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简介：本片帶我們回溯重大公民運動：民權運動、女權運動、菸害防制、環境保護，再連結到今日，停止開採地下石油與天然氣的運動正在壯大，期望能解決氣候變遷、迎接永續能源，紀錄片探討燃燒更多的石化能源真的能讓地球更乾淨嗎？

简介：

在交通极其困难的山区，某部铁道兵来山区修筑铁路的消息传来，老铁匠黄铁锤虽然超过了招募民工要求的年龄，也固执地请求参加修铁路的工作。他的女儿黄丽英也要去参加，他却不同意。待黄铁锤走后，丽英也偷着去了。黄铁锤参加了铁工组，由于思想保守，单纯强调保证质量而忽视了数量，生产进度比别人慢，他的小组因此没能完成竞赛指标。女儿丽英所在的土工小组的成员们，想办法进行技术革新，发明了飞箱运土法，大大提高了工作效率。后来，黄铁锤在老战友铁道兵陈团长的启发和女儿先进事迹的感动下，也有了进步。

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2002 年，帕特·蒂尔曼放弃了职业足球生涯，加入了陆军游骑兵队，并立即成为爱国热情和坚定责任感的象征。但帕特·蒂尔曼的真相远比媒体塑造的漫画形象复杂得多，也更具有英雄气概。当政府试图将他的死变成战争宣传时，他们找错了家庭。帕特的母亲丹妮·蒂尔曼在圣克鲁斯山区的家中，带领全家人展开了揭露儿子生死神话背后的真相的运动。阿米尔·巴列夫的这部感人而深刻的电影以对帕特的战友和家人的坦诚和揭露性采访为特色，不仅揭示了帕特死亡后的阴暗后果，并呼吁对整个指挥系统进行谴责，而且还探讨了与英雄主义概念本身一样永恒的主题。

简介：1944年6月D日前德军占领下的法国诺曼底，盟军一支小分队奉命潜入敌占区，炸毁对盟军登陆威胁巨大的德军铁道巨炮

简介：當紅兒童節目《柴哥與喵弟》，一大一小扮演著一狗一貓的角色，風靡了整個兒童界。開心的舞台下，柴哥與喵弟卻各自面對著難解心事。喵弟心心念念著好久不見的媽媽，柴哥隱藏的地下情正蠢蠢欲動。一場旅行，帶領兩人面對了心中一直跨不過的點。

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　　50年代初，为解放卧鱼山岛，人民解放军海军基地司令部委派第三炮艇大队大队长李龙江率队侦察敌岛火力配备情况。李龙江率队隐蔽在离卧鱼山岛不远的龙门港。他们在当地渔民的积极协助和配合下，破获了敌人的一个情报组。敌人暗藏的另一个情报组将李龙江等人的活动情况向卧鱼山岛敌潘司令和牛司令报告。敌人企图用一艘运输船引诱解放军炮舰出港，以便围歼。李龙江识破敌人的阴谋，在渔民的帮助下，再歼灭敌情报组，使敌人完全失掉耳目。敌运输船从卧鱼山岛启航后，解放军何政委即率一炮舰中队拦击，并拖住了敌增援舰队。 这时，李龙江率炮舰队深入卧鱼山岛 港口，进行火力侦察。惊慌失措的敌人以为解放军的炮舰要攻占港口，便全力迎战，从而暴露了全部火力部署 。李龙江完成侦察任务后，率队胜利返航。于是，解放军陆海空军协同作战，紧密配合，全歼敌人，使卧鱼山岛获得解放。 编剧：海军政治部文化部

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2016年，一小群有变性人孩子的家庭加入了反对歧视性反跨性别立法浪潮的行列，这一浪潮席卷了全国和他们的家乡。在民权积极分子和盟友立法者联盟的帮助下，这些家庭开始了一段未知的旅程，在今天的民权故事中，他们为孩子的生命和未来而奋斗。

简介：

初中生优希隶属于一家巡回剧团，他每个月都会转学，以配合演出。转学第一天，他就宣称自己不想交朋友，但当他遇到辍学者肯时，他的感情开始动摇……

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一个村落因埋藏一颗宝石成为盗墓贼竞相争夺的宝地，盗墓贼闯入陵墓取出了这颗宝石导致帝王陵坍塌，守陵人被埋在废墟下，唯独留下的一个后代良旗可以召唤宝石的魔力，他将身世隐藏，在城郊筹建了一个孤儿院。一个名叫天心月的孩子有一天触摸了宝石导致了生命轮回的逆转，从此宝石的特异功能被他掌控。黑恶势力为了拿到宝石，企图血洗孤儿院，最终院长被杀害，天心月目睹了这场凶杀，长大以后利用宝石的特异功能开始了惩恶扬善的复仇之路……

简介：影片讲述了沉睡的古代巨型怪兽夔牛被人们意外唤醒，醒来后的怪兽展现出强大的破坏能力，它的存在严重威胁到了人们的安全。虽然上级太守组织人马前去应对，但是人们面对巨兽显出种种疑问，巨兽为何而来。阿宁的调查也使得秘密浮出面，原来这一切都是人们自己酿造的恶果。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

简介：

江南名刹龙山寺是弘扬中华武术的寺庙。许多中小学生课余到此来习武练功。贺智、白勇和方仁是其中的佼佼者，他们人小却有一手令人叫绝的童子功。一天，他们正与大师兄慧觉练功，“华美旅游观光团”的游客们围着看热闹。突然一美籍华人洪丹尼用武功徒手削断石碑，震惊了中外游客。洪丹尼还向慧觉下了挑战书，要比个高低。慧觉感到很为难，他不能开戒动武破了佛们以慈悲为怀的规矩。三个小朋友挺身而出替大师兄接受了挑战。 导游小姐白彤在为瘫痪的爷爷作针灸治疗，白彤的爷爷白浪原是龙山寺一带有名的武林高手，现已退休。他看到三个小朋友与人正打得难解难分，洪丹尼竟对同胞盛气凌人。便上前教训他“不要入了外籍就忘了祖宗”，并以年迈体瘫之驱制服了洪丹尼。 不打不相识，洪丹尼带港商姚金山来到龙山寺，向方丈和白浪提出“为弘扬中华武术组织一个儿童武术表演团去国外巡回演出，让外国人了解中国武术后继有人。” 白彤与三个孩子暂住在香港姚金山家中。洪丹尼在无意中发现了姚金山是毒品贩子的真实面目。他立即通知白彤带孩子离开姚家，并取消巡回演出计划。白彤由此而见洪丹尼的一颗赤诚的心。两人逃离时被姚金山发现，被抓住关押在密室中。 贺智、白勇、方仁三个孩子到街上玩迷了路。遇到香港便衣警察何仁。何仁好心送孩子们回去，不料被姚看见。姚作贼心虚，以为自己事败，派手下人追杀何仁和三个孩子。何仁在与歹徒搏斗中受伤进了医院。 姚金山以金钱为诱饵，逼洪丹尼与他同流合污，用巡回演出作幌子进行贩毒活动。洪丹尼斩钉截铁地拒绝了。在生死关头，白彤用藏在袖口的针灸细针猛刺进杀手的致命穴位。两人逃出。 何仁也在小朋友的书翁下，赶回姚家，制服了毒枭姚金山。