砂之器

简介：No bloody slashers have ever before been made in Lithuania. Takashi Miike’s die-hardest fan Jonas Trukanas accomplished his dream and independently created an inventively ripping horror thriller with a minimal budget.                                                                    Bewitching from the first minutes, the dynamic chase builds a scary atmosphere of danger, fear and horror, while also clinging to luck and chance. “Be the hunters, not the prey,” the school mistress ironically wishes them on the graduation day, when the damnably awesome classmates follow the tradition of renting a cottage for a weekend to celebrate their graduation. They end up in the middle of nowhere for an ultimate prom party. Unfortunately, they make some terribly wrong and naive mistakes on the way.                                                                    There is no mobile coverage there, as you may expect in line with all the unwritten rules. A mysterious masked savage suddenly shows up with the intention of conducting a stylish massacre. One by one, graduates are barbarously punished and axed for cynicism, arrogance, jealousy, debauchery, blackmail, filthiness, hatred, slandering, and gossiping. So many bright hopes, future plans and promising careers destroyed in just one fateful night at an illegal rave. Only shy Marius is destined to survive and turn misfortune to fortune. But why is the ruthlessly slashing serial killer protecting him                                                                    Sparked by local myths and legends (co-written with Titas Laucius, director of “Parade” from the First Feature Competition), inspired by beloved classical slashers and enriched by morbid ironic horror, the film unites whole gang of talented Lithuanian youngsters, led by Gabija Bargalaitė after her immersive debut in “Pilgrims” (Winner of Venetian “Orizzonti”). A small indie gem with hidden easter eggs and uncredited cameos.

简介：置身于国际化大都市的北京，吕波绝对属于养眼美女的那一种。高挑欣长的身段，瓜子脸蛋上秀眉弯弯、明眸圆圆，浑身上下透着明艳娇媚、青春无敌的气质。或许正是因为人长得漂亮，吕波和顺应如今时代发展趋势的青春美女一样，选择了做人情人的角色。但吕波又不是凭借长相混饭吃的那种，在她的内心深处，人到中年、事业有成却家有妻儿的周明占据了她整个的情感世界。　　但尽管如此，这种东躲西藏的日子过起来毕竟如同做贼，让吕波难以接受。为了找一个相对安全的二人世界，周明带着吕波来到一处闲置多年的房子。不巧的是，两个人前脚刚进门，司机小刘就打来电话：妻子来了，而且已经到了楼下。周明慌不择路，倒是吕波正想会会这个绑住自己情人的女人。无奈在周明的苦苦哀求下，吕波只好委身从窗户缘绳而逃。谁曾想，刚出窗户就不慎跌入一独身男子的家中。　　独身男子名叫史新羽，在一家广告公司做平面设计，住在这里原本是替出国的朋友看看家。面对眼前这突如其来、从天而降的青春美少女，史新羽还以为是“天上掉下一个林妹妹”。就当史新羽为眼前的一幕懵懂不知所措时，从有惊无险中镇定下来的吕波已经在宛尔一笑中，嫣然而去。　　周明是个高干子弟。如今正步入颠峰的事业离不开妻子的支持不说，一年中还有半年的时间不在国内。没有周明相伴的日子，吕波只有在自学英语、练习击剑、漫逛商场、狂泡酒吧中打发无聊的时间。在得知周明为顾及家庭的颜面和周遭朋友的舆论而拒绝答应和妻子离婚的最后通牒后，吕波决定用自己的方式报复周明。为此，吕波在一个雨夜敲开了史新羽的门，并用自尽寻死相逼，让豪无思想准备的史新羽答应和她结婚。　　吕波做梦都想有一个像样的婚礼，如今为报复周明，吕波带着肚子里周明的孩子，在稀里糊涂中做了史新羽的新娘。和史新羽结婚不到一年的时间，吕波就顺利生下一个白胖小子。为兑现当初答应吕波的承诺，史新羽给孩子取名叫史见证。不仅如此，史新羽还以和吕波分睡客厅沙发和卧室大床的不逾坚守，默默地实现着对吕波的好。　　然而，这种平静的生活很快就在史见证长到三岁的时候，随着周明的再次出现而被打破。周明带着已经和前妻离婚的好消息出现在吕波的面前。周明的出现，重新勾起了吕波对往事的回忆，也在史新羽的心上无情的划开了一道伤口。在周明重归于好的哀求面前，吕波带着史见证出现在周明为自己举办的盛大生日聚会上。　　面对周明赠送的宝马名车和私人别墅里觥箸交错的酒绿灯红，吕波想起了远在青岛出差的史新羽，想起了在最绝望的时候给予自己活下去勇气的丈夫。吕波毅然离开了周明，在人群攒动的街头找到真正爱她的史新羽。为实现吕波的愿望，史新羽在朋友同事的操持下，为吕波举办了一个简单而隆重的婚礼。带着三岁儿子史见证的婚礼上，吕波身披圣洁的婚纱，高歌一曲《不能没有你》。祝福声中，“……日子过得怎么样，人生是否要珍惜”的歌唱在每一个人心中荡漾，在都市的上空传得很远、很远。

简介：

美国冲突记者詹姆斯弗利的公开处决引起了全世界的关注，但他不仅仅是一个穿着橙色连身衣的男人。 透过他儿时好友的镜头，吉姆从肾上腺素飙升的前线和饱受摧残的叙利亚社区转移到了 ISIS 的手中。 全球首演

简介：公元2500年，地球两极冰川大量消融，地球成了一片汪洋。人们只能在水上生存，建起了水上浮岛，泥土成了稀有之物。　　一天，来了一个孤独的海行者（凯文•科斯特纳 Kevin Costner 饰），他用了一罐泥土换了淡水和番茄苗。正当他要离开时，当地人发现他竟然长着鳃和蹼，认为他是怪物，把他关了起来，准备过两天将他处死。　　时日，海盗袭击了浮岛，海伦（珍妮•特里普里霍恩 Jeanne Tripplehorn 饰）和她的养女伊萝娜（蒂娜•米乔里诺 Tina Majorino  饰）没能赶上出逃的救生船，她们救出了海行者。海行者凭着过人的机智和勇敢，带着海伦和依蒙娜逃了出来。　　原来，海盗的目标只是伊萝娜，依蒙娜的身世藏着一个惊人的秘密……

简介：养马小厮王好汉因自家老爷被冤连坐入狱，越狱过程中误打误撞借戍边大将军姚远的身份躲过一劫，王婉儿为了救爹要求好汉冒充能文能武的姚远拿到一块免死金牌，一劫草莽的王好汉因此却卷入了更大的阴谋

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：蝙蝠侠（乔治•克鲁尼 George Clooney 饰）和罗宾（克里斯•奥唐纳 Chris O'Donnell 饰）这次遇到有生以来最大的挑战：“急冻人”（阿诺•施瓦辛格 Arnold Schwarzenegger 饰）！　　“急冻人”原是一个科学奇才，但一次意外却令他只能靠急救机器为生。更为糟糕的是，除非他将整个高谭市的温度保持在零度以下，否则他心爱的妻子将永远不能醒来。“急冻人”开始一步步建立自己的冷冻王国，蝙蝠侠将是这个计划的最大阻碍，“急冻人”迫切需要除掉这个眼中钉。　　罗宾逐渐成为蝙蝠侠的得力助手，两人合力化解了“急冻人”的一次次阴谋。但美艳的“毒藤女”（乌玛•瑟曼 Uma Thurman 饰）的出现给罗宾和蝙蝠侠彼此之间的关系带来了危机：“毒藤女”利用罗宾对她的心意，一步步设下陷阱，诱使两人互相猜疑。　　蝙蝠侠和罗宾最终能否化解心结，战胜“急冻人”和“毒藤女”？

简介：文森（伊马诺尔·佩尔塞 Ymanol Perset 饰）表面看来只是一介平凡青年，却拥有着一身了得的射击本领，年仅二十五岁的他作为官方认可的枪械教官，深受业内同行的尊重和赞赏，前途可谓一片光明。　　某日，一位名叫米罗（乔伊·斯塔尔 Joey Starr 饰）的警察出现在了文森的身边，殊不知他的所作所为将会彻底改变这位青年的命运。接二连三的意外让文森被迫处于争斗的漩涡中心，不断沉浮于阴谋和罪恶之中。特警队指挥官查韦斯（热拉尔·朗万 Gérard Lanvin 饰）和行动大队指挥官德纳尔（西蒙·阿布卡瑞安 Simon Abkarian 饰），两人之间的矛盾已经到了无法调解的白热化程度，他们一位是文森的保护者，一位是他的师父，身陷在恶斗的中心，文森将会作出怎样的选择？

简介：乔宏饰演的和尚是一个厌倦吃素戒色的生活，他偷跑下山，和一位拿着一支棍走天涯的大侠相识，他们之间从不打不相识到后来合伙做拍档，为了寻找到一尊金佛而开始了一场历险。他们是否可以如愿得到金佛呢？影片中也不乏搞笑元素。

简介：肥胖的姑娘茱莉亚（艾丽森•汉妮根 Alyson Hannigan 饰）长久以来得不到爱神的眷顾，眼看一生要在家里的餐馆中做服务生度过。她古怪的家庭：希腊黑人父亲、印度母亲和一个日本妹妹不看好茱莉亚的婚姻，然而，一个英俊的顾客格兰特（亚当•坎贝尔 Adam Campbell 饰）再度激发了茱莉亚的爱火。茱莉亚找到神通的矮人红娘，在后者帮助下摇身一变成为窈窕淑女，又借助电视相亲节目成功与格兰特牵手，两人的关系进展迅速，不久发展到互见家长谈婚论嫁的地步。此时，格兰特性感撩人的前任女友安迪（苏菲•蒙克 Sophie Monk 饰）突然出现，并且怀着要将格兰特夺走的野心。情场如战场，昔日的胖妞茱莉亚怎样才能完成梦寐已久的幸福婚礼？

简介：

久留美（新木优子 饰）出生在仙台，成年之后，她决定离开老家，和朋友一起前往东京，在那里开一家属于自己的咖啡店，然而，种种的意外让久留美的这个计划泡汤了，与此同时，久留美收到了外公阿健（大杉涟 饰）在家乡昏倒被送进了医院的消息，于是，她暂时放下了手中的事情和内心里的烦恼，返回了家乡。阿健也经营着自己的小店，不过大地震的发生令小店倒闭了。阿健入院后，他希望久留美能够代替自己，重新让小店开张，可是久留美是一个非常容易放弃的女孩，之前创业失败的经历也让她对开店充满了恐惧，在这种情况下，久留美可以完成阿健的委托吗？

简介：在某个大于瓢泼的早晨，女高中生山本由佳里（伊藤万理华 饰）手忙脚乱洗漱准备，偏偏有人在她家门口的名牌上留下了类似“F”的记号。她被妈妈命令擦掉记号，此外还要坐爸爸的车送弟弟去幼儿园，结果错过了与好友松原奈保一同上学的约定。谁知奈保乘坐的巴士遭遇严重车祸，好友在惨烈的事故中不幸身亡。在此之后，由佳里被神秘的符号所困扰，而逝去好友的身影时不时出现在她的面前，又让她的精神几乎崩溃。蹊跷诡异的事件愈演愈烈，本就被黑暗笼罩的山本一家走向破碎边缘，由佳里内心中的秘密也将悄然浮现……　　本片根据恐怖小说作家铃木光司的短篇作品《F》改编。