莫问前程

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：1930年代，第二次国内革命战争时期。绿林首领白莲花（吴海燕 饰）杀死世仇冤家高敬轩，时逢红军团长肖烈（宫喜斌 饰）前来邀她参加红军队伍，联手抵御白军师长高占魁（胡浩 饰）。白莲花仰慕肖烈艺高人胆大，杀掉新婚夫婿——奸细柳飞，毅然率部参加红军。收编白部后，肖烈帮助他们克服了与生俱来的绿林恶习，并在战斗中与白莲花结为伴侣。高占魁趁红军内部分歧，设计离间政委彭炳青（徐阜 饰）与白莲花的关系，分裂红军内部组织。彭中计后，关押了白莲花。期间，肖烈与她永诀。当彭炳青发现自己中敌离间计，后悔不迭，此时白莲花万念惧灰......

简介：二零三零年，删除记忆已经成为人类备受争议的医学成果，虽然被严令禁止，但却一直徘徊在那些医学挑战者和痛苦记忆者的阴暗交易里。对于一些人来说，能用这样的方式躲避痛苦，也不失为一种解脱；而对于那些渴望在这方面证明自己的医术，或是想要帮助那些挣扎于痛苦记忆的患者的医生来说，这也是一项不得不做的事情。侦探丁轩一直放不下他妹妹严敏的失踪案。严敏失踪了一年，毫无音讯，没有人知道她在哪里。带着对妹妹的思念和对真相的追求，丁轩这一年里一直在调查和寻找线索。直到最近，他才确认严敏已经死亡，而严敏最后一个接触的人是位医生。带着这样的疑问和愤怒，丁轩和搭档在马路上飞驰，他想要立刻找到医生，查清真相。

简介：《仙人坝的红衣兜》是关于两位国军化装成日军脱离军营帮助难民逃离屠城，在一个美丽的山村定居并遭遇爱情和文化冲突，最后不惜生命帮助中国军队捣毁日军化学武器的故事。

简介：怪癖经纪人孙美美（蔡卓妍 饰）偷窥艺人东窗事发后被自己一手栽培的功夫明星剑龙（高云翔 饰）背弃，被同行抵触从而陷入事业最低谷；原收债公司恶霸麦超（杜汶泽 饰）机缘下接手一间小型模特经纪公司，转型成为经纪人，寄希望于公司艺人大红、一夜暴富。　　模特们皆有令人跌破眼镜的别样才艺，为捧红她们，麦超使出浑身解数，先是率领众人将剑龙发布会搅的天翻地覆，与孙美美后台大过招；后是前往爱情动作片公司洽谈演艺合作，探寻行业晦涩面；更是唆使旗下艺人陪各色老板喝酒，却阴差阳错促成了富豪与女星的痴心爱恋。　　在娱乐圈小试牛刀、胡乱翻腾一阵后，麦超着手实施专业造星大计划。他看中孙美美的工作能力，聘请她为这间经纪公司的首席经纪人。正处事业低谷的经纪人意外接到自己瞧不起的混混抛来的橄榄枝，在窘迫的经济状况面前，孙美美十分不情愿地出任了7个极度糟糕的女模特的经纪人。　　由最初的游戏人生态度到认真地拾起捧红这几个女孩的梦想，一路发生各种啼笑皆非的故事，而麦超与孙美美之间的关系也在发生着微妙的变化。

简介：年轻有钱又置身于意大利的艳阳下，这是汤姆·瑞普利（马特·达蒙 Matt Damon 饰）所渴望的生活，却是迪基·格林利（裘德·洛 Jude Law 饰）早已拥有的东西。　　瑞普利是个出身平凡，生活也毫无值得炫耀的年轻人，他受到一个富商之托，到意大利去游说他号荡不羁的儿子迪 基，重回他的家乡美国。但是当瑞普利一到那里，就深深地被迪基的生活形态所迷惑：美丽的别墅、高级浮华的度假饭店、一掷千金的奢靡生活，以及他美丽温柔的女友，都令他羡慕不已。　　由于瑞普利一心觊觎迪基的生活，最后这样的欲望竟扩张成想要将迪基取而代之，他缜密的心思不仅令人咋舌，而冷静的犯罪手法更教人措手不及。就在他陶醉于亲手打造的美梦中时，瑞普利因为一次意外的巧合害他露出了马脚，于是引起警方的注意并展开调查……　　本片改编自女作家派翠西亚·海史密斯写于1955年的同名小说，法国导演雷内·克莱芒曾于1960年拍摄过一部以该小说为蓝本的电影《太阳背面》，由法国影星阿兰·德隆主演。

简介：《KungFury》（中译名《功之怒》）是一部以80年代警匪片为背景，并包含了功夫、机器人、恐龙、纳粹、雷神、维京海盗、时空穿越、80年代电子游戏、80年代动作片、变种犀牛人等等等等元素于一体的名副其实的神片。众多的复古元素、高大上的特效、合不拢的脑洞和全程高能，好听到爆的80年代电子音乐，绝对让你在看完预告片后欲罢不能。　　本片是David Sandberg自导自演的一部短片，2013年12月他在Kickstarter上发起集资，集资目标是20万美元，最终筹集到630,019美元， 但因为没有达到100万美元的长片集资目标，所以最后选择制作成30分钟的短片。

简介：樱花飞舞的都立瑞泽高中，迎来了热爱花牌的女孩绫濑千早（广濑丝丝 饰）。小学时代，千早受转学生绵谷新（真剑佑 饰）的影响接触了花牌竞技，从此便一发不可收拾。进入高中后，她重逢了当年与她、绵谷一同参加比赛的真岛太一（野村周平 饰），于是两人联手创立了竞技花牌部。除她们二人外，还有大江奏（上白石萌音 饰）、西田优征（矢本悠马 饰）、驹野勉（森永悠希 饰）等成员参加。大家通力合作，一步步朝着全国大赛的目标前进，然而挡在他们前方的，则是有着悠久竞技花牌历史的名门学校北央学园，强大的对手毫不留情对这支成立不久的战队进行了碾压。在此期间，千早得到了绵谷的消息，她满心欢喜，期待这位与久别的好友再度走上竞技花牌的赛场……　　本片根据末次由纪的同名漫画改编。

简介：《美味的配餐》是描写配餐狂教师甘利田幸男和学生神野号之间“谁吃的配餐更美味”的斗争的校园美食喜剧。作为剧场版第2弹的本作品，将描述阿号的毕业给持续了很长时间的供餐战斗画上句号的故事。

简介：战争结束了，但留下的悲剧从来都不会就此断绝。在位于美国加州的一家伤兵医院里，卢克（强·沃特 Jon Voight 饰）痛苦的躺在病床上。战争彻底的夺走了他剩余人生里的幸福和自由，半身不遂的他注定再也享受不到生为一个正常人的快乐了。因为种种，卢克每天都生活在抑郁和愤怒之中。　　莎莉（简·方达 Jane Fonda 饰）的丈夫鲍勃（布鲁斯·邓恩 Bruce Dern 饰）是一名军官。身为军官之妻，莎莉有义务对在战争中遭难的军人们进行安抚。就这样，莎莉邂逅了卢克，并且在时间的推移之中深深的爱上了他。为了给予卢克继续活下去的希望，她不惜用自己的身体去引诱卢克。

简介：汤姆·克鲁斯凭此片获金球奖最佳男配角奖。　　主持吉米（菲利浦·贝克·霍尔 Philip Baker Hall 饰）患癌症时日无多，女儿陷入对邻居的狂热迷恋，妻子对此无能为力，吉米不知如何将自己的情况告诉女儿。吉米节目的嘉宾斯坦利（杰瑞米·布莱克曼 Jeremy Blackm an 饰）马上就能打破由唐尼（威廉姆·H·梅西 William H. Macy 饰）30年前创下的纪录，却不知唐尼只能在电器店打工。帕特里奇爵士（杰森·罗巴兹 Jason Robards 饰）病入膏肓，年轻的妻子琳达（朱丽安·摩尔 Julianne Moore 饰）当初为钱嫁给他如今却真心爱上老人，悔不当初。护理医生菲尔（菲利普·塞默·霍夫曼 Philip Seymour Hoffman 饰）把老人离家出走多年的爱子弗兰克（汤姆·克鲁斯 Tom Cruise 饰）带到家希望他谅解父亲......

简介：意大利南部吉普赛人聚居的社区，典型的贫穷混乱。十四岁少年渴望早日长大，像哥哥那样自力更生。他抽烟喝酒，从哥哥身上学会偷窃技能，不识字不打紧，认得钞票才实际。哥哥被捕，他变本加厉，偷车兼入屋爆窃，其间认识了非裔青年，骤觉人间有情。然而最后发现，成人礼的代价，是要懂得背叛与 无情。　　美籍意大利裔导演乔纳斯·卡皮纳诺三年前拍过同名短片，这次得马丁·斯科塞斯跨刀监制，起用非职业演员，捕捉贫民区的鲜活实感。代表意大利角逐奥斯卡最佳外语片。