32
7.0

围屋喜事

导演:
韩荣声
主演:
李佳倪,詹益铭,黄金涛,侯瑜畅,赖思伊,罗纪锋,范依玲,李礼兴,谢林盛,李胜,江丹,林永忠,杨丽君,许奋达,叶成旺,张沁彬,黄凌波,杨小晴,曾俊,刘晨钰,陈锦昊,梁嘉斌,陈志超,房思琪,萧梦佳,叶锋英,古运昌,王思霖,杜家鑫,章娜,陈善宝
别名:
未知
7.0
32人评分
其它
语言
2020-12-19
上映时间
未知
片长
简介:
城市日益扩张、地产遍地开花的大环境下,马家祖屋的老住户们都住进了商品房。马伯夫妇却坚持住在老屋里面。地产商看中了老屋,欲征收改造成集民俗和餐饮一体的商业空间。马伯不愿意把祖上传下的基业交给别人。地产商软硬兼施,威逼利诱。马伯却不为所动。女儿马文文是传媒精英,对爸爸坚守传统文化的毅力感动,遂以客家文化为内容策划纪录片,并为老屋申请文化遗产保护。父女俩与地产商展开斗智斗勇的行动。
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9.0
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9.0
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简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
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