完美银行大劫案

简介：这是一个对新鲜事物充满好奇的时代，和所有故事的开头一样，坏男孩变好的原因永远是女孩，为了喜欢的女孩，海边烧烤摊堂口老大阿力在母亲包租婆的支持下，带着他的兄弟阿健、阿强开始了自己的音乐之路，同街区的阿友、阿伦、阿B也被坑蒙拐骗拉进团队，他们在斗殴和训练中增长友谊，父母们的集体反对、路人、邻居们的嘲笑更是激起了他们的好胜心。　　通过不懈努力终于从Loosers变成了Wynners，穷小子终于变成大明星，父母似乎也能理解这一切，但成员知名程度不一，资源分配不公等问题成为兄弟友情的最大考验，Wynners能否经受考验，保住兄弟真情谊.....

简介：维罗尼卡和鲁克接到了任务他们要把尤尼索尔的计划公布于众并且粉碎曼多尔数亿美金的阴谋。邪恶的沃克博士为了摧毁维罗尼卡和鲁克特别研制了尤尼索尔GR87。

简介：1931年，日本再次发动了侵华战争，而且很快便占领了中国东北辽宁、吉林、黑龙江三省。此时在华的日本武士开始在中华的土地上横行霸道，肆无忌惮的挑衅，人们每天的生活都处在水深火热之中。这一天，一名革命战士因为日本武士的追杀逃到了镇上。此时情况危机，就在革命战士做好了随时牺牲的时候，警察队长钟莫却冒着得罪日本人的风险帮住他逃脱。钟莫擅长推理，他明白自己已经彻底得罪了日本人。但是为了心中的民族大义，钟莫毅然决然的开始对抗日本武士。

简介：After being busted for drug possession, Aiden, a troubled Teenager is forced by the cops to go undercover and risk his life to bring down a dangerous drug king pin.

简介：潘庆（张燃 饰）虽然毕业于名门院校，却依然坚持着自己的理想，经营着一家小小的理发店，希望能够凭此在北京这座繁华的大都市拥有一片立足之地。一次偶然中，潘庆邂逅了名叫张雪娇（游游 饰）妙龄女子，张雪娇正因为年龄的问题而遭到家人的强力催婚，倍感压力，潘庆的出现抚平了她内心里的皱褶，久而久之，两人走到了一起。　　这段美好的感情止步于张雪娇母亲（朱咪咪 饰）的出现，这是一个急功近利，利欲熏心的女人，她觉得开理发店没有前途，不能挣大钱，于是想方设法的想要逼迫潘庆将理发店改造成宠物美容院。与此同时，她也十分瞧不上农村出身的潘庆，认为他和自己的女儿在一起，实属高攀。

简介：某一天，诗织（石桥杏奈饰）发现几枚昭和63年发行的10日元硬币诡异地响动着。重读母亲日记的她，意外知道那一日是母亲同班同学们发生煤气事故的忌日，在好奇心的驱使下，决定前往母亲的母校一探究竟。　　另一方面，刚上高中的彩乃、未梦、友梨、芽生等人，对于传说中的煤气事故的传闻产生兴趣，不过他们却遇见了许多不可思议的事件……

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

简介：他是天才抑或白痴？患有白血病的十七岁少年诺尔自觉比谁都聪明，不甘于平凡渺小屈从大多数人的规律；冬天的冰岛有如一座白色监狱，冰封的河川雪藏著他的青春热情，更增他内心的孤寂感。他梦想和心仪的女孩双双逃离此地，冲出牢笼，但是命运好像有心和他作对，拼命横冲直撞，换来的却是灰心失望，最后更落得一切失控，而只有付出惨烈的代价才能换到他向往的自由。这是导演卡里的首部剧情长片，对青少年的混噩成长有细腻而同情的描写，既伤感又乐天的结局更耐人寻味。

简介：美国新锐导演巴奇李毕福、库柏罗伯特首部剧情作品，把拍片少年变成《拍血少年》。16岁瘦皮猴少年与他的听障好友梦想成为电影导演，当一颗小陨石意外坠入院子，让父亲遭感染成了僵尸，他们竟灵机一动，决定要拍摄史上第一部由真实僵尸主演的恐怖电影！但拍电影哪有那么容易？他们得一边展开选角拍摄，一边控制僵尸防堵感染扩散，应付当地侦探调查的同时，还要克服晕血症的不适。一场热血又喷血的电影圆梦计划，就此展开。

简介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

简介：写小说的金孝燮从未真真正正出版过一本象样的书，一次与人争吵后被判入狱，深感自卑的他不断被外界批评为三流作家，生活也很窘迫。可是他却爱上一个已婚女人。而另一个未婚女子深深地爱着这个小说家。未婚女子对作家的爱是毫无条件的，她以前是出版社的编辑，后来在电影院售票，并 同时打几份工。他与作家约会时付咖啡钱，心甘情愿地借钱给作家，为他修改书稿。在作家三十五岁生日时，她带着蛋糕和礼物来到作家的住处想给他一个惊喜，作家却责怪未婚女子来之前不给他打电话。这时，已婚女人从作家的屋里冲出，作家急忙追赶，未婚女子告诉作家，她已做好为他奉献一生的准备，作家明确地告诉未婚女子，他深切地爱着这个已婚的女人。在街上，他对未婚女子大打出手，发泄着的自己的情绪，躲在一旁的未婚女子的男同事把这一幕尽收眼底，对未婚女子表达了爱意，失落的未婚女子与这个男同事发生了关系。

简介：讲述了留守儿童小云洁（外号矮婆），在山村里与奶奶及两个同父异母的妹妹相依为命的故事。在没有青年人的村子里， 12岁的小云洁除了要努力学习外，还负担着繁重的家务，辛苦与快乐交织在这个夏天里。冬天来了，小云洁目睹了即将升学的好友们相继离家出走，南下打工。而奶奶的突然离世，使她还算轻松的童年生活戛然而止。小云洁只能带着两个妹妹，背井离乡去寻找自己在广州打工的父母。而漂泊在外的父母，面临着她所不能想象的生存压力和许多更为严峻的问题……