莱奥诺拉的告别

简介：鸟类观察员鹏鹏回到家乡，在表弟点点的 介绍下认识了虎子。闲聊中，虎子称他见 到过鹏鹏电脑图片中的“中华秋沙鸭”， 此为国家一级保护动物，等于鸟类动物中 的“大熊猫”，为了拍摄更多关于秋沙鸭 的照片，鹏鹏与虎子带上帐篷、干粮与摄 影器材开始了旅程。 与此同时，一帮偷猎分子看准了原始森林 中的活动的游隼，找到了熟悉森林地貌的 阿四带路。旅程中，两支队伍相遇了。在 鹏鹏的科普下，偷猎分子头领江哥了解到 了秋沙鸭的价值，并且也动气了偷猎秋沙 鸭的心思。 原始森林，丛林法则。一组是鸟类观察员， 一组是凶残的偷猎分子，他们展开了关于 “利益”的殊死的搏斗......

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：黄小龙、李虎是两个被判重刑的在押犯，他们越狱后潜回北京，想找当年把他们送进监狱的刑警傅冬（张丰毅 饰）复仇。傅冬的妻子孙岩（吕丽萍 饰）无法忍受丈夫这种早出晚归、让人整天提心吊胆的工作，向他提出离婚。傅冬非常苦恼，可他偏偏又喜爱这份工作。单位同事钟小妹（伍宇娟 饰）平日里爱慕着傅冬，闻讯傅妻要与他离婚，大胆表明了自己的爱意，却不料遭委婉拒绝，让小妹非常伤心。得知黄、李二犯潜回北京，局领导进行了周密的抓捕布署，钟小妹化装成小保姆来到同案犯张大为（赵强 饰）家做内应，经过一番交量，终将二犯缉拿。模特阿玲（张艳丽 饰）曾得到过傅冬的帮助，对傅颇有好感，出国定居前也向傅表达了爱慕之情......

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简介：影片改编自中国侦探小说家程小青的《霍桑探案集》，讲述了在中俄边境有一个富裕而神秘的城市——黄金城，这里发生了一起离奇的谋杀案，扑朔迷离的线索，身份不明的各路人马都让霍桑的探案之旅充满了未知和险阻，而最大嫌疑犯——怪盗江南燕出神入化的易容技巧更是让整个案件变得错综复杂。霍桑究竟能否在一系列的危机之下查明真相并全身而退呢？

简介：二零三零年，删除记忆已经成为人类备受争议的医学成果，虽然被严令禁止，但却一直徘徊在那些医学挑战者和痛苦记忆者的阴暗交易里。对于一些人来说，能用这样的方式躲避痛苦，也不失为一种解脱；而对于那些渴望在这方面证明自己的医术，或是想要帮助那些挣扎于痛苦记忆的患者的医生来说，这也是一项不得不做的事情。侦探丁轩一直放不下他妹妹严敏的失踪案。严敏失踪了一年，毫无音讯，没有人知道她在哪里。带着对妹妹的思念和对真相的追求，丁轩这一年里一直在调查和寻找线索。直到最近，他才确认严敏已经死亡，而严敏最后一个接触的人是位医生。带着这样的疑问和愤怒，丁轩和搭档在马路上飞驰，他想要立刻找到医生，查清真相。

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腐败警察罗梅乌 (Romeu) 雇佣了希德 (Cid) 和亚历克斯 (Alex) 去抓捕一名臭名昭著的罪犯，该罪犯离开墨西哥，前往西班牙加利西亚寻找杀害其兄弟的凶手，而一名联邦调查局特工也在试图抓捕同一名罪犯。

简介：本故事描写一位环卫女工方方一家三口幸福的生活。但是就在方方的丈夫消防队员李强，退伍前却在一次执行任务救火中，献出了宝贵的生命。倔强的方方拒绝了社会各界的帮助，一个人含辛茹苦的抚养着自己心爱的女儿文文。可是由于方方是一名环卫工人的身份，方方的女儿文文在学校却招到同学的歧视。从此女儿也渐渐疏远了妈妈。方方为了女儿却默默无闻的承受着一切痛苦。 一次夜晚工作时方方受到一个醉汉的欺负，醉汉的钱包丢了，方方捡到交给派出所，却被醉汉误解。方方退休后一个人默默的祝福自己的女儿幸福，自己孤独时只有抱着牺牲丈夫的照片来回味过去美好幸福的生活。

简介：莱尼（安吉丽娜·朱莉 Angelina Jolie 饰）年轻貌美，是电视台的当家花旦，靠着自己的不懈努力，她终于爬到了如今的位置，高薪的工作、舒适的住宅、宽裕的经济条件和英俊帅气的男朋友卡尔（克里斯蒂安·凯恩 Christian Kane 饰），坐拥着这令旁人羡煞的一切，莱尼觉得自己或许就是世界上最幸福的女人。　　在一次采访中，莱尼的采访对象是一位善于占卜和寓言的流浪汉，令莱尼感到惊讶的是，流浪汉竟然寓言自己将会在一周之内死去。流浪汉的寓言点醒了莱尼，她开始思考起自己人生真正的意义。与此同时，一件令莱尼心烦的事情发生了，那就是她必须跟向来不合的摄影师皮特（爱德华·伯恩斯 Edward Burns 饰）一同工作，站在人生的低谷中，莱尼会怎样处理自己和皮特之间的关系呢？

简介：1821年，巴西迪亚曼蒂纳山脉，奴隶贩子António回到又大又破的农庄。他的妻子死于难产，他和精神错乱的岳母与成群的黑奴被禁足于这荒无人烟的地方，他娶了死去妻子的12岁侄女Beatriz。不安分的António再次与商队一起远行，年幼的妻子Beatriz却不知如何与黑奴们相处……

简介：一种基因突变的青蛙成为了威胁人类生存的致命怪物，它们以人类女性为目标抓获后为其繁殖后代，由于其种群的不断扩大，人们决定和这群变异怪物进行一场你死我活的战斗。

简介：安娜（黛安娜·卡娃柳堤 Diana Cavallioti 饰）和托马（米尔卡·波斯泰尔尼库 Mircea Postelnicu 饰）相识于大学的校园之中，在一次关于尼采的哲学讨论之中，两人成为了知己。精神世界十分契合的两人很快就走到了一起，并且认定彼此就是他们想要携手共度一生的那个人。可是，安娜拥有非常复杂的过去，同时亦是一名MS综合症患者。　　当托马的家人得知了安娜情况后，对这段感情自然强烈的反对，可是托马坚持了自己的深爱，即便孤立无援也坚定的握紧安娜的手，两人共同努力最终使得安娜的心里创伤得到了治愈。可是故事并没有就此结束，安娜康复了，托马的精神却来到了濒临崩溃的边缘。