底层生活

简介：罗德里格斯在上世纪70年代发行过两张专辑《Cold Fact》与《Coming From Reality》，在南非有超过50万的销量且知名度可与滚石乐队相提并论。但与其他知名的美国歌手不同，南非的歌迷得不到任何一点关于罗德里格斯的信息，除了专辑歌曲之外唯一能了解的只有专 辑封面上一张并不清晰的相片。两张专辑后，他好像也就此销声匿迹。　　对于在南非的辉煌成绩，罗德里格斯其实并不知情，他在美国过着截然不同的生活，没有知名度，专辑销量不佳，被唱片公司抛弃，曾经一度做着装修屋顶的体力活…… 南非开普敦一家唱片店老板斯蒂芬与音乐记者克雷格听到罗德里格斯在舞台上奇特自杀的传闻后展开调查，寻找小糖人之路就此开始，一段神秘的传奇故事就此展开……

简介：节目历经三季，本季继续聚焦长沙解放西繁华商圈的警察工作日常，展现繁华都市的守护者群像。第四季节目将迎来全新的守护者联盟，由新任所长带领新一批的“三高”民警，同交警组、水警法医组、特巡警组等，不分时段、不分地域、不分人群，全力维护着城市秩序，保护着每一个人，共同守护解放西的繁荣和安全。

简介：李正因为经常做同一个噩梦，在看夜景时又看到与自己梦中类似的村庄。期间一首民谣一直困扰着他；“大鸭子病了，二鸭子瞧，三鸭子买药，四鸭子熬，五鸭子死了，六鸭子抬，七鸭子挖坑，八鸭子埋，九鸭子坐在地上哭起来，十鸭子问它为什么哭？九鸭子说：五鸭子一去不回来”。好奇心致使他们进村子调查其这件事情。

简介：郭辛丽（李丽珍 饰）是一名歌星，拥有很多忠实的粉丝，星途一片光明，然而，她遇见了名为徐文龙的男人，徐文龙是出了名的花花公子，他用花言巧语骗取了郭辛丽的信任，又利用郭辛丽的的名气将自己捧红，与此同时，他和外面的莺莺燕燕之间的暧昧从未断绝。郭辛丽怀孕了，徐文龙担心孩子会影响自己的前程，于是逼迫郭辛丽将孩子打掉。　　终于认清了徐文龙真正面目的郭辛丽痛苦的离开了他，她淡出娱乐圈，独自将孩子生下来取名子桥。郭辛丽生产落下了病根，又要独自抚养子桥，整个家庭都被笼罩在贫穷的阴影下。一场车祸夺走了徐文龙的生育能力，但徐文龙得知子桥是自己的骨肉后决定将他从郭辛丽身边抢走。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become.                                                                    Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.

简介：西恩（亚当·加西亚 Adam Garcia 饰）和米切尔（萨姆·沃辛顿 Sam Worthington 饰）两兄弟同在钢铁厂打工，每天都过着按部就班的生活，这样的日复一日令这两个正值壮年的小伙子感到非常的窒息。　　西恩个性活泼，且极具跳舞的天赋，他相信，自己不可能一辈子都被埋没在钢铁厂里，总有一天他能够走出去，让全世界都看到自己耀眼的舞姿。而米切尔则比较现实，他觉得什么都不如赚钱来的稳妥，西恩与其将精力花费在不切实际的幻想之中，不如和自己一起做生意。渐渐地，志趣并不相同的两兄弟之间产生了隔阂，而当一个美丽的女人出现在他们的生命里后，兄弟两人的关系再度受到了强力的挑战。

简介：大毕（何家劲 饰）是典型的那种花花公子，身边莺莺燕燕不断，但实际上，他最爱的是名叫小查（周慧敏 饰）的歌手。小查梦想着能够成为歌星，无奈这些年来一直不温不火，不仅如此，她还要忍受深爱的男人大毕四处留情。　　某日，大毕带着新晋女友戴安娜（莫文蔚 饰）前往菲岛度假，哪知道竟然遇到了地震，导致无法按时返回。大毕一直在打理父亲（金超群 饰）的生意，此事被耽搁令老毕大发雷霆，将所有的怒气都发泄到了留在身边的大毕的弟弟小毕（鲁文杰 饰）身上。与此同时，大毕和小毕的母亲（李司祺 饰）忍受丈夫的粗鲁和暴力多年，终于，她决定不再忍耐，离家出走。

简介：咸鱼式的小人物罗恒（王宁 饰），跨越千年，历经15种身份，遭遇痛苦、诋毁、惊悚、欺骗、背叛以及温暖和爱，七样不同类型的人生滋味，只为追求梦想的故事。

简介：

腐败警察罗梅乌 (Romeu) 雇佣了希德 (Cid) 和亚历克斯 (Alex) 去抓捕一名臭名昭著的罪犯，该罪犯离开墨西哥，前往西班牙加利西亚寻找杀害其兄弟的凶手，而一名联邦调查局特工也在试图抓捕同一名罪犯。

简介：千妍秀（朴正雅 Jeong-ah Park 饰）的父亲因为投机倒买土地成为富有的暴发户，而千妍秀更是集合性感美丽的外貌与多金雄厚的家庭背景而成为异性追逐环绕的中心点。然而一向高傲的妍秀阴错阳差的认识了外形俊朗的大学生政道（朴镇宇 Jin-woo Park 饰），生活的轨迹发生转变。为了报复政道不为自己美色所动，妍秀不惜亲自出马诱惑政道，不料虽然计划成功而自己也对政道产生了真挚的爱情。但是政道告诉妍秀，他是乐安邑城古老氏族的嫡长孙，而自己不久后就要回去接受长辈给自己安排的婚礼。而此时，黑道老大罗大镇（李元宗 Won-jong Lee 饰）也因为盯上了千会长的家财而欲取妍秀为妻。然而，这段可能无疾而终的感情峰回路转，因为妍秀发现自己怀孕了，而孩子神秘的父亲成为众人追踪的重点对象！

简介：一名娘娘腔小太监，华丽丽变身男子汉的嬉笑之旅！ 大内丹药总管贾公公的助手、后宫人气王——太监小权，遇上了心上人，开始研究如何还原男儿之身，重拾男子气概！不料研究之路布满荆棘，小权在研究丹药的过程中，不小心撞破一场惊天大阴谋！后宫黑幕重重，为了能挽救无辜、和喜欢的人在一起，小权决定奋起反击，揭露黑暗！且看太监小权大显身手，在后宫掀起波澜！