歌舞青春3：毕业季

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《野狗・异人》以 20 世纪 90 年代的加拿大农村为背景，讲述了一个韩国家庭来此定居的故事。这个移民家庭中，父亲鳏居，育有一子一女。父亲的任务是消灭困扰城镇居民的野狗。随着故事发展，角色与这些「杂种狗」之间的关系愈发密切，情感愈发深厚，彼此间的象征也愈发明显。儿子有句话说得恰如其分，「有时我连自己在哪里都不知道」。就像这些无家可归的狗一样，父亲、儿子，以及女儿都迷失了方向，并且以自己的方式寻找「家」的归属。

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罗密·施奈德饰演一位1936年希腊的贵族女子，她自娱自乐地追求着与一位贵族的浅薄而毫无爱情的恋情，却意外地爱上了一位政治活动家。1936年8月4日，梅塔克萨斯将军宣布希腊戒严。一位名叫布特罗斯的工会领袖在雅典遭到冷酷无情的警察头目普里穆基斯的通缉。布特罗斯侥幸逃脱，第二天清晨，她从玛戈特·桑托里尼侯爵夫人的窗户跳了出去。玛戈特·桑托里尼侯爵夫人是奥地利出生的富家女，其丈夫是身无分文的意大利外交官兼花花公子里科。

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追踪特朗普重返白宫的竞选活动，由迈克尔·沃尔夫、小特朗普、竞选顾问和斯托米·丹尼尔斯主演。内容涵盖涉嫌暗杀企图、拜登辩论余波以及哈里斯的潜在候选人资格。

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经营改装行的社会青年大郭子通过互联网P2P平台向社会大哥“瓜哥”贷了一笔款用于经营，在无法偿还瓜哥的情况下，答应帮瓜哥寻找赛车手进行地下飙车赌钱，却没想到让瓜哥输了更多的钱，大郭子不敢面见瓜哥。

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1940年秋，国民党陪都重庆发生了多起重大泄密事件。军统特务头子戈烈气急败坏，下令逮捕了六名军统电讯人员和一位神秘女郎白露萍。五年后，他们被秘密杀害……全国解放后，所存档案上均记载他们系国民党军统人员。他们到底是特务，还是革命烈士，始终是个未解之谜。80年代初，省委为搞清这桩疑案，派组织部叶亮、何明遍访各地有关人士，反复查证大量历史档案、资料。经过调查组同志的不懈努力，这段历史的真相终于被查清。

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1. 麻雀趣事 - 一位上海籍的麻雀館顧客及一名廣東籍的麻雀館伙計，兩人閒談中說出了不少搓麻雀的趣事，也提及麻雀牌是誰發明及起源於中國那一朝代。

简介：纽约的皮条客是怎么样的？是腰缠万贯的富翁吗？在夏威夷有别墅吗？这可能吗？看似不可能的事情不幸被记者乔那森瞎编了出来，而且一炮打响一夜走红的，可怕的事情发生了……

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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一部电影拥有超过400万位演员，是怎样的体验？ 人生无限公司，每个参与过的人都是主演。 每个“加班夜”都如此难舍难忘， 演唱会内外，你的人生故事可有什么变与不变？ 五月天“人生无限公司”巡演， 横跨四大洲、历时一年半、上百场巡回、超过400万观众，不断刷新纪录，不断创造新的感动。 这部70亿人的自传，此刻翻越到下一章节：人生无限公司将在大银幕继续营业。

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波斯尼亚指挥官米洛拉德·克尔斯蒂奇因战争罪接受审判，两名雄心勃勃的律师在审判中对峙。