205
7.0

衰小王子

导演:
萨姆·德容
主演:
Oussama Addi,埃尔希·德·布劳,Ayoub Elasri,Olivia Lonsdale,Achraf Meziani,Jorik Scholten,Sigrid ten Napel
别名:
未知
7.0
205人评分
其它
语言
2015-06-25
上映时间
未知
片长
简介:
耍狠的大哥制定了地下法規,賺髒錢買華服,走路有風。小弟如我,只能在廣場嗑南瓜子,邊流口水看妹,邊模擬接吻,屬於我的時代何時到來?主角嘗試使壞,遇見鎮上的壞胚子,經歷詭異、噁心、殘酷卻又奇幻的一夜。鮮豔的影像色彩、實驗電子配樂,導演的處女作展現獨特風格,寫實的文本有著超現實的情節與視覺,使本片切中青少年議題而不落俗套。
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更新时间:04月18日
主演:Artúr Somlay,Miklós Gábor,Zsuzsa Bánki
简介:Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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主演:约翰尼·德普,奥兰多·布鲁姆,凯拉·奈特莉,杰克·达文波特,比尔·奈伊,乔纳森·普雷斯,李·阿伦伯格,麦肯锡·克鲁克,凯文·麦克纳利,大卫·拜利,斯特兰·斯卡斯加德,汤姆·霍兰德尔,娜奥米·哈里斯,马丁·科勒巴,大卫·斯科菲尔德,亚力克斯·诺顿,劳伦·马赫,内杰·亚当森,卢克·德·沃夫松,德里克·奥康纳,德莫特·基尼,克里夫·阿什伯恩,罗比·基,麦克斯·贝克,史蒂夫·斯皮尔斯,约翰·博斯沃尔,克里斯托弗·亚当森,安迪·比克维奇,乔纳森·林斯利,西蒙·米考克,瓦妮莎·布兰奇,大卫·斯特恩,安东尼·帕特里西奥
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4.0
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4.0
更新时间:04月17日
主演:Oliver Ackland,Alex Russell,Adelaide Clemens
简介:单一色调的八个游泳队员在同样单一色调的学校泳池破浪。  一对同母异父兄弟,大哥Zack是学校老大,他人脉广阔,在学校深受女生爱戴,不时发施号令, 要弟弟Darren代做化学家课;弟弟是典型电脑迷,时刻沉迷网络游戏及破解程式密码,弟弟不是一头乱发、佩带黑色大框架眼镜,以及衣衫不整以现代贬义称为的“宅男”,他是以兄长为校队游泳团队首领,成绩欠佳的游泳队员。爱接触阳光池水及精通电脑的男孩可谓文武兼备,他比不上哥哥的狡黠, 男人不坏,女人不爱,弟弟的木讷朴实不是女同学喜欢的类型,他遇见了倾心对象。  Xandrie的幼滑金丝、纯真笑容打动了Darren,他在哥哥搞的狂热派对找不到金发蓝衣美人,发放短讯联系,短句是只有年青网络族群才懂的文字,他在房间的监视器遍寻不获,遇到了意图借着酒精毒品弄得迷迷糊糊在电脑男房间胡天胡帝的男女,Darren挂心不知所在的Xandrie恐怕被男人下了药带到隐匿地方施暴,他害怕Xandrie遭遇 同一手段,他赶走了他们,是潜意识对抗利用酒及违禁粉末壮大胆子,麻醉常理,做出一发不可收拾劣行的校友。  单一色调的泳池竞赛选手不是八个,余下四个是校园欺凌的要角。
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主演:Oliver Ackland,Alex Russell,Adelaide Clemens
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