单身指南

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简介：

关于录制 1971 年百老汇音乐剧公司演员专辑的纪录片

简介：幽兰是一个性格温柔、恬静的大家闺秀，可就在最近她发现每当晚上，自己就会变成一个叫玫瑰的当红歌女。玫瑰风情万种，跟幽兰的恬静大大不同，让幽兰惊讶的事情，玫瑰是一起离奇凶案的嫌疑犯，在自己和玫瑰的身份转换当中，她十分的痛苦。为了查清楚事情的真相，她回到了阔别多年的老宅，而自己也陷入了一场危机当中。

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三个笨手笨脚的罪犯一直试图获得“龙卷风先生”的计算机控制系统，这是一辆有自己想法的会说话的怪物卡车。

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一对夫妇被迫采取极端措施来筹集挽救女儿生命的手术费用。

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1941年，日本军队快速占领了英国统治下的马来亚。男人们被抓去做苦力，但却没有地方安置妇女和儿童。本片从其中一个英国女护士的视角讲述了这个故事，她遇见了一个澳大利亚士兵，他从苦力营里面偷食物给她。战争结束后，她去了澳大利亚那个士兵家乡的小镇并在那住了下来……

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韩国足球巨星孙兴慜迅速成为亚洲最著名的足球明星之一。我们跟随孙兴慜从童年到在德国签订第一份职业合同，再到他转会英超热刺的历程，了解他的高光时刻……以及低谷。

简介：这部极为豪华的古装剧以1866年春天，意大利和奥地利发生冲突前夕为历史背景。描写了一名意大利贵族妇女Countess Serpieri  ，背叛自己的婚姻和国家，不顾一切爱上了俊美而乖戾的奥地利军官Lieutenant Franz Mahler，两人爱得轰轰烈烈，但时代已经发生巨变，最终酿成悲剧。

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由BOSS直聘、江苏卫视联合出品的职场纪实性观察对谈节目《老板不知道的我 老友季》诚意归来。本季主题为“老友季”，八组老板员工都曾是多年的职场战友，羁绊多、感情深、情感浓、敢直怼。他们并肩多年，他们心照不宣，却依然有一些问题想要直接谈。在职场里情感关系逐渐单一的趋势下 ，大家逐渐丧失了对工作和工作伙伴投入真情实感的勇气。本季节目通过观察8对付出了真情实感的上下级关系，剖析他们遇到的问题，探讨职场关系的价值，传递真实与希望。

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關於希特勒从一个失败的画家和极右翼活动家，当选为德国总理，直至第二次世界大战的开始的一部影片，共兩集。

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在英国小镇韦瑟比，琼组织了一次聚会，一位奇特的不请自来的青年被奉为上宾。第二天，这位不速之客又来了，在琼的面前开枪自杀而亡。案件对小镇震动很大。不久，真相大白于天下。原来那晚，这位失恋的青年在与琼发生关系后，又遭到琼的拒绝，痛苦之极走上不归路。本片是导演的低成本处女作，反映了他对人性的看法：平静下面潜藏着邪恶和欺诈，孤独时只能以扭曲的方式解脱自己。人们循规蹈矩地生活．直至陌生人暴力自杀，才给他们带来震动，这暗示了英国社会的等级及教育制度是人们反复无常的心理根源。影片表现了人的行为，以及人们产生这种行为的社会根源。本片具有深刻的思想性。反传统的表现手法使其有很强的艺术观赏性。本片获得1985年柏林电影节最佳故事片金熊奖。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.