本了大半年的酒店；研究生江小天（陈昊 饰）怀揣着自己多年研究心血智能机器人冒险来汉参加面试；有着赛车梦想的东北小伙儿刘火火（衣云鹤 饰）在武汉干着一份岌岌可危的闪送员工作。疫情爆发，武汉封城，三个人分别陷入了人生最大的困境。濒临破产、工作泡汤、不幸入院……道路虽难，人生倒也处处充满了温暖和希望，惊喜和力量。三个人的受难记逐渐升级为一场顽强抵抗、乐观逗趣的全民抗疫大联盟战斗。故事以独特视角切入疫情选题，采用幽默诙谐的笔法，三线并进相互勾连的形式，谱写了一幅特殊时期的小人物群像，展现抗疫洪流中既平凡又温暖的人性之光。

简介：像父亲。其子。独一无二。《老》是对特立一格的电影制作人老罗伯特·唐尼(Robert Downey老)的生活和职业的一幅充满爱和不敬的肖像，它很快就转变为对艺术、死亡和治愈代谢性功能障碍的思考。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：

起源于八零年代南加州荒漠中一群庞克乐迷的开创起义。被认为是许多大型音乐祭如：火人祭(Burning Man)、Lollapalooza音乐节、科切拉音乐节(Coachella)的原始启蒙。有多个乐团罕见的演出片段及访谈。音速青春(Sonic Youth), Redd Kross, 肉身傀儡(Meat Puppets), 分钟人(the Minutemen), Swans等乐团与一群音乐信徒，共同前往莫哈维沙漠，参与一场前所未见、影响深远却被忽略至今的重要音乐祭。

简介：弗兰克（保罗·纽曼 Paul Newman 饰）是一名律师，职业之外，他唯一的爱好就是喝酒，然而喝酒误事，导致弗兰克的业界名声一路走低。为了挽回声誉，弗兰克的朋友米基（杰克·瓦尔登 Jack Warden 饰）给他介绍了一宗大案，一名女子在教会医院中由于医疗事故而陷入了昏迷，弗兰克要帮助女子向医院讨回公道。　　对于弗兰克来说，这是一桩难得的好差事，因为他只需要和被告达成庭外和解，就可以有不菲的赔偿金纳入囊中，可是，当他逐渐开始了解整个事件的来龙去脉之后，心中油然而生的正义感令他决定将这起事故追究到底。一边是弗兰克势单力薄，一边是有大企业撑腰的辩方律师，这场官司会迎来怎样的结局呢？