契妈不易做

简介：电视购物女主持人金孝真（柳真 饰）人生陷入困境：年轻后辈青春美貌兼备，势头逼人；男友是个不成器的电影导演，百无一用。在一次老友聚会时，当年备受嘲笑的丑小鸭善花（李英珍 饰）竟变成绝世美女，这令孝真她们甚为惊奇。事业面临危机，孝真转而向善花求教美颜秘诀。在善花的指引下，她来到简美希所开办的瑜伽学院申请为期一周的深化训练。　　孝真和尚妍珠、李宝拉等四名女孩一同进入学院，她们被要求严格遵守这里各种奇怪的规则，更要与外界切断一切联系。在接下来的一周时间里，她们各自为了心中理想的美貌而进行魔鬼训练，却不得不去面对恐怖黑暗的一面……

简介：年迈的兽医扬先生试图为自己牢笼般的婚姻找寻一条合适的出路，而他岳父的死亡成为压死骆驼的最后一根稻草。他岳父曾和他一样同婚姻做斗争。他岳母现在成了一名寡妇，但仍然主宰着一切事务。扬先生的妻子奥尔加也坚信是她主宰着他们二人的幸福，因此扬先生越来越怕自己步岳父的后尘。他不断用越发奇怪的方式去释放自己，甚至选择去进行一场荒谬又不自在的冒险，最终他发现即使实现了理想中的自由，但一切并没有那么简单。

简介：2019年5月，几十位作家来到山西汾阳的一个小村庄，他们在这里谈论乡村与城市，文学与现实。影片以此为序曲，交响乐般地以18个章节讲述出1949年以来的中国往事。出生于上世纪50年代、60年代和70年代的三位作家贾平凹、余华和梁鸿成为影片最重要的叙述者，他们与已故作家马烽的女儿一起，重新注视了社会变迁中的个人与家庭，让影片成为一部跨度长达70年的中国心灵史。

简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

简介：孟非凡和蒋正是相识多年的好友，某天二人接到神秘电话委托他们押送一个皮箱到指定地点，完成后即可获得丰厚报酬。见财起意的二人不问青红皂白就欣然接下任务，但没想到的是从拿到神秘皮箱的那一刻起就怪事不断，先是遭到不明黑衣人的穷追不舍，后来到地铁上又遇到了保险推销员曹海滨，健身教练小美，演员黄大明，美发师大牛四位奇怪的同车人。在地铁故障黑灯瞬间后二人发现皮箱已被打开，里面的东西不翼而飞，而小偷肯定就在离箱子最近的这四个人中。然而随着剧情推进结果超乎所有人想象，原来这是一个早已被设计好的连环局中局，最终二人能将箱子找回顺利完成任务吗？谁才是真的小偷，谁又才是真正设计这一切的幕后黑手？一切答案皆在故事中..

简介：

故事讲述在马戏团工作的女子因目睹男友被班主谋杀，自己也牵连其中，无辜受害。其后，女子竟死而复生，变身半人半妖的烂面怪物回来报复。

简介：当记忆支离破碎后，你该怎样面对生活？本片的主人公就遭遇了这样的事情。　　莱纳•谢尔比（盖伊•皮尔斯 饰）在家遭到歹徒的袭击，妻子被残忍的奸杀，自己脑部也受到严重的伤害。　　醒来后，他发现自己患了罕见的“短期记忆丧失症”，他只能记住十几分钟前发生的事情，为了让生活继续下去，更为了替惨死的妻子报仇，他凭借纹身、纸条、宝丽来快照等零碎的小东西，保存记忆，收集线索，展开了艰难的调查。　　调查中，莱纳遇上粗俗的酒吧女招待娜塔莉娅(凯瑞•安妮•莫斯 饰)，她似乎知道一些莱昂纳多感兴趣的事；还有泰迪(乔•潘托利亚诺 饰)，自称是他以前好朋友，但看上去鬼鬼祟祟的，不怀好意。到底谁能相信？娜塔莉娅？泰迪？还是他自己？　　抽丝剥茧之后，真相呼之欲出，简单之至却又残酷无比，而莱纳是否有面对这一切的勇气？

简介：电影《我在这里》引以中国矿业大学年轻学生的爱情故事为主轴，讲述了以庞小元、胡紫心为代表的新一代大学生的情感生活与奋斗历程。他们敢爱敢恨，经历困惑之后最终确立了人生的理想，将青春奉献给祖国最需要的地方，投身采矿事业。影片通过老、中、青三代矿大人的故事展现了矿大人爱国爱校、艰苦奋斗、无私奉献的精神。

简介：十多年前，退休警员孟金(洪金宝 饰)收养了阿芬(陈松伶 饰)、阿志(王合喜 饰)、阿伟(李炜尚 饰)、阿恩(卢淑仪 饰)和阿杰(唐家辉 饰)，五人皆是没人理会或家庭背境有问题的少年。金叔教授他们各种在警队里学到的知识和技巧，目的把他们训练成为出色的杀手。　　金叔还未退休时，眼看很多被自己拘捕的罪犯因证据不足或有人顶替认罪，而大摇大摆的从法院走出来。金叔心想既然现有法律不能惩罚那些人，只好由自己来充当罪犯的处刑者了。　　十多年后的今日，除了阿芬照顾孟金之一切生活之外，而阿志、阿伟、阿杰、阿恩四人，凭著学到的技能，展开了当杀手的生涯。金叔每次接任务都有一个条件，目标一定要是罪大恶极，或是为祸社会的人。所以每次当四个徒儿完成任务后，都有一种大快人心的感觉。　　一天， 金叔向四人宣布有一个新的任务，目标是一个做尽坏事的香港黑道名人。四人非常开心，因为可以重回到出生的地方──香港。金叔与四徒到达香港，阿志四人对香港的一切都感到十分新鲜。但这次任务却出了意外，金叔在会合的时间见不到四徒；四人就此流落在这个表面上是繁华十色，但却到处隐藏著乌烟瘴气、罪恶和阴暗的都市。他们遇到了很多不能明白、不能解决的事情；他们为了保护自己，甚至杀了不该杀的人。金叔此时才明白到，四个从小在岛上长大的徒儿，根本完全不懂分辨是非黑白和人际关系的技巧，他已不知不觉地训练出四个无知、无情、杀人不眨眼的杀人机器……　　金叔到处找回四徒儿，找到后，讨厌罪恶的金叔将会如何处置这四个自己一手训练出来、在香港市民的眼中是埋没人性的杀人狂？

简介：开封府师爷张光禄、捕快徐三脚接连被杀，疑犯韩武却宁死不肯认罪，在狱中自杀。　　李少白和狄八方到张光禄家中调查，发现张光禄办公的书房已被人烧毁。　　神偷龙九总爱查人隐私，在揭穿张光禄妻子和韩武的奸情时，提供了重要线索。与李少白、狄八方二人喝酒时又将玩笑开到了知府大人头上，告诉二人，开封知府孙耀祖和戏班女子绣娘也有奸情。　　李少白怀疑张光禄之死和官府账目有关，到库房查账，遭人偷袭，随后立刻带人去戏班抓捕绣娘。　　原来，表面清廉的开封知府孙耀祖一直假造账目私吞公款，加入夜叉组织，意图谋反。而一直帮其造假的师爷张光禄记下了两人所有的账目，并借此要挟。孙耀祖让绣娘杀掉张、徐二人，又计划铲除李少白和狄八方。没想到李少白在他之前找到了线索，那本关系着几条人命的账本就藏在张光禄的鸟笼子里。

简介：影片内容讲述少女波子（徐可缨）搬到一条小村中，一夜她用望远镜窥看邻近四周聊以自遣时，揭发一宗命案，但警方调查过村内居民，包括一富商情妇Rita（钟楚红）、邮差（汤镇业）、纸札店主老王（谷峰）及其妻子（金燕玲）等人。最后还是不知谁是受害人，谁是凶手？

简介：阿B（钟镇涛饰）、阿发（周润发饰）都是足球好手。阿发来自大马，有个美丽风流的太太（王祖贤饰），常与男生调笑，令阿发又妒忌又焦虑。阿B的太太（梅艳芳饰）则是个脾气暴燥的女人，她时常埋怨阿B没有出息，而且还常常当众奚落他，使阿B面子尽失，自尊心受到伤害。一次阿B受可太太的气，到酒吧饮闷酒，遇到由大马来港的阿发，阿发也是不满太太对其他的男人太热情，还怀疑她红杏出墙。阿B、阿发互吐心事后，更觉同病相怜，大家酒醉后竟然发起杀妻之念，二人更密谋出不同的杀妻方法，其中尽情地发挥了小气男人的妒忌妻子的梦幻式惩治杀妻方法，可谓洋洋大观，笑话连篇。二人兴头一起，于是达成口头协议，二人各去对方家里杀掉对方的妻子......