末日情缘

简介：导演黎妙雪180度大变，由拍问题少女到痴恋少女后，转向惊悚血腥之作。一间于大澳的度假屋，住了不少年青人，当中有小说家、悠手好闲的小混混等等。一日一男子从九龙到了那儿度假，及后发生多多怪事……

简介：

梅尔文·范·皮布尔斯百老汇音乐剧的电影版。一对恶魔蝙蝠化身人形，闯入哈莱姆区的家庭聚会，试图破坏聚会。但不知何故，他们破坏聚会的尝试失败了。

简介：大光灯是富家阔少爷，由法国返回香港，继承遗产，怎料继父已将全部遗产赠送慈善机构，遗下给他的只是四字真言：自力更生。一夜之间，阔少爷落难无家可归，暂寄居前管家炎叔家中，与此同时，大光灯开始寻回已各奔前程的昔日四个乐队——人行支票乐队的队友，是非精、柠檬头、猫粪。猫粪是颇负名气的舞男，是非精贪图金钱，好逸恶劳，甘愿继续其舞男生涯，而柠檬头经不断碰壁，放弃对表妹的盲目追求，与小凤同赴外国深造，生意则转让给大光经营……

简介：一把大刀沾尽血腥无数 刀客沦为钦犯 问世间谁是英雄.无限电视电影“大刀王五”，剧情紧凑，武打动作出色。　　清末年间，有一捕快王五（郑浩南），专替朝廷缉拿钦犯归案，由于擅用一把大刀，人称”大刀王五“。当时，御史安晓仁直言上疏，弹劝太监李连英干预朝政，触怒慈禧，命王五剿杀安史全家，王五为免杀错忠良，竟公然抗命，并且招致灭门之祸。王五之妻（蓝洁英）亦修遭杀害，从此王五携同幼子流浪天涯，闯荡江湖，朝廷派出大内都统萨多（尹杨明）追杀父子，斩草除根。在流浪途中，王五遇到留洋回来的女医师程心兰（翁杏兰），两人曾共患难，兰更因而倾慕五，及后兰得知五竟是自己的杀父仇人，陷于情义两难的局面。另一方面，王五与萨多交手数次，两人虽惺惺相惜，然而命运作弄，最终仍不能避免一场生死决战……

简介：年迈的兽医扬先生试图为自己牢笼般的婚姻找寻一条合适的出路，而他岳父的死亡成为压死骆驼的最后一根稻草。他岳父曾和他一样同婚姻做斗争。他岳母现在成了一名寡妇，但仍然主宰着一切事务。扬先生的妻子奥尔加也坚信是她主宰着他们二人的幸福，因此扬先生越来越怕自己步岳父的后尘。他不断用越发奇怪的方式去释放自己，甚至选择去进行一场荒谬又不自在的冒险，最终他发现即使实现了理想中的自由，但一切并没有那么简单。

简介：影片讲述一战中第一个获得英国维多利亚十字勋章的尼泊尔廓尔喀军人库尔伯·塔帕·玛加尔（Kulbir Thapa Magar VC）的经历，他曾在加里波第和埃及为大英帝国而战

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：美国历史上著名的密苏里号战列舰即将退役，盛大的庆典连总统也莅临。而老舰长的生日亦在这一天，舰上的厨师——雷白下士（史蒂文·席格 Steven Seagal 饰）正在全力筹备宴席，讨人嫌的副舰长奎尔与雷白发生冲突并将其关入冷藏室。一支劳军演艺队伍来到舰上，正当表演掀起高潮之际，劳军艺人们突然与奎尔同时行动，袭击船员并控制了密苏里号。“艺人”中的史崔尼（汤米·李·琼斯 Tommy Lee Jones 饰）原是中情局特工，精通舰只，他与奎尔合作，获得了舰上多枚携带核弹头的战斧导弹发射密码。军方被这一恐怖袭击彻底震惊，却又应对无法，此时从冷藏室逃出的雷白成为了他们唯一的希望……

简介：该片根据朱迪·布鲁姆撰写的同名小说改编，该书于1970年首次出版，讲述六年级小学生玛格丽特·西蒙(弗特森饰)对青春期有关的一切充满疑问，她在满世界寻找答案。她的母亲(麦克亚当斯饰)和外婆(贝茨饰)试图在这个一切都在发生变化的时期引导她。母亲和外婆也发现，人不会停止怀疑自己走的路是否正确，也不会停止思考生命中什么才是有意义的。萨弗迪饰演玛格丽特的父亲。

简介：北宋年间，丐帮帮主乔峰英雄侠义，受武林拥戴，却突遭指认为契丹人而众叛亲离。追寻身世，寻找仇人途中，乔峰与慕容家婢女阿朱相识相知，情愫互生。二人历经聚贤庄、雁门关、镜湖风波，直至阿朱因马夫人设计被乔峰错杀，乔峰终查出一切皆是慕容复为复辟燕国的阴谋，乔峰手刃慕容复，随后带着阿朱的遗愿孤身前往塞外。

简介：一名人气网红（朴柱炫 饰）遭不明人士绑架后，被关在一辆车子的后车厢，而且她必须在一小时的直播时间内赚到6亿5千万韩元，才能逃出疾驶于市中心的这台车！

简介：故事发生在1845年，西部大迁徙的步伐刚刚迈出，想要穿越那片荒芜而又充满了凶险的蛮荒之地，除了需要足够的勇气和运气之外，智慧必不可少。三个家庭决定离开故土，寻找新的生活，为了自保，他们找到了一位名叫米克（布鲁斯·格林伍德 Bruce Greenwood 饰）的向导，希望他能够护送他们安全抵达目的地。　　然而，当众人在米克所谓的近路上渐行渐远之时，越来越荒凉的景象和越来越陌生的环境让他们知道，他们迷路了。资源在渐渐的消耗，饥渴和恐慌逐渐消磨着人们的意志，就在大家觉得走投无路之际，一名当地土著的到来带来了新的希望，然而，他们并不能肯定，来人是朋友，还是敌人。