K-19：寡妇制造者

简介：

本片改编自尼古拉·果戈里(1809—1852)的早期作品、同名长篇历史小说《塔拉斯·布尔巴》。 小说塑造了哥萨克英雄布尔巴的形象,歌颂了民族解放斗争和人民爱国主义精神。

简介：朱仔是具天赋潜能的古物鉴证家，为人重情义，是热血爱国青年；九叔是古物发掘员，二人在哈尔滨发掘一件唐代国宝时，九叔曾舍命救回朱仔，因此朱仔称之为恩公。　　若干年后，九叔巳在港居留并开设一间古董店，朱仔来港后寄居在九叔家中，邂逅了洋服店东主孙女乐而雅，乐是一间中资古董店的售货员，终日发着她的移民美梦。朱仔对乐甚有好感，可惜乐不为所动，其后乐之上司华，借词调派乐到美国分公司工作，实则将偷运古董之罪名架祸于乐身上……

简介：

在战争史上，改变战争方式的发明可谓层出不穷——弹射器、长弓、加农炮、 机关枪。然而，有一种武器不仅改变了战场，也改变了战争本身。它将军事冲突 的范围扩大到了众多国家的遥远边界，并引发了世人前所未有的恐慌，这种武器 就是轰炸机。轰炸机在二十世纪初期成为现代战争最有力的象征。没有任何一种 武器或武器系统能够像轰炸机一样得到如此多的资金、人力和创新投入，也没有 哪种武器具有如此巨大的破坏性。

简介：

　　玛利亚（朱丽叶·比诺什 Juliette Binoche 饰）是一名十分出色的演员，凭借“西格德”这一角色一举成名。在剧中，西格德野心勃勃，全身上下充满了致命的吸引力，她的行为直接导致了名为海琳娜的角色的自杀，是一出惊为天人的悲剧。                                                                    　　如今，玛利亚已经四十多岁了，命运让她再度站在了舞台之上，只是，这一次，她不再是性感致命的西格德，而变成了悲剧的化身海琳娜。饰演西格德的是一位名叫艾莉丝（科洛·格蕾斯·莫瑞兹 Chloe Grace Moretz 饰）的新生代演员，她的个性狂放不羁，常常惹是生非，饱受非议。在入戏的过程中，玛利亚在艾莉丝的身上看到了曾经的自己，引发了她深深的思考。

简介：在开出租车的时候，马加利亚内斯意外的再次遇见了瑟琳娜，那个在20多年前，与现在完全不同的环境下初次相遇的人。马加利亚内斯想要竭尽所能帮助她渡过眼下的难关，这对他来说也是一种自我救赎的要求。可结果却发现瑟琳娜宁愿放弃所拥有的一切也不愿意接受他的帮助。

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简介：

本季《特种部队之挑战极限》，邀请了澳大利亚名人感受真正的特种部队选拔过程，他们即将面临一系列身体和心理上的极限挑战。 这不是游戏。没有赢家;没有奖金。 这些明星新兵将放弃身份或性别带来的优越感，在严苛的条件下一起吃饭、睡觉和训练。 前特种部队士兵组成的精英小队将对他们进行极端条件下的身体耐力、睡眠剥夺、审讯和心理测试，让这些明星们每一步都超越自己的极限。 谁有能力坚持到底?

简介：

由于患有广场恐惧症，Seconda 无法离开家。当她终于成功时，新的挑战进一步挑战了这位自信的超级反女英雄的极限。

简介：自信、神秘且迷人的琳达同意在布宜诺斯艾利斯的一户富裕人家工作。她的魅力引发了家庭所有成员之间强烈的性吸引，揭示了他们外表幸福的脆弱假象。

简介：

一个村落因埋藏一颗宝石成为盗墓贼竞相争夺的宝地，盗墓贼闯入陵墓取出了这颗宝石导致帝王陵坍塌，守陵人被埋在废墟下，唯独留下的一个后代良旗可以召唤宝石的魔力，他将身世隐藏，在城郊筹建了一个孤儿院。一个名叫天心月的孩子有一天触摸了宝石导致了生命轮回的逆转，从此宝石的特异功能被他掌控。黑恶势力为了拿到宝石，企图血洗孤儿院，最终院长被杀害，天心月目睹了这场凶杀，长大以后利用宝石的特异功能开始了惩恶扬善的复仇之路……

简介：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,