豪门夜宴

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：Netflix 推出的纪录片剧集《韩团星学院：KATSEYE》，讲述在一年之内打造这支独一无二的女子组合 KATSEYE 的过程。这部纪录片将以前所未有的视角，以引人入胜的方式描述成为全球明星的成功之路，并深入探究 HYBE 和 Geffen Records 的独特培训和发展计划。

简介：简介：　　民国时期,有日本武士向中国武术界挑衅,打败了不少武术人士,气焰日益嚣涨,同时欺压贫民,经营不法行当,时有霍家拳掌门率子弟抗争;更有第三子元甲因身体虚弱,被父勒令弃武学文,在老夫子的帮助启发下,竟无师自通,自创迷踪拳法.最后父子二人联手击毙了众多日本武士......　　導演：羅馬 羅嘉甫　　動作設計：權永文 王將 黃樹棠　　副導演：王英杰　　出品人：羅嘉甫　　監製：羅馬 李旭馨 羅嘉甫　　出品：嘉氏影業(香港)公司　　演員：　　黃正利　　權永文　　王將　　陳樓　　蔣金　　李春華　　元武　　王沙　　金軍　　王憾塵　　元菊　　陳嶺威　　和尚　　歐陽耀蔭　　梁兆華

简介：人公童炎在救小女孩的时候被疾驰的车撞了，等他醒过来之后发现自己有了超能力，同时也加入了超能秘密组织。报到的时候童炎被分配给组织头号人物菲儿，此时菲儿发现了另一位头号人物拉格斯的阴谋，但是菲儿被暗器限制了能力，在观察童炎是否勇敢、善良、正义之后决定训练童炎，童炎的努力和改变让菲儿爱上了他，两人准备揭露拉格斯阴谋的晚上，菲儿用自己的超能力删除了童炎的记忆，等童炎醒过来之后碎片般的记忆让他感觉到好奇，童炎追寻着记忆的碎片终于找到了答案，童炎找到了拉格斯打碎了超能时钟，超能时钟钟声响彻天际，童炎醒过来发现是自己的一个梦，但是这个梦却如此真实，从此童炎改变了自己找回了自信。

简介：

一部法国纳粹僵尸电影

简介：在都市中生活的人猿泰山在参加一次聚会中，突然感觉到自己该“回家”了，并与好朋友一同回到了非洲；匪徒挟持老人去神秘的非洲探宝

简介：比利怀特自小热衷棒球，在球场上表现优异，并得到邻居大姊凯蒂的鼓励，誓以棒球为终身的事业，凯蒂的关爱，使她与比利之间建立起情同姊弟又如知己的友谊。　　比利因一次球赛失利而灰心丧志，遂放弃棒球球往大城市谋生，并与一女侍同居，过着混混噩噩的日子，某日接获母亲来电得知凯蒂因意志消 沉自杀，遗书中指名骨灰由比利负责处理，比利束装返乡，见得老友艾普比再度重返球场，并将凯蒂骨灰下葬，然而旧日一切早已不堪回首......

简介：林肯（丹泽尔•华盛顿 饰）因为公务导致全身瘫痪，他曾是享誉一时的侦探，破案无数，但自从他瘫痪后他便把自己封闭起来。这次，他因为一宗神秘的杀人案，受到了纽约警察的邀请帮忙，刚开始林肯是拒绝邀请的，但看到案情后便对此案产生了情绪。　　纽约最近发生了神秘的碎尸案，凶手还故意留下证据挑战警方。巡逻警艾米利亚（安吉丽娜•茱莉 饰）在最后一次巡逻中发现了一具被肢解的尸体，可是当她做出一系列大胆的推测的时候，同僚们都不愿理她，认为她不过是名籍籍无名的巡警。　　可是艾米利亚的敏感与勇敢受到了林肯的赏识，他要求与这名新手一起突破案件。两人出奇的合作愉快，终于了解到了杀手是有暴力倾向的，而且杀人前都会周密的安排。经过他们的默契又能否成功捉拿变态杀人犯呢？

简介：讲述的是一位大楼管理员被曾经的同伴利用他读取残存记忆的能力去寻找一位已经失踪了的钢琴师的故事。野村万斋饰演的是有读取记忆能力的主人公，宫迫博之就是饰演男主人公的曾经的伙伴。

简介：半熟年纪，是人生最危险的时期…… 　从重案组被调往「明灯计划」的女警程姐（陈昭昭），其首项任务是辅导榕榕、大家乐和摇摇三位问题少女。 榕榕的姐姐蒽猪男友肥佬贩毒维生，引起警方注意....

简介：本片是《坏小子》的续篇，故事仍发生在迈阿密。迈阿密的毒品交易于一夜之间变得异常猖獗泛滥，各个贩毒集团之间的火拼也接连不断，为了调查贩毒集团内部的重重矛盾，迈阿密警局的一对“黄金”搭档，潇洒的劳瑞（威尔•史密斯）和神叨的宾纳（马丁•劳伦斯）再度临危授命，很快，两人摸清事情的来龙去脉：一股外来的贩毒势力正在侵入迈阿密的毒品市场，为首的毒枭野心勃勃，意图控制整个美国乃至欧洲的毒品交易，建立贩毒王国。　　警方展开行动围剿贩毒集团时，一位DEA的女卧底西德妮（盖布瑞亚•尤妮恩）被毒贩劫持，对方开出的条件是，劳瑞和宾纳必须去干违法的事，这可难倒了两人，因为漂亮的西德妮不但是宾纳的亲妹妹，还是劳瑞的情人。

简介：汤姆·克鲁斯凭此片获金球奖最佳男配角奖。　　主持吉米（菲利浦·贝克·霍尔 Philip Baker Hall 饰）患癌症时日无多，女儿陷入对邻居的狂热迷恋，妻子对此无能为力，吉米不知如何将自己的情况告诉女儿。吉米节目的嘉宾斯坦利（杰瑞米·布莱克曼 Jeremy Blackm an 饰）马上就能打破由唐尼（威廉姆·H·梅西 William H. Macy 饰）30年前创下的纪录，却不知唐尼只能在电器店打工。帕特里奇爵士（杰森·罗巴兹 Jason Robards 饰）病入膏肓，年轻的妻子琳达（朱丽安·摩尔 Julianne Moore 饰）当初为钱嫁给他如今却真心爱上老人，悔不当初。护理医生菲尔（菲利普·塞默·霍夫曼 Philip Seymour Hoffman 饰）把老人离家出走多年的爱子弗兰克（汤姆·克鲁斯 Tom Cruise 饰）带到家希望他谅解父亲......