鹰爪神捕

简介：哈米特在伊斯坦布尔的一个社区和一个边境小镇之间游走。他为阿里工作，一边运走木炭，一边运来非法移民。在这个荒凉的小镇上，哈米特感到压抑困顿，受制于阿里，他与帮手穆罕默德共享一个破败的房间，但这并不是哈米特想象的生活。他曾试图逃跑却无济于事。唯一让他感到安慰的是在当地研究中心工作的植物学家丹妮丝，他们经常在海边的小屋里会面，伴随着海浪声做爱，却对彼此的生活闭口不谈……

简介：曾有过一次失败婚姻的35岁女子大森桃子（铃木杏树 饰），现如今正在青森县八户市某眼镜店担任店长。某天，她被仰慕自己的后辈宫内樱（武田梨奈 饰）硬拉着参加联谊会，失败的婚姻经历让她兴致寡然，不过却在联谊会上遇见了一位40多岁的大叔。对方名叫佐久间五朗（宇梶刚士 饰），胡子拉碴的外表让桃子为之一惊，遥远的记忆顿时复苏。佐久间是一位考古学家，而桃子似乎在梦中曾经穿越上古时期的原始森林。她向佐久间讲述着这个童年时代开始便困扰她的梦境，佐久间则带着她观赏绳文时代的遗迹文物。久远的记忆，仿佛穿越时空连接在一起……　　本片根据森泽明夫的同名小说改编，在日本国内33块银幕上同时公映，首周初登场观众满意度排名第六位。

简介：自诩行侠仗义、绝不伤害人命的劫匪帕克带领同伙洗劫俄亥俄一座游乐场，谁知最后关头却遭背叛，身受重伤，命悬一线。死里逃生的帕克迅速从医院逃出，他有条不紊搞来现金，准备假证件。为了讨回自己应得的那份钱，他查到同伙梅兰德等人的消息，一路尾随前来。与此同时，有着芝加哥黑手党背景的梅兰德等人察觉到帕克的行踪和动机，也唆使杀手追杀这个难缠的对手。围绕着这笔不义之财，交织着人性欲望的杀戮随即展开……

简介：漫画店打工仔Clarence Worley（克里斯汀·史莱特 Christian Slater 饰）生日的时候，在电影院邂逅了美女Alabama Whitman (帕特丽夏·阿奎特 Patricia Arquette 饰)，两人一夜春宵。第二天，Alabama告诉Cla rence她是个妓女，是Clarence的老板送给他的生日礼物，但她爱上了他。Clarence决定将Alabama从皮条客Drexl Spivey（加里·奥德曼 Gary Oldman 饰）手中拯救出来。夜总会的一阵混战后，Clarence开枪将Drexl杀死，并拿走了一个他以为属于Alabama的手提箱。后来两人发现，手提箱里竟有大量可卡因。两人欣喜若狂，开始流浪，寻找将可卡因换成现金的机会。两人一路来到了洛杉矶，找到了Clarence的老友Dick Ritchie（迈克尔·拉帕波特 Michael Rapaport 饰）。Dick是个在好莱坞混迹的演员，他把一位能转手可卡因的导演Lee介绍给二人。而另一边，被Drexl偷走了大量可卡因的黑帮老大Vincenzo Coccotti（克里斯托弗·沃肯 Christopher Walken 饰）也带着一帮人开始寻找两人的踪迹。一场场大战即将上演，到底这对恋人的罗曼史能否延续下去？

简介：

简介：天球交汇，天降异象，宇宙中飞出九龙拉着青铜巨棺划过北斗星域，生命禁区葬天岛降世。传言葬天岛留有帝器宝藏，可助力修士大幅提升修为。 北斗星域各大宗门、散修齐聚云霄圣地白虎场，欲登岛夺宝，其中就有孤儿虚空。虚空自小被师傅收养在剑庐，师傅察觉他天赋异禀便付出巨大的代价，为圣地锻打千万把剑才将他送入云霄圣地修炼。此番葬天岛降世，虚空与剑庐的师兄弟一同登岛争夺帝器，一窥成帝之路。谁知在葬天岛上，竟发现异兽横行，层出不穷的洞窟里也隐藏着万年来最大的阴谋

简介：

1989年无线电视电影「情义两难」里，张兆辉饰演黑道头子鲍方得力左右手高健，为人重情重义，有胆色，加上一段扑朔迷离、哀怨动人的恋情（与麦翠娴），张兆辉除忠肝义胆外，更有其酷的一面 。青龙帮帮主唐龙被杀，帮众认为是洪鹰帮所为，欲找报仇，洪鹰帮之当家高健（张兆辉）再三保 证龙死与洪鹰帮无关，唐龙的弟弟唐虎（刘青云）赏识高健，对他信任，暂不向洪鹰帮追究。

简介：

东京山手地区的代代木上原地区。坂西家的住宅就位于该住宅区内。这个家庭由 60 岁的母亲 Aki、她的长子 Yuichiro（公司部门经理）、他的妻子 Kazuko、他们的儿子 Yoshiro 和他们的小女儿 Haruko（在一家葡萄酒公司工作）组成。另外，嫁入商人家庭的长女早苗也因与丈夫和婆婆相处不融洽而前来探望。早苗的丈夫在这次回家途中遭遇意外身亡，之后早苗便住在父母家，每月为父母提供 5,000 日元的生活费。雄一郎抵押了自己的房子，把钱借给在当地经营工厂的和子的叔叔，并用利息补贴生活开支。他还被要求额外支付50万日元，并要求早苗提供这笔钱。她同意了。有一天，早苗、晴子、他们的二儿子玲二和他的妻子美枝一起去甲府的一个葡萄园。我们的导游是酿酒工程师黑木，他对早苗的同情远不止于此。回到东京后，早苗去银座为母亲买60岁生日礼物。他被同学 Kiku 邀请到一家水果店，并被介绍给她的熟人 Gojo。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：

故事讲述在马戏团工作的女子因目睹男友被班主谋杀，自己也牵连其中，无辜受害。其后，女子竟死而复生，变身半人半妖的烂面怪物回来报复。

简介：刻板的国会女议员非比·弗斯特（琪恩·阿瑟 饰演）发现一位美国军官和一个柏林美女关系甚密（玛琳·黛德丽 饰演），局势便骤然紧张起来。

简介：In a gritty near future, an ex freedom fighter reluctantly jumps back into the fold after discovering a disturbing secret that could bring down the company that owns the world.