12把椅子

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迪斯科诞生于民权运动和石墙起义之后的地下，后来成为一种充满活力的音乐流派、激进的社会运动和充满活力的反主流文化——后来它被吸收、利用和暴力消灭。在我们的集体流行文化想象中，迪斯科已成为一种时尚，沦为《周末夜狂热》和 Studio 54 的柔焦回忆。但现在是时候澄清事实了：迪斯科从未消亡。《迪斯科的复仇》是一场激动人心的、体验式的深度探索，深入探究迪斯科音乐的灵魂及其对流派和历史的持久影响，由创造它、培育它并在舞池中发现自己的人讲述。它不仅讨论了为什么迪斯科如此重要，而且讨论了为什么在这个分裂的时代，迪斯科比以往任何时候都更重要。其中包括 Nile Rodgers 和 Chic、Billy Porter、Nona Hendryx 和 LaBelle、Grandmaster Flash、Fab Five Freddy、Nicky Siano、Earl Young 和 The Trammps、Jellybean Benitez、Kevin Saunderson、Sylvester 和 Martha Wash 等人的采访和表演。

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锣鼓喧天，鼓乐齐鸣，正是姜家嫁女儿的喜庆日子，刀光剑影和飞溅的鲜血将大喜之日变作新娘兰娟（吴倩莲 饰）永生难忘的惨痛记忆。在那场惨绝人寰的劫难中，兰娟所有的亲人皆被杀害，骨肉至痛让她无法放下复仇的念头。而经过漫长的等待和查找，兰娟终于知晓杀害了她全家的幕后凶手的真身，就是雄霸一方的熊金标（黄中秋 饰）。娇弱女子手无缚鸡之力，她辗转找到了在江湖上令人闻风丧胆的杀手李青阳（尤勇 饰）。最初李青阳拒绝这单生意，却最终为兰娟的孝心和坚忍意志所感动。二人假扮夫妻接近熊家，小心经营，如履薄冰，苦苦等待复仇的良机。

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电影讲述史老爷被大瓜气死，大哥大嫂将大瓜夫妇赶出家门。一次偶然大瓜夫妇误食了十胎药，大瓜生下五个孩子：冬瓜、南瓜、西瓜、地瓜、黄瓜。同一时间，花花亦生下五个兄妹：哈密瓜、香瓜、苦瓜、窝瓜、丝瓜。由宝药化身的十兄妹，各俱凡人所不能的本事。山王想要吸取十兄弟的精气便于修炼，于是招找上门，想抓十兄弟，十兄弟和山王斗智斗勇，山王屡战屡败，搞的山王晕头转向在十兄弟的努力下，家里的生活越变越好，大哥和打扫得知，便前来找事，想要收回田地和牛，十兄弟整惨大哥大嫂，大哥大嫂狼狈一身回到家里。山王使出绝技，吸取众小妖之力，绑架了大瓜和花花，十兄弟为救父母，顶破了法力的封层，最终打败山王，把山王封印起来。

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珍妮（苏菲•玛索 Sophie Marceau 饰）是居住在法国的一名美女作家，她和丈夫迪奥（Andrea Di Stefano 饰）共同经营一个幸福美满的四口之家。但是近一段时间，珍妮却感到令人难以承受的压力。客户的要求让她无法随心所欲写作，渐渐地珍妮发现周遭的一切开始发生变化，房间、丈夫、儿女甚至她自己的容貌都让人倍感陌生。珍妮的歇斯底里使家中的欢乐荡然无存，她和丈夫的婚姻也走到尽头。 某天，珍妮的容貌也完全发生改变，变成了一个拥有一头黑发、大眼明眸的异域风情女子（莫妮卡•贝鲁奇 Monica Bellucci 饰）。她偶然在母亲的住所看到一张相片，于是启程前往意大利，寻找自己真正的本源归宿……

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　索菲亚·科波拉将执导新片《触礁》(On the Rocks)，比尔·莫瑞、拉什达·琼斯主演，这将是苹果和A24合作的第一部电影，下月开拍。剧本由科波拉编写，讲述一个年轻妈妈和她有英雄色彩的父亲重新联系，在纽约展开一段冒险。

简介：本季将揭露前所未见的秘辛，带领各位赛车迷一窥车手和车队在争取冠军宝座背后所付出的血与汗。

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顶级大厨刘一帆，节目上严苛毒舌，看似不近人情，但工作之外，生活之中，他又是怎样一副面孔？这一次，刘一帆带着大家来到江苏如皋、太仓，浙江松阳、临海，海南海口、万宁，带领着观众深入这些小城市，探寻当地最本土的小店，跟随店老板或传承人们体验最传统的美食制作工艺，走入最寻常的人家，一起做菜煮饭，一起吃饭聊天。 行业顶峰的星级厨师，面对民间传承的烹饪技法，是否能够招架得住？当地的特色美食在顶级大厨的眼中又代表着什么？顶厨与素人的交流，又能碰撞出怎样的火花？一人、一城、一食，生活其实就那么简单与随性，慢慢来，刚刚好。

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深入了解一个在邪教中长大的女人的迷人故事，她通过教她的鹦鹉读书而治愈的旅程重塑了我们对跨物种交流的理解。

简介：2021年6月至12月，“时代精神耀香江”之百年中国科学家主题展暨月壤入港、仰望星空话天宫、大国建造主题展、内地奥运健儿访港活动相继在香港亮相，受到香港民众热烈欢ccc。纪录片——《时代精神耀香江》完整呈现这一活动。

简介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

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该片根据臭名昭著的理查德·斯佩克谋杀案改编，讲述了一个残酷的故事，一名精神失常的越战老兵经贝尔法斯特返回家乡，闯入八名护士合住的房子，恐吓并杀害他们。