勃艮第公爵

简介：达登（帕特里克·斯威兹 Patrick Swayze 饰）从小就过着浪迹街头的自由生活，社会经验十分的丰富，凭借着机灵的脑瓜，达登为自己在一间夜总会里谋得了一个好差事，很快，个性开朗善良，工作踏实负责的达登就收获了老板和同事的信赖。　　一天，有一帮小混混来到了达登所在的夜总会里闹事，达登挺身而出将他们尽数赶走。达登出色的表现吸引了双骰酒吧的老板迪尔曼（凯文·泰德 Kevin Tighe 饰）的赏识。迪尔曼将达登带到了自己的酒吧，打算好好的培养这位前途无量的年轻人。很快，达登就将双骰酒吧经营的井井有条，生意兴隆。不过，他的优秀也引来了当地恶霸布雷德（本·戈扎那 Ben Gazzara 饰）的不满。

简介：

大盗张彼德（刘德华）得知生命只剩四周时，决定为死于黑道老大（李子雄）之手的父亲报仇，为此他精心设计打劫了黑道老大的运输公司隔壁的财务公司，并挟持人质引来因得罪上级被转调文职的高级谈判专家何尚生（刘青云...

简介：Bronco Billy McCoy is the proud owner of a small traveling Wild West show. But the business isn't doing too well for the past six months he hasn't paid his employees. At a gas station he picks up Antoinette, a stuck-up blonde from a rich family, who was left behind without a penny by her husband on their wedding night. Billy likes her looks and hires her as his assistant. She seems to bring them bad luck and the business gets even worse. In these hard times she loses her reluctance and starts to like her new way of life... and Bronco Billy. Written by Tom Zoerner

简介：

井夫妇的庶民剧。描述的是大阪郊区低下阶层的日常生活，表现了一位没有孩子的家庭主妇(原节子饰)的失意的心态。在大阪生活的夫妇初之辅和三千代，他们的侄女从东京前来拜访。整天在家操持家务的三千代对年轻侄女的奔放轻浮的举止感到不满，也厌烦疲倦于机械般的家务琐事，于是返回东京父母家，借此时机开始思考自己的生活方式。《饭》改编自林芙美子原作，是一部优秀的心理描绘情节剧，用最少的情节和最多的表情刻画人物。庶民剧的经典之作，位列当年《电影旬报》年度十佳第二位。

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马克斯是个不可救药的色狼，同时也是个臭名昭著的骗子。当年轻貌美的安娜把他误认为残疾人时，马克斯便撒谎，希望再次轻松搭讪。然而，安娜另有打算——她把马克斯介绍给了坐轮椅的姐姐朱莉娅。出乎意料的是，马克斯对世界的愤世嫉俗态度和充满活力的朱莉娅开始对某种东西产生了兴趣。

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一直和爷爷生活在一起的小山，始终活在爷爷为他编织的童话世界里。一天小山在森林里碰到了一个疯女人，他开始象孙悟空一样施展他的各种“法术”。但让小山万万没有想到的是，这个被他欺负过的疯女人。竟是他的娘，...

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银幕展览邀请观众在国立博物馆馆长和展览策展人的陪同下，以私人视角观看展览。这无疑是一次千载难逢的机会。除了汇集维米尔的作品外，国立博物馆和海牙莫瑞泰斯皇家美术馆还对维米尔的艺术造诣、他的艺术选择、创作动机以及他绘画背后的创作过程进行了研究。

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简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：

笛风，一个曾经报社的图片摄影师，因为放任不羁的性格与老板吵架被开除，他内心也特别讨厌摄影记者这样的职业，而特别梦想能成为一名私家侦探，在网上疯狂的发帖子，终于有了一个“机会”：一个神秘的中年女人，想找...

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聚焦中国青铜时代矿冶文明，通过考古实证，解答青铜时代人们如何寻矿、采矿、冶炼等一系列谜题，展现古人在矿冶实践中累积的科技理念对今日中国的启迪与影响。

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电影以“时代楷模”卓嘎、央宗姐妹父女两代人爱国守边的先进事迹为题材，由中宣部电影局、电影频道、区党委宣传部联合打造，导演张馨执导。
　　曾经在西藏玉麦乡只有桑杰曲巴一户人家。他们抵抗住环境恶劣、外敌骚扰、亲人病逝等艰难困境放牧戍边34年，如同格桑花一般扎根祖国雪域边陲，为祖国守住数千平方公里的国土。